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Creators:
Patterson, M. Marvin Breckinridge
Dates:
1932, circa 1960s-1970s
bulk 1932
Size:
113 Photographic prints ((0.4 cubic feet), black and white, 8 x 10 in. or smaller )
3 Photographs ((1 folder), color)
7 manuscripts (document genre) ((4 folders), publications)
47 contact sheets ((0.2 cubic feet), black and white)
Collection ID:
EEPA.1985-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection measures 0.65 cubic feet, dates from 1932 - circa 1970s, and is primarily comprised of photographs taken by M. Marvin Breckinridge Patterson during her trip with Olivia Stokes Hatch from Capetown, South Africa, to Cairo, Egypt in 1932. The photographs document the peoples of Africa in Egypt, Kenya, South Africa, Sudan, Tanganyika (now Tanzania), Uganda, Congo (Democratic Republic) and Zanzibar, including the Baila, San, Shona, Xhosa and Zulu peoples. There are also some publications and contact sheets in the collection.

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Creators:
Saalburg, Allen Russell, 1899-1987
Dates:
1924-circa 2003
bulk 1940-1987
Size:
0.8 Linear feet
Collection ID:
AAA.saalalle
Repository:
Archives of American Art

The papers of painter, illustrator, and screenprinter Allen Saalburg, 1924-circa 2003, bulk 1940-1987, measure 0.8 linear feet. Included are professional correspondence, printed material, a scrapbook and photographs. Most photographs are of Saalburg and his artwork. Also found are biographical material and subject files.

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Creators:
Hirshhorn, Joseph H.
Dates:
circa 1926-1982 and undated
Size:
29.78 cu. ft. (27 record storage boxes) (1 document box) (3 16x20 boxes) (3 oversize folders)
Collection ID:
Record Unit 7449
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Facci, Domenico, 1916-1994
Dates:
1914-1995
Size:
1.2 Linear feet
Collection ID:
AAA.faccdome
Repository:
Archives of American Art

The Domenico Facci papers are dated 1914 to 1995, with the bulk falling between the years 1950 and 1984. They measure 1.2 linear feet and consist of biographical material, correspondence, artwork relating to sculpture projects, printed material, and photographs. Among the well-documented aspects of Facci's professional career are: his leadership roles in several arts organizations based in New York City, including Audubon Artists, National Sculpture Society, and Artists Equity Association; his work on the United States Treasury's 1988 Olympic Games commemorative coin competition, Brooklyn Bridge 100th Anniversary reliefs, Endangered Species Medal, and Neptune Fountain at Busch Gardens in Williamsburg, VA.

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Creators:
Hoogstraal, Harry, 1917-1986
Dates:
circa 1940-1986
Size:
113.74 cu. ft. (98 record storage boxes) (1 document box) (22 16x20 boxes) (2 oversize folders)
Collection ID:
Record Unit 7454
Repository:
Smithsonian Institution Archives

These papers document the professional career, and to a lesser extent, the personal affairs of Harry Hoogstraal. Most of the papers concern his work after he joined NAMRU-3 in 1949. There appears to be little documentation of his participation on scientific expeditions during the 1930s and 1940s. The papers primarily consist of a voluminous ...

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Creators:
Borglum, Solon Hannibal, 1868-1922
Dates:
1864-2002
Size:
11.5 Linear feet
Collection ID:
AAA.borgsolo
Repository:
Archives of American Art

The Solon H. Borglum and Borglum family papers date from 1864 to 2002 and measure 11.5 linear feet. The collection documents Solon Borglum's personal life and his career as a sculptor specializing in Western themes through biographical material, family and general correspondence, writings and notes, research for his biography, financial and business letters, printed material, photographs and artwork.

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Creators:
Bladensburg Union Burial Association
Dates:
1874–1978
bulk 1920-1970
Size:
3.64 Linear feet (4 boxes)
Collection ID:
ACMA.06-025
Repository:
Anacostia Community Museum Archives

The collection, which dates from 1874 to 1978 and measures 3.64 linear feet, documents the history of the Bladensburg Union Burial Association. The records include the Association's constitution, by-laws, treasurer reports, receipts, and correspondence.

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Creators:
Smithsonian Astrophysical Observatory
Dates:
1923-1954
Size:
10.5 cu. ft. (21 document boxes)
Collection ID:
Record Unit 85
Repository:
Smithsonian Institution Archives

Record Unit 85, records of the Smithsonian Astrophysical Observatory, covers the years 1923-1965. Most records end by 1954, with the exception of Quarterly Progress Reports, which extend through the year 1965. Most of the documentation is of the field stations: Table Mountain, California; Montezuma, Chile; Mount St. Katherine, Egypt; and ...

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Creators:
Conservation and Research Center (National Zoological Park)
Dates:
1984-1998
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 03-038
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Christen M. Wemmer documenting the budget, funding sources, grants, fellowships, and other financial matters. Materials consist of informational correspondence, memoranda, informational brochures, and related materials.

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Creators:
Stout, George L. (George Leslie)
Dates:
1897-1978
1855
Size:
6.4 Linear feet
Collection ID:
AAA.stougeor
Repository:
Archives of American Art

The papers of conservator and museum director George Leslie Stout measure 6.4 linear feet and date from 1855, 1897-1978. Stout was head of the conservation department at Harvard University's Fogg Art Museum, director of the Worcester Art Museum and Isabella Stewart Gardner Museum in Massachusetts, and a member of the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The bulk of the collection consists of correspondence with family, friends, colleagues and professional associations. There are letters from fellow Monuments Men who served in the MFAA section such as Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner and several other prominent arts administrators. The papers also contain biographical materials, writings, sketches and one sketchbook, military records, printed materials, and photographs. There is a 0.2 linear foot addition to this collection acquired in 2020 that includes four diaries, 1944-1946, kept by George Stout as a member of the Monuments, Fine Arts & Archives Section (MFAA) of the U.S. Army (known as the Monuments Men). The diaries describe Stout's experiences surveying war-caused damages in France, Germany, and Japan, and the recovery of Nazi impounded art works. Also included is a hand-made booklet that includes a "Glossary of Cha-no-yu Terms," which consists of quotes about Japanese art and tea drinking.

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