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Creators:
Custom Craft
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
1922-1994
Size:
40 Boxes
Collection ID:
NMAH.AC.0618.S06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 6 documents the orders placed at the Scurlock Studio by clients and identified individuals and organizations, and materials that could not be identified and are categorized by subjects. An oveview to the entire Scurlock collection is available here: Scurlock Studio Records

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Dates:
1958-1992
Size:
5.9 linear meters.
Collection ID:
Record Unit 106
Repository:
Smithsonian Institution Archives

These records include tape recordings made or received by the Office of Public Affairs, usually of Smithsonian events or by Smithsonian staff. They also include tapes made of animal sounds for the National Museum of Natural History Audioguide and other tapes received by the Archives, regardless of origin. Some of these recordings come from co...

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Dates:
2010-2012
Size:
29 video recordings (1 archives box)
Collection ID:
ACMA.01-007.16
Repository:
Anacostia Community Museum Archives

These records document the planning, organizing, and launch of the Community and Creativity Project, an initiative to survey and document cultural venues and activities in wards 7 and 8 of Washington, DC. Materials include meeting notes, project brochures, research files, photographs, interviews, and video recordings.

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Creators:
Hoffman, John Nathan, 1923-1982
Dates:
circa 1890s-1960s
Size:
3 Cubic feet (5 boxes)
Collection ID:
NMAH.AC.1125
Repository:
Archives Center, National Museum of American History

The collection consists of poster stamps (non-denominated stamp-sized miniature posters) advertising or commemorating a large variety of places, events, products, causes, and miscellaneous other subjects, including many international subjects. Some of the stamps are in albums or album sleeves.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 2005
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2005
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Berman, Wallace, 1926-1976
Dates:
1907-1979
bulk 1955-1979
Size:
5 Linear feet
Collection ID:
AAA.bermwall
Repository:
Archives of American Art

The Wallace Berman papers date from 1907 to 1979 (bulk 1955-1979). The collection measures 5 linear feet and presents a cursory overview of Berman's career as an assemblage artist and poet. The collection contains business correspondence, letters from other artists and writers of the Beat movement, writings by others, scattered artwork by Berman, photographs by Robert F. Heinecken, and sound recordings of poetry readings.

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Creators:
American Federation of Arts
Dates:
1895-1993
bulk 1909-1969
Size:
79.8 Linear feet
Collection ID:
AAA.amerfeda
Repository:
Archives of American Art

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1889
undated
Size:
2.33 Cubic feet (consisting of 5 boxes, 1 folder, 4 oversize folders, 1 map case folder, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.CivilWar
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Civil War forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
circa 1870-1989
Size:
25 Boxes
The subseries contains black and silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.08
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.8 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
National Air and Space Museum. Space History Division
Dates:
1960-2008
Size:
10.30 cu. ft. (10 record storage boxes) (2 oversize folders)
Collection ID:
Accession 18-267
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the relocation and restoration of three Saturn V rockets the National Air and Space Museum (NASM) acquired from the National Aeronautics and Space Administration in the early 1970s, when the Apollo Space Program concluded. One rocket, consisting entirely of stages and spacecraft intended to be lau...

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