Dale-Patterson Family collection
Polk, P. H., 1898-1985
The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.
These records consists of correspondence, memoranda, reports, budgets, ledgers, day books, and other administrative materials concerning the operations of the Smithsonian International Exchange Service (SIES). Also included is a card index of employees who served between the 1880s and the 1940s. SIES maintained two or more sets of correspondence files arranged by …
This collection documents the development of the Archives of American Art (AAA), chiefly the period since acquisition of AAA by the Smithsonian in 1970, though some records from its earlier history in Detroit and New York are also included. These records contain minutes, files, and correspondence of the Board of Trustees …
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
These records consist primarily of incoming and outgoing correspondence of the curatorial staff of the Division of Echinoderms, 1907-1980. Most of the correspondence dates from 1965, with a small amount created before that date. Some photographs and slides are included in the records and are noted in the folder listing. The correspondence …
MS 2531 James Mooney notebooks principally regarding Kiowa, Cheyenne, and Arapaho shield and tipi designs
Murphy, Charles (Cheyenne)
Sweezy, Carl, 1881-1953
Notes and drawings by Native artists relating to heraldry, as Mooney termed tipi and shield designs. Also some myths and linguistic data from these and other Plains tribes. The manuscript is a compilation of materials created over a period of years, assembled under the current number by the BAE archivist …
Konrad and Florence Ballin Cramer papers
The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, where Florence Ballin first attended art classes in 1906, and where the couple settled in 1911. Records include biographical materials, correspondence, a Christmas card album, diaries, writings, business records, personal financial records, printed materials, photographs, and artwork.
Christraud M. Geary photographs of Senegal
Photographs taken by Christraud M. Geary during a research trip to Senegal in 1993. Locations documented include Île de Gorée, Saint-Louis, Luoga, and Dakar. Subjects include street scenes, artworks, views of and in the Institut Fondamental d'Afrique Noire (IFAN), and merchants at the Sandaga Market (Dakar).
James Brooks and Charlotte Park papers
The papers of Abstract Expressionist painters James Brooks and Charlotte Park measure 18.7 linear feet and are dated 1909-2010, bulk 1930-2010. Correspondence, subject files, personal business records, printed material, and a sound recording document his painting career, interests, professional and personal activities. Also found are biographical materials, interviews, writings, and art work. The collection also includes papers of his wife, Abstract Expressionist painter Charlotte Park, regarding her painting career, personal life, activities as executor of James Brooks' estate, and some material concerning the James Brooks and Charlotte Park Brooks Foundation. There is a 1.4 linear foot addition to this collection donated in 2017 that includes 58 "week-at-a-glance" appointment books, three journals and one address/ telephone book of Charlotte Park; a hand written chronology with significant dates and notes; postcards and exhibition announcements sent to Charlotte and James; doodles; and a sketch, possibly by Don Kingman.
John White Alexander papers
The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.