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- Creators:
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Bunch, Lonnie G.
- Dates:
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1952-2010
- Size:
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26.07 cu. ft. (24 record storage boxes) (3 16x20 boxes)
- Collection ID:
- Accession 19-200
- Repository:
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Smithsonian Institution Archives
The Lonnie G. Bunch Papers include both personal materials and professional records from the various institutions that he worked at as well as his teaching positions. The personal materials include family correspondence, family history records, and photographs. In relation to his teaching positions there are course syllabi, reading lists, ...
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 25-July 6, 2014
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2014
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
More … - Dates:
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1923-1940
- Size:
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15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.12
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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Jeffers, Grace
Formica Corporation.
- Dates:
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1913-2003
- Size:
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18 Cubic feet (59 boxes, 11 oversize folders )
- Collection ID:
- NMAH.AC.0565
- Repository:
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Archives Center, National Museum of American History
The Grace Jeffers Collection of Formica Materials consists of textual files, photographs, slides, negatives, drawings, blueprints, posters, advertisements, product brochures, newsletters, and informational pamphlets documenting the history of the Formica Corporation and the use of Formica brand plastic laminate.
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- Creators:
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Liberman, Alexander, 1912-1999
- Dates:
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circa 1912-2003
- Size:
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59 Linear feet
- Collection ID:
- AAA.libealex
- Repository:
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Archives of American Art
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.
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- Creators:
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Gray, Cleve
- Dates:
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1933-2005
- Size:
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9.2 Linear feet
- Collection ID:
- AAA.grayclev
- Repository:
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Archives of American Art
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.
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- Creators:
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Holly Solomon Gallery
- Dates:
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circa 1948-2003
- Size:
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200.6 Linear feet
0.002 Gigabytes
- Collection ID:
- AAA.hollsolg
- Repository:
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Archives of American Art
The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and 0.002 GB and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed and digital materials, photographic materials of artwork and exhibitions, and sound, video, and film recordings. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.
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- Creators:
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Anacostia Community Museum
- Dates:
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circa 1970s
- Size:
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14 Video recordings (open reel, 1/2 inch)
15 Sound recordings (open reel, 1/4 inch)
- Collection ID:
- ACMA.09-037
- Repository:
-
Anacostia Community Museum Archives
This collection includes news programs, television shows, and music recorded from local and national radio and television broadcasts as well as prerecorded programs, such as The Negro Texans and Alex Haley Lecture for the Doubleday Lecture Series. Anacostia Community Museum does not hold the copyright of the broadcast programs and prerecorded progr...
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- Creators:
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Thayer, Polly, 1904-2006
- Dates:
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1846-2008
bulk 1921-2008
- Size:
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21.6 Linear feet
0.807 Gigabytes
- Collection ID:
- AAA.thaypoll
- Repository:
-
Archives of American Art
The papers of Boston portraitist and painter Polly Thayer (Starr) (1904-2006) measure 21.6 linear feet and 0.807 GB and date from 1846 to 2008, with the bulk of the materials dating from 1921-2008. The papers document Thayer's personal life and career as a painter, portraitist, and pastel artist. Found within the papers are biographical materials, extensive family papers, correspondence with artists and art venues, interviews, writings, subject files, organization files, exhibition files, art inventory records, printed and digital materials, five sketchbooks, artwork, and photographs.
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- Creators:
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Carpenter, Edmund, 1922-2011
- Dates:
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circa 1938-2011
- Size:
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26.25 Linear feet
- Collection ID:
- NAA.2017-27
- Repository:
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National Anthropological Archives
Edmund Snow Carpenter (1922-2011) was an archaeologist and visual anthropologist who worked extensively with the indigenous peoples of the Canadian Arctic as well as Papua New Guinea. With his colleague and close collaborator Marshall McLuhan (1911-1980), he laid the groundwork for modern media theory. Carpenter is also known for his work as an ethnographic filmmaker and as a collector of Paleo-Eskimo art. The Papers of Edmund Carpenter, circa 1938-2011, document the research interests and projects undertaken by Carpenter in the fields of cultural anthropology, ethnographic filmmaking, media theory, archaeology, and indigenous art.