Carol Kramer papers
The bulk of these papers document the professional life of Carol Kramer, a leading figure in ethnoarchaeology, specializing in the Middle East and South Asia. She was also a major advocate for the professional development of women in anthropology and archaeology. Dating 1943-2002, the collection includes field notes, writings, correspondence, daily planners, teaching files, photographs, sound recordings, maps, computer disks, and botanical specimens. Her ethnoarchaeological research in "Shahabad" (a.k.a. "Aliabad") in Iran and in Rajasthan, India is well-represented in the collection.
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
The subseries consists of black and white silver gelatin negatives.
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Underwood & Underwood Glass Stereograph Collection
A collection of approximately 28,000 glass plate negatives showing views of a variety of subjects.
Records of the Assistant Commissioner for the State of North Carolina Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870
This collection is comprised of digital surrogates previously available on the 38 rolls of microfilm described in the NARA publication M843. These digital surrogates reproduced the previously un–filmed records of the Assistant Commissioner for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–70. The records consist of 32 volumes and approximately 20 linear feet of unbound records. The volumes include letters and endorsements sent; registers of letters received; telegrams sent and received; special orders, general orders, and circulars; register of persons recommended as inspectors of elections; a register of apprentices indentured; and index books. The unbound series consist mainly of letters received, orders, reports, and freedmen's labor contracts. These documents were created or received by the Assistant Commissioner, the Acting Assistant Commissioner, or either of two staff officers who acted for the Assistant Commissioner.
Giuseppe M. Bellanca Collection
This collection consists of the archives of Giuseppe M. Bellanca and his company, including the following types of mediums: drawings, stress analysis tests, reports, photographs/negatives, documents, correspondence, patent information, newspaper clippings, business records, and financial statements.
William A. Smalley papers
William A. Smalley (1923-1997) was a missionary and anthropological linguist. This collection mainly concerns his work with Hmong scripts and the Khmu' language and contains correspondence, notes, writings, reference materials, photographs, and sound recordings.
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
The subseries includes black and white silver gelatin negatives.
The majority of materials are portrait sittings of individuals but there are also formal portraits of couples, families, groups, and organizations.
Heinz Joseph Gerber Papers
Records document the life and career of H. Joseph Gerber, inventor and president of Gerber Scientific, Inc. Gerber was known for his invention of the variable scale, GERBERcutter S-70, and other automated industrial devices. The records include personal records, correspondence, biographical sketches, photographs, publicity, journals and magazines, clippings, speeches, award information, and one audio recording.
Charles W. White papers
The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material, including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.
Marilyn Houlberg Nigeria collection
14 Documents (1 Binder)
The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.