279 records — Page 15 of 28
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Creators:
Packard, Emmy Lou, 1914-1998
Dates:
1900-1990
Size:
9.4 Linear feet
Collection ID:
AAA.packemmy
Repository:
Archives of American Art

The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.

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Creators:
Bridgewater, Herbert Ford, 1908-1970
Bridgewater, Leon Archibald, 1905-1968
Harrell, Charles Henry, 1878-1948
Harrell, Mary Bridgewater, 1893-1981
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Dates:
1880-2017
undated
Size:
21 Cubic feet (64 document boxes, one oversize folder)
Collection ID:
NMAH.AC.1385
Repository:
Archives Center, National Museum of American History

Papers and photographs documenting the lives and descendants of Samuel and Mamie Anderson Bridgewater of Helena, Montana.

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Creators:
Riva, Julia
Jones, Jophe
Warren, Harry, 1893-1981
Dates:
1894-2000
bulk 1926-1980, undated
Size:
32 Cubic feet (70 boxes, 26 folders)
Collection ID:
NMAH.AC.0750
Repository:
Archives Center, National Museum of American History

The Harry Warren Papers consists of original music manuscripts, scores, song sheets, commercial sheet music, bound scores, scripts, business records, correspondence (business, personal and fan), clippings, magazines, photographs, cassette tapes, LP records, posters and programs and personal memorabilia. The material documents the personal life and...

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Creators:
Stocksdale, Kay Sekimachi
Stocksdale, Bob, 1913-2003
Dates:
circa 1900-2015
Size:
19.5 Linear feet
0.125 Gigabytes
Collection ID:
AAA.stockbob
Repository:
Archives of American Art

The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

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Creators:
Bloch, Albert
Dates:
1873-2014
Size:
17.9 Linear feet
Collection ID:
AAA.blocalbe
Repository:
Archives of American Art

The papers of painter and educator Albert Bloch measure 17.9 linear feet and date from 1873 to 2014. The collection documents his career as an artist and university professor in Lawrence, Kansas, as well as his time in Munich, Germany, as part of the Blue Rider group of German Expressionists. The collection includes biographical material, extensive personal and professional correspondence, writings, personal business records, exhibition files, printed material, photographs, and artwork. Throughout the collection are records maintained by his widow Anna Bloch on the exhibition, sale, and research of Bloch's work after his death.

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Creators:
Williams, Ralph William
Breck Company.
Dial Corporation.
American Cyanamid Company
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Dates:
circa 1936-1995
Size:
6.5 Cubic feet (16 boxes, 188 pieces of original artwork)
Collection ID:
NMAH.AC.0651
Repository:
Archives Center, National Museum of American History

The collection documents the development and evolution of the Breck Girl, a highly successful and long-lived advertising campaign whose hallmark was its vision of idealized American womanhood through correspondence, photographs, paintings, and print advertisements.

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Creators:
De Forest, Roy, 1930-2007
Dates:
1916-2015
bulk 1948-2007
Size:
11.2 Linear feet
111.86 Gigabytes
Collection ID:
AAA.deforoy
Repository:
Archives of American Art

The papers of artist Roy De Forest measure 11.2 linear feet and 111.86 gigabytes and date from 1916 to 2015, with the bulk of the collection dating from 1948 to 2007. The collection documents De Forest's painting career and involvement in the funk art movement through biographical material, correspondence, writings, professional records, printed material, photographic material, artwork, digital audio and video recordings, and artifacts.

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Creators:
McKinley, Ray, 1910-1995 (musician, bandleader)
Dates:
1945-1994
Size:
19.5 Cubic feet (56 boxes)
Collection ID:
NMAH.AC.0635
Repository:
Archives Center, National Museum of American History

The Ray McKinley Music and Ephemera consists of music, scores, sideman books, photographs, correspondence, news clippings and magazine articles, business records, awards, audio and videotapes, 45 rpm commercial recordings, and miscellaneous biographical notes. The records date from the the late nineteenth century to 1996 and document the profession...

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Creators:
Watson, Virginia
Watson, James B. (James Bennett), 1918-2009
Dates:
1904-1998
bulk 1933-1987
Size:
52.5 Linear feet (123 boxes)
47 sound recordings
Collection ID:
NAA.2003-15
Repository:
National Anthropological Archives

This collection contains the professional papers of cultural anthropologist James B. Watson, and documents his fieldwork in Papua New Guinea, Brazil, and Del Norte, Co., as well as his teaching career at the University of Washington. Included are field notes, lecture notes, correspondence, maps, photographs, books, articles, journals, grant proposals, surveys, data punch cards, conference materials, and sound recordings.

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Creators:
Gray, Cleve
Dates:
1933-2005
Size:
9.2 Linear feet
Collection ID:
AAA.grayclev
Repository:
Archives of American Art

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

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279 records — Page 15 of 28