Olive Rush papers
The papers of Olive Rush measure 6.3 linear feet and date from 1879 to 1967. They contain correspondence, artwork, photographs, writings, and other personal papers documenting Rush's education and career as an illustrator, portraitist, muralist, painter, teacher, and promoter of Native American art.
[Rosalie Berkowitz collection of photographs]
REEL 1817-1818 AND SCANNED: One is of Berkowitz's teacher, George Luks, in his studio, 1927 (frame 784). Two were taken at an American Federation of Arts convention, ca. 1950, including one of Berkowitz's husband, Sidney, with Burton Cumming (fr. 1288-89), and one of Eloise Spaeth, Vincent Price, Francis Henry Taylor, and an unidentified man (fr …
Oral history interview with Marnie Weber
70 Pages (Transcript)
An interview of Marnie Weber, conducted 2016 February 10, by by Hunter Drohojowska-Philp, for the Archives of American Art at Weber's studio in Los Angeles, California.
Oral history interview with Nan McKinnell
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
An interview of Nan McKinnell conducted 2005 June 12-13, by Kathy Holt, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Fort Collins, Colorado.
Anna Margaretta Archambault selected papers
The microfilmed Anna Margaretta Archambault selected papers contain correspondence and papers relating primarily to Archambault's work in miniatures. Omitted from microfilming are photographs of Archambault's sitters and models.
Mabel Alvarez papers
The Mabel Alvarez papers measure 2.3 linear feet and date from 1898 to 1987. The papers include scattered biographical information, scattered letters, unpublished prose, printed materials, sketchbooks, expense books, notebooks, diaries and journals, address books, photographs, and scrapbooks documenting the life and career of Los Angeles painter Mabel Alvarez.
Claire Falkenstein papers
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.
Victoria Hutson Huntley papers
The papers of Victoria Hutson Huntley measure 1.3 linear feet and date from 1929-1999. Biographical material, correspondence, writings, artwork, printed material and photographs chronicle the professional activities and personal life of the lithographer and muralist.
Maryette Charlton papers
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.
Dorothea A. Dreier papers
The papers of artist and art patron Dorothea A. Dreier measure 2.6 linear feet and date from 1881-1941, with the bulk of the material dating from 1887-1923. The papers document the life and work of Dorothea Dreier and also contain the papers of and about members of her immediate family, particularly her sisters, Mary and Katherine Dreier, and Margaret Dreier Robins. Found are correspondence, printed materials, legal and financial records, photographs, and one sketchbook by Dreier.