The papers of King Vidor measure 2.1 linear feet and include correspondence, printed material, and a variety of materials related to the documentary Metaphor: King Vidor Meets Andrew Wyeth (1980) written and directed by Vidor, including production notes, photographs, and motion picture film.

This collection consists of material relating to Francis Gary Powers's flying career in the Air Force, Central Intelligence Agency, and later pursuits. The majority of the documents deal with the May 1960 U-2 incident, in which Powers was shot down over the Soviet Union during a reconnaisance mission and imprisoned. Materials include: logbooks; flight records from his military and civilian careers; a pocket diary and journal he kept during his Soviet imprisonment; letters to his parents; materials collected by his parents as his father attempted to visit him including a telegram from Nikita Khrushchev and a New Testament given to Powers by his mother during his Soviet trial; Congressional hearing material; newspaper articles; Life magazine; and several photographs of Powers.

The collection documents Jack B. Navarre's service in the Merchant Marine's and Navy between 1943 and 1946.

The papers of sculptor Arnold Rönnebeck and painter Louise Emerson Ronnebeck measure 4.24 linear feet and date from 1884-2002. The collection contains biographical material, family and professional correspondence, sketches and drawings, writings, a scrapbook, and printed material. There are also numerous photographic prints, copy prints, negatives, and 7 glass plate negatives of the Rönnebecks and their artwork, travels, family, and friends, including Charles Demuth, Marsden Hartley, Alfred Stieglitz, and Tony Luhan.

The papers of New York painter James Carroll Beckwith measure 3.2 linear feet and date from 1871 to circa 1991, bulk 1875-1917. The collection includes biographical material, correspondence, numerous diaries, writings, printed material, photograph albums, and photographs.

The papers of ceramicist David Shaner measure 2.8 linear feet and date from 1937-2007, with the bulk of the material from 1968-1998. Shaner's career as a ceramicist in Big Fork, Montana, is documented through scattered correspondence, subject files, studio working files, writings and notes by Shaner and others, exhibition catalogs and other printed material, and photographs.

The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.

The collection is comprised of digital surrogates previously available on the 10 rolls of microfilm described in the NARA publication M1483. These digital surrogates reproduced the records of the New Orleans area field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands for Iberville, Orleans, Plaquemines, St. Bernard, and West Baton Rouge Parishes, together with those of the Freedmen's Hospital, 1865–69. These records, consist of 38 bound volumes and approximately 6.5 linear feet of unbound records. The volumes include letters and endorsements sent, registers of letters received, circulars and special orders, journals, registers of patients, reports of occupancy and conditions in the Freedmen's Hospital, and abstracts of internments in the Freedmen's Cemetery. The unbound documents consist primarily of letters received, morning reports of sick and wounded in the Freedmen's Hospital, and various field office reports. There is also a register of patients in the Corps d'Afrique General Hospital, 1863–1865.

The collected papers of Everett Shinn measure 3.1 linear feet and date from 1877 to 1958. Found within the papers are biographical material; correspondence with friends and colleagues; personal business records; art work, including two sketchbooks of designs for Belasco's Stuyvesant Theatre; notes and writings; eight scrapbooks; printed material; and numerous photographs of Shinn, his colleagues, and his work.

The papers of painter Henry Mosler (1841-1920), who began his career in Cincinnati, Ohio, lived in Germany and Paris for at least 2 decades, and finally settled in New York, measure 4.8 linear feet and date from 1856-1929. The collection documents Mosler's life and career through biographical material, personal and professional letters from members of the military, museums, family, friends and colleagues, writings including an 1862 Civil War diary, personal business records, printed material, artwork and sketchbooks, and photographs of Mosler, his family, colleagues and artwork.