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Dates:
1989-1991
Size:
58 slides (photographs) (color)
Collection ID:
EEPA.2003-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Portrait images and domestic scenes from Mauritania of Halpoular, Moor and Wolof peoples, mostly women; some children and men. All the images are captioned by the photographer and include the subjects names as well as the region, date and activity. The more noteworthy images include Moor women preparing wool for weaving (nos. 37, 38, 39), girls playing a game of "golorgal" with playing board clearly visible (no. 34), and a wooden tablet with verses from the Koran (no. 19). As a documentary photographer, Ms. Goodsmith focuses predominantly on the lives of women and children in developing countries. Her images—chiefly from North and West Africa, Egypt and India—are on file with the United Nations Children's Fund (Unicef), The Image Works, and Johns Hopkins Photoshare, and her portraits from a series done in Kashmir are in the photographic collection of the Brooklyn Museum. All of the images of this photographic collection are originals. Ms. Goodsmith works chiefly with Communication for Change, a New York-based nonprofit organization that has developed participatory video projects in collaboration with community groups.

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Dates:
2006
Size:
11 compact discs (reference copies).
Collection ID:
Record Unit 9620
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Progra...

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Creators:
Stewart, Robert G. , 1931-2005
Dates:
1952-2004
bulk 1970-1990
Size:
3 Linear Feet
Collection ID:
NPG.CAP.00002
Repository:
National Portrait Gallery

Research material gathered by Robert G. Stewart on Robert Edge Pine, Auguste Hervieu, Henry Benbridge, James Earl, and other artists, including correspondence, printed matter, notes, and photographs.

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Creators:
Smithsonian Institution
Dates:
2009-2012
Collection ID:
Accession 13-108
Repository:
Smithsonian Institution Archives

This accession consists of records documenting Facebook accounts maintained throughout the Smithsonian Institution (SI). Facebook is a third-party social networking site used for interaction with the general public. In addition to general SI-wide accounts, many of which are managed by the Office of Public Affairs, the accession documents ...

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Creators:
Community Life, Div. of, NMAH, SI
Erol's Video Club.
Dates:
undated
1935-1993
Size:
24 Cubic feet (80 boxes, 11 oversized folders)
Collection ID:
NMAH.AC.0748
Repository:
Archives Center, National Museum of American History

The Video Press Kit Collection contains press kits produced from the late 1970s to the early 1990s for over 5,000 film titles for domestic and foreign productions dating from the 1930s to the early 1990s. This collection was created by Erol's Video Club in Springfield, Virginia. The date span of the collection reflects the release dates of the films profiled in the press kits.

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Creators:
Emily Dean
Edwin R. Dean
Dates:
1965-1967
Size:
117 slides (photographs) (color)
Collection ID:
EEPA.2002-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Slides taken in Nigeria, 1965-67, a few years after independence and at the eve of the Biafra War by Edwin R. and Emily Dean. Emily Dean took most of the photographs. She taught at the St. Louis Secondary School. The images are typical for the time period (note that some of them are half frame images, taken with a type of camera heavily promoted in the 1960s). Geographic locations reflect the Deans' experiences and travel: the University of Ibadan Campus, the Jos Museum, Bida , Zaria, Kano, Lagos, and Abeokuta. Of particular interest is a series of Adire production in Abeokuta, the old palace at Idanre and the Timi of Ede's Shango shrine.

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Creators:
Gershoy, Eugenie, 1901?-1983 or 6
Dates:
1914-1983
Size:
7.2 Linear feet
Collection ID:
AAA.gerseuge
Repository:
Archives of American Art

The papers of sculptor and art instructor, Eugenie Gershoy, measure 7.2 linear feet and date from 1914 to 1983. The collection documents Gershoy's career through biographical material, correspondence, business records, notes, writings, artwork, printed material, and photographs.

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Creators:
Cummings, Willard Warren, 1915-1975
Dates:
1911-1997
bulk 1930-1975
Size:
19.3 Linear feet
Collection ID:
AAA.cummwill
Repository:
Archives of American Art

The papers of painter and co-founder of the Skowhegan School of Painting and Sculpture Willard Warren Cummings measure 19.3 linear feet and date from 1911 to 1997 with the bulk of the papers dating from 1930 to 1975. The collection documents Cummings's career as an artist through biographical material, correspondence, writings, printed materials, scrapbooks, artwork, and photographic material.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Office of the Director
Dates:
1984-1999
Size:
8.69 cu. ft. (8 record storage boxes) (1 16x20 box)
Collection ID:
Accession 01-180
Repository:
Smithsonian Institution Archives

These records consist of materials created and maintained by Milo Cleveland Beach, Director, 1987-2001, documenting exhibition planning and production, including "Chinese Scholar's Studio: Artistic Life in the Late Ming Period," "Rise to Power: Art of Ancient Japan," "Timur and the Princely Vision," "Yani: The Brush of Innocence," "Crushed ...

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Creators:
Smithsonian Institution, Conservation Analytical Laboratory
Dates:
1963-1983
Size:
5.7 linear meters.
Collection ID:
Record Unit 576
Repository:
Smithsonian Institution Archives

These records document the Conservation Analytical Laboratory's (CAL) work with Smithsonian Institution curators and collections during the tenures of John H. Olin, Robert M. Organ, Jacqueline S. Olin, and Eleanor McMillan. They also document the Laboratory's extensive training programs and its wide contacts with other museums, both in th...

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