This accession consists of Committee for a Wider Audience audiotape recordings documenting Heritage Month program keynote lectures, concerts, special events, symposiums, exhibition openings, and meetings. Earlier recordings date back to when the Committee for a Wider Audience was under the Office of the Assistant Secretary for Public Service, ...

The papers of painter and illustrator W. Langdon Kihn measure approximately 8.5 linear feet and date from 1904-1990, with the bulk of the materials dating from 1904-1957. Papers document Kihn's career and travels associated with his interests in documenting the native American tribal nations of the United States and Canada in portraiture and writings. Found here are biographical materials, voluminous correspondence, memoirs and writings, one travel diary, printed material, financial records, three sketchbooks, sketches, and photographs.

The collection documents Duke Ellington's career primarily through orchestrations (scores and parts), music manuscripts, lead sheets, transcriptions, and sheet music. It also includes concert posters, concert programs, television, radio, motion picture and musical theater scripts, business records, correspondence, awards, as well as audiotapes, audiodiscs, photographs, tour itineraries, newspaper clippings, magazines, caricatures, paintings, and scrapbooks.

The papers of Parisian art dealer, René Gimpel (1881-1945), dating from circa 1890-1966 (bulk 1902-1930s), and measuring 0.4 linear feet, provide a small but significant window into the crucial relationship between American collectors and the art dealers who supplied them, as they amassed some of the most influential art collections of the first half of the twentieth century. Gimpel's work as an art dealer is documented through correspondence with his parents, clients, business associates, and collectors, including Helen Frick and Duveen Brothers, Blake-More Godwin and the Toledo Museum of Art, Florence Libbey, Samuel H. Kress, Silva White, and others, and through printed material, writings by Gimpel, and photographs of René and Ernest Gimpel and others.

This accession consists of records documenting the planning and development of educational activities, workshops, special events, and other educational programs at the Freer Gallery of Art and Arthur M. Sackler Gallery. In approximately 2007, the department was renamed Education and Public Programs, but it reverted back to the Department ...

This accession consists of records documenting outgoing loan requests for works of art which were denied or cancelled. Materials include correspondence, requests for loans, loan agreement forms, outgoing loan receipts, bills of lading, insurance documents, object images, facility reports, brochures, and related materials.

The papers of A.G. (Abel George) Warshawsky date from circa 1900 to 1988 and measure 3.8 linear feet. the papers contain biographical materials; scattered correspondence, most of which consists of letters from Warshawsky to his wife Ruth; writings, including versions of Warshawsky's autobiography; printed materials; two scrapbooks; photographs and eight photo albums; twenty-six sketchbooks; and artworks by Warshawsky and others.

This accession consists of records that document the activities of the Administrative Office of the National Portrait Gallery. Topics include finance, procurement, and grant management. Records were created and maintained by Barbara A. Hart, Associate Director of Administration, and Carolyn Kinder Carr, Deputy Director. Boxes 1-2 are arranged...

Robert Moody Laughlin is an American ethnologist specializing in the study of Mayan language, history, customs, and folklore. He spent the majority of his career working for the Smithsonian Institution, first with the Bureau of American Ethnology, then with the Department of Anthropology. He has been a curator emeritus with the department since his retirement in 2006. The Robert Moody Laughlin papers (1899-2016, bulk 1954-2016) document his research and professional activities and primarily deal with language and folktales he recorded and studied, as well as the culture and history of the Tzotzil and other Mayan groups in the Chiapas region. His involvement in language education and training, advocacy for the Tzotzil and language and cultural revitalization, and administrative matters at the Smithsonian are also represented. The collection consists of materials created for books and other publications, field notes, research materials, correspondence, administrative files, sound recordings, video recordings, photographs, and electronic records.

The papers of weaver, fiber artist and educator Marianne Strengell date from 1904 to the 1980s and measure 1.5 linear feet. The scattered papers focus on Strengell's career as an artist and include biographical materials, correspondence, writings, six scrapbooks, printed material, photographs, and artwork.