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Creators:
Poindexter Gallery
Dates:
1931-1985
bulk 1955-1978
Size:
7.1 Linear feet
Collection ID:
AAA.poingall
Repository:
Archives of American Art

The records of the Poindexter Gallery measure 7.1 linear feet and date from 1931-1985 with the bulk of the materials dating from 1955-1978 when the gallery was active. The majority of the collection consists of artists' files documenting the gallery's relationships with its artists, including exhibitions, and containing a wide variety of materials, including photographs. Also found are the "desk files" kept by the gallery's founder, Elinor Poindexter; correspondence; and financial and legal records.

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Creators:
Smithsonian American Art Museum. Office of Design and Production
Dates:
1970-2000
Size:
4.08 cu. ft. (4 record storage boxes) (1 oversize folder)
Collection ID:
Accession 01-108
Repository:
Smithsonian Institution Archives

This accession consists of records that document the design, production, and installation of permanent and temporary exhibitions at the Smithsonian American Art Museum and the Renwick Gallery. There are also records related to the renovation of the Alice Pike Barney Studio House. Materials include drawings, sketches, floor plans, correspondenc...

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Creators:
Bruner, Louise Katherine, 1910-
Dates:
1945-1976
Size:
1 Linear foot ((partially microfilmed on 2 reels))
Collection ID:
AAA.brunloui
Repository:
Archives of American Art

Donated in 1980 by Louise Bruner, art critic for the Toledo Blade. Correspondence, subject files, printed materials, exhibition catalogs and announcements, and photographs.

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Creators:
Castleman, Riva
Dates:
1871
1930-2013
Size:
10.6 Linear feet
7.83 Gigabytes
Collection ID:
AAA.castriva
Repository:
Archives of American Art

The papers of curator Riva Castleman measure 10.6 linear feet and 7.83 GB, and date from 1930-2013 with one printed item dating from 1871. The collection contains biographical material, correspondence including mail art, writing project files, notebooks, interviews, project files, printed material, photographic material, and artwork. The collection richly documents Castleman's writing and research process and contains dozens of manuscripts for books, catalogs, and essays, as well as related correspondence and research including audio interviews and sound recordings. Several of Castleman's books about contemporary printmaking, such as Prints of the 20th Century (1976) and American Impressions (1985), are extensively documented, as are many of the catalogs she produced to accompany Museum of Modern Art exhibitions, including Jasper Johns: A Print Retrospective (1987) and The Prints of Andy Warhol (1990). Some records are in born-digital form including correspondence, manuscript drafts, and audio conversations with Tatyana Grosman. Other interviews are on sound cassettes.

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Creators:
Duveneck, Frank, 1848-1919
Dates:
1851-1972
bulk 1851-1919
Size:
1.2 Linear feet
Collection ID:
AAA.duvefran
Repository:
Archives of American Art

The papers of painter and teacher Frank Duveneck and his wife and painter Elizabeth Boott Duveneck measure 1.2 linear feet and date from 1851-1972, bulk 1851-1919. Aspects of the lives and work of the artists are documented in correspondence, creative writings, research notes, scrapbooks, newspaper clippings, magazine articles, ephemera, sketches and sketchbooks, and vintage photographs.

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Creators:
Weir family
Dates:
1809-circa 1961
bulk 1830-1920
Size:
0.8 Linear feet
Collection ID:
AAA.weirweir
Repository:
Archives of American Art

The papers of the prominent New York and Connecticut Weir family of artists measure 0.8 linear feet and date from 1809-circa 1961, with the bulk of the material dating from 1830-1920. The papers are a collection of correspondence and photographs that constitute a small but vivid record of the influence and relationships of this family of Hudson River School, landscape, and miniature painters. Correspondence consists primarily of letters to painter John Ferguson Weir when he was director of the Yale School of Fine Arts, with scattered letters to his daughter Edith Weir (Perry), and a small amount of correspondence of Robert Weir, his daughter Carrie M. Mansfield, son-in-law Lewis William Mansfield, and Julia Bayard. Letters to John F. Weir are from many late-19th century artists, as well as actors, poets, lawyers, scholars, and clergymen, often concerning arrangements for visiting lectures at the school. Photographs are of Robert Walter Weir, Susan Bayard Weir, Julian Alden Weir, and artwork.

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Creators:
Ellin, Everett
Kirwin, Liza
Dates:
2004 April 27-28
Size:
78 Pages (Transcript)
Collection ID:
AAA.ellin04
Repository:
Archives of American Art

An interview of Everett Ellin conducted 2004 April 27-28, by Liza Kirwin, for the Archives of American Art, in Washington, D.C.

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Creators:
Taylor, Francis Henry, 1903-1957
Dates:
1935-1937
Size:
6 Items ((on 1 partial microfilm reel))
Collection ID:
AAA.taylfrah
Repository:
Archives of American Art

Correspondence between Francis Henry Taylor, director of the Worcester Art Museum, and Charles Sawyer, curator of the Addison Gallery of American Art regarding the WPA Federal Art Projects in New England. Included are: a letter from Sawyer to Taylor, Sept. 11, 1935, regarding "the Government art projects. ... I am anxious to keep these projects fro...

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Creators:
Kondratas, Ramunas A.
Science, Medicine and Society, Division of (NMAH, SI).
Dates:
1979-2006
bulk 1987-1993
Size:
3.5 Cubic feet (12 boxes, 3 oversized folders)
Collection ID:
NMAH.AC.1134
Repository:
Archives Center, National Museum of American History

This collection consists of pamphlets, books, and a wide variety of printed matter and ephemera relating to HIV/AIDS. The collection was principally assembled by National Museum of American History, Smithsonian Institution curator Ramunas Kondratas.

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Creators:
Singer, Paul, 1904-
Dates:
circa 1880s-1997
Size:
23 Linear feet (Boxes 1-28, 30-40, OV29)
Collection ID:
FSA.A1991.01
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Paul Singer papers measure 23 linear feet and date from circa 1880s to 1997. Materials include biographical documents, correspondence, writings and notes, exhibition and symposium files, travel files, personal art collection records, personal business records, printed material, artwork, artifacts, and photographs.

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