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Creators:
Spencer, Lilly Martin, 1822-1902
Dates:
1828-1966
Size:
0.9 Linear feet
Collection ID:
AAA.spenlill
Repository:
Archives of American Art

The papers of portrait and genre painter Lilly Martin Spencer, measure 0.9 linear feet and date from 1828-1966. The collection includes biographical material, scattered lists, notes, receipts, and legal documents relating to Spencer's life and work, Spencer's business and family correspondence, printed material, a lithograph, photographs of Spencer and others, and photographs of Spencer's artwork.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1743-1965
Size:
5.24 Cubic feet (consisting of 8 boxes, 2 half boxes, 4 folders, 10 oversize folders, 1 map case folder, 3 flat boxes (1 full, 2 partial). )
Collection ID:
NMAH.AC.0060.S01.01.Advertising
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Advertising Industry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Sabrosky, Curtis W, (Curtis Williams),1910- interviewee
Dates:
1988
Size:
5 audiotapes (reference copies).
Collection ID:
Record Unit 9583
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
General Electric Company
Gotti, Mary Beth
Information, Technology and Society, Div. of (NMAH, SI).
Dates:
circa 1890s-1969
Size:
5 Cubic feet (22 boxes)
Collection ID:
NMAH.AC.0789
Repository:
Archives Center, National Museum of American History

The collection documents the technology of lighting and various business aspects of the General Electric Lighting Division throughout the 20th century and consists of correspondence, bulletins, price lists, business record books, stock certificates, sales and advertising materials, scrapbooks, photographs, and lantern slides.

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Dates:
2006
Size:
11 compact discs (reference copies).
Collection ID:
Record Unit 9620
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Progra...

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Creators:
American Watercolor Society
Dates:
1867-1977
bulk 1950-1970
Size:
3.8 Linear feet
Collection ID:
AAA.amerwate
Repository:
Archives of American Art

The records of the American Watercolor Society measure 3.8 linear feet and date from 1867 to 1977, with the bulk of the material dating from 1950 to 1970. The collection provides scattered documentation of the operations and activities of one of the oldest continuously operating artists' organizations in the United States and includes records of its administration and history, membership, and exhibitions, as well as printed material and photographs.

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Creators:
D'Harnoncourt, Rene, 1901-1968
Dates:
1921-1983
Size:
2.4 Linear feet
Collection ID:
AAA.dharrene
Repository:
Archives of American Art

The papers of art curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, Mexican Art (1930-1932), and Indian Art of the United States (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.

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Creators:
Bohrod, Aaron
Dates:
1507-1994
bulk circa 1930-1994
Size:
17.8 Linear feet
Collection ID:
AAA.bohraaro
Repository:
Archives of American Art

The papers of Wisconsin painter, ceramicist, and educator Aaron Bohrod measure 17.8 linear feet and date from 1507 to 1994 with the bulk of the collection dating from circa 1930 to 1994. The collection documents his career through biographical material, correspondence, gallery files, personal business records, writings, printed material, seven scrapbooks, photographs, and artwork.

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Creators:
National Aeronautic Association (U.S.)
Dates:
1914-1995
bulk 1914-1995
Size:
80.75 Cubic feet
81.29 Linear feet
Collection ID:
NASM.XXXX.0209
Repository:
National Air and Space Museum Archives

The National Aeronautical Association (NAA) was created to advance the art and science of aviation and related subjects and the diffusion of knowledge thereof by educational means.

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Creators:
Constantine, Mildred
Dates:
1945-2008
Size:
5.3 Linear feet
Collection ID:
AAA.consmild
Repository:
Archives of American Art

The papers of Mildred Constantine measure 5.3 linear feet and are dated 1945-2009. Subject files, writings, photographs, and a scrapbook provide an overview of her curatorial work in the Architecture and Design department of the Museum of Modern Art, and subsequent activities as an independent curator, and art consultant. Especially well documented is Whole Cloth, a book written with Laurel Reuter that presents an historical overview of how artists have used cloth in their work.

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