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Creators:
Kendall Productions
Dates:
1952-2006
bulk 1997-2004
Size:
4.6 Cubic feet (3 cartons, 2 oversized boxes)
Collection ID:
ACMA.06-055
Repository:
Anacostia Community Museum Archives

The Kendall Productions records date from 1952-2006 with the bulk of material dating from 1997-2004 and measure 4.42 cubic feet. The records consist of material documenting the Kendall Productions documentary Dance Party: The Teenarama Story which first aired on Howard University's PBS affiliate WHUT in 2006. The records are comprised of research and production notes, government records, newspaper articles, questionnaires, photographs, letters, and scripts, accompanied by a significant amount of original media in the following formats: VHS and Beta videocassettes, audiocassettes, and audio compact discs.

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Creators:
Watkins, C. Malcolm
Dates:
1935-1979 and undated
Size:
12.59 cu. ft. (23 document boxes) (1 half document box) (1 16x20 box) (1 oversize folder)
Collection ID:
Record Unit 7322
Repository:
Smithsonian Institution Archives

The papers of C. Malcolm Watkins provide comprehensive documentation of his professional career from 1934 to 1980. The collection documents his interest in early American culture; his research on ceramics, historic archeology, and early California history; his curatorial and administrative activities in the Department of Anthropology, USNM, ...

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Creators:
American Society of Zoologists
Dates:
1890-1992
Size:
28.5 cu. ft. (57 document boxes) (oversize materials)
Collection ID:
Record Unit 7351
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.
Dates:
1996 November 11-16
Size:
7.5 Cubic feet (15 boxes )
Collection ID:
NMAH.AC.0610
Repository:
Archives Center, National Museum of American History

This week-long event explored the intersection of technology and music in the 20th century; it included oral and video histories, exhibitions, concerts, and a symposium discussing the cultural significance of the electric guitar as instrument, technology, and symbol.

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Creators:
Harper, Marion, 1916-1989 (advertising executive)
Dates:
circa 1920-1995, undated
Size:
27 Cubic feet (51 boxes)
Collection ID:
NMAH.AC.0394
Repository:
Archives Center, National Museum of American History

Notes, clippings, published and unpublished manuscripts on business and marketing; but primarily personal materials.

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Creators:
Metchewais [McLain], Kimowan
Dates:
1991-2011
Size:
871 Negatives (photographic)
1918 Slides (photographs)
989 Polaroid prints
15 Notebooks
0.8 Linear feet
1,496 Photographic prints
Collection ID:
NMAI.AC.084
Repository:
National Museum of the American Indian

The collection of Kimowan Metchewais [McLain], significant First Nations artist, contains materials related to his artistic practice and his personal life. The materials include not only photographs of his art, completed and in-progress, but also sketchbooks and journal entries that give important context to his major works and artistic practices. The materials range from his early career in the early 1990s as a magazine editor to his solo and group exhibitions to his time as an art professor at various universities and images of his final works in 2011. McLain balanced both Western and Native artistic methods and history in his work, his archive provides valuable insight into the swiftly evolving and often contested world of contemporary Native American art.

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Creators:
Smith, Huron H. (Huron Herbert), 1883-1933
Dates:
1921-1924
Size:
26 Photographic prints
11 Copy negatives
Collection ID:
NMAI.AC.145
Repository:
National Museum of the American Indian

This collection includes photographs made by Huron H. Smith during his ethnobotanical studies among Native communities in Wisconsin, Iowa and Minnesota between 1921 and 1924. These include photographs made among the Menominee (Menomini), Minnesota Chippewa [Mille Lacs and Leech Lake], Lake Superior Chippewa [Lac du Flambeau, Wisconsin], Ho-Chunk (Winnebago), Sac and Fox (Sauk & Fox) on the Mesquakie Indian Settlement in Tama, Iowa.

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Creators:
Peterson, Helen L.
Dates:
circa 1944 to circa 1990
Size:
55 Linear feet ((estimated))
Collection ID:
NMAI.AC.016
Repository:
National Museum of the American Indian

The Helen Peterson collection includes correspondence, notes, miscellaneous administrative documents, financial records, calendars, questionnaires, notes from interviews, survey forms, copies of resolutions, proceedings, speeches, programs, press releases, printed and processed material, and many other types of documents. Mainly these relate to Petersons's career and special interests between 1953 and 1970. There are also a few documents that concern the organizations which Peterson served for periods preceding or following her periods in office. Of special interest are the materials related to the NCAI, many of which supplement the records in that organization's files. The collection also includes documents that concern a wide range of Indian interests and activities.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-10, 1994
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1994
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Sharrer, Honoré, 1920-2009
Dates:
circa 1920-2007
Size:
9.45 Linear feet
1.12 Gigabytes
Collection ID:
AAA.sharhono
Repository:
Archives of American Art

The papers of realist painter, Honoré Sharrer, measure 9.45 linear feet and 1.12 GB and date from circa 1920-2007. The collection documents Sharrer's career through biographical material, personal and professional correspondence, writings and notes, research and source files, printed and digital material, artwork, sketchbooks, and photographs of Sharrer, her family, friends, colleagues, and artwork.

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