The papers of Massachusetts lithographer and etcher Elizabeth Campbell Fisher Clay measure 1.9 linear feet and 0.057 GB and date from circa 1873 to circa 2015, with the bulk of materials from 1890 to 1930. This collection includes biographical materials, correspondence, writings, fifteen diaries, six travel diaries, teaching files, artwork, printed materials, and photographs.

The papers of Massachusetts-based designer, sculptor, painter, filmmaker, and educator Richard E. Filipowski measure 4.1 linear feet and date from circa 1940 to 1998. The papers document his career through biographical material, correspondence, writings, teaching files, project files, printed material, photographic material, artwork, and a sound recording.

The papers of landscape painter and educator Reuben Tam measure 8.1 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks.

The Louis Lozowick Papers measure 5.9 linear feet and are dated 1898-1974. Correspondence, writings, business records, printed material and photographs document Lozowick's career. Also included are biographical documents, sketches, and records relating to organizations that interested him.

The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 2.5 linear feet and date from 1935-1986. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material.

The Jack Lenor Larsen papers measure 3.7 linear feet and date from 1941-2003. Larsen was a renowned weaver and designer, entrepreneur, and a scholar who wrote and lectured on modernist design. His career in the New York design world is documented by biographical materials, correspondence, writings by and about him, various printed materials and photographs.

The papers of Chris Gjording primarily document his research and activities in Central America, particularly his research on the Guaymíes and the Cerro Colorado copper mining project in Chiriquí, Panama. Materials pertaining to Panama include Gjording's field notes (portions of which are missing due to severe insect infestation); photographs; reference materials he collected; and his writings, which include his articles, dissertation, and drafts of his dissertation revised for publication. In addition to his work in Panama are his field notes and photographs from his research on campesino communities in Guatemala and El Salvador. Gjording also kept subject files on Latin American countries, focusing on the poor and oppressed and the social and political climate. His writings on those subjects are present in the collection and include a draft of his unpublished paper on peasant uprising in El Salvador and issues of Informacciónes, the Spanish-language newsletter that Gjording published and wrote articles for in Honduras. The collection also contains correspondence and notes relating to his visits to the Guatemalan Indian refugee camps in Los Lirios and Maya Balam in Quintana Roo in Mexico. In addition, the collection contains some of his correspondence with his mentor Ricardo Falla, a Guatemalan Jesuit priest and anthropologist, whom he refers to as "RF" in his notes. The collection also contains computer disks with chapters in Spanish from Falla's book on Ixcán, possibly Masacres de la selva: Ixcán, Guatemala (1992).

The papers of Jerome Blum measure 3.0 linear feet and date from 1915 to circa 1969, with the bulk of the material dating from 1919 to 1935. Biographical material, correspondence, writings and notes, printed material, artwork, and photographs document the painter's personal and professional life, and extensive travels.

The papers of artist and educator Don Reitz measure 11.6 linear feet and date from circa 1935 to 2015. The collection documents Reitz's work as a professional artist and educator through biographical material, correspondence; writings, interviews and lectures; documentation on workshops and performances; studio records; gallery and exhibition files; printed material, photographic material, and artwork.

The Robert Scull papers measure 2 linear feet and date from 1955 to circa 1984, with the bulk of the material dating from 1965 to 1970. Throughout the 1960s, Robert Scull was a wealthy and prominent art collector of Abstract, Pop, and Minimalist art whose collection included works by Michael Heizer, Jasper Johns, Robert Rauschenberg, and Andy Warhol, among others. HIs papers include fourteen annotated appointment books, correspondence, financial and legal records, printed material, and photographs.