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Creators:
Koppelman, Chaim, 1920-2009
Dates:
circa 1930s-2006
bulk 1942-2005
Size:
4 Linear feet
Collection ID:
AAA.koppchai
Repository:
Archives of American Art

The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.

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Creators:
Nordness, Lee
Dates:
circa 1931-1992
bulk 1954-1984
Size:
117.5 Linear feet (Boxes 1-121)
Collection ID:
AAA.nordlee
Repository:
Archives of American Art

The Lee Nordness business records and papers measure 117.5 linear feet and date from circa 1931 to 1992 with the bulk of materials dating from 1954 to 1984. The records document seven New York City art-related companies with which Nordness was involved: Talent Discovery Company, The Little Studio, Ltd., American Art Expositions, Inc., Nordness Gallery, Inc., Lee Nordness Galleries Art Advisory Section, Inc., Lee Nordness Galleries Exhibition Section, Inc., and Forms & Objects, Inc. Records include correspondence, artist's files, business and legal records, inventories, financial and sales records, printed materials, scrapbooks, and photographic materials. Also found is a small group of personal papers.

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Creators:
Fabri, Ralph, 1894-1975
Dates:
circa 1870s-1975
bulk 1918-1975
Size:
26 Linear feet
Collection ID:
AAA.fabrralp
Repository:
Archives of American Art

The Ralph Fabri papers measure 26.0 linear feet and are dated circa 1870s-1975, with the bulk of the material dated 1918-1975. Biographical information, correspondence, subject files, writings, art work, financial records, miscellaneous records, scrapbooks, printed material, a videotape of Fabri in his studio, and photographs document the professional career and personal life of the painter, printmaker, commercial artist, writer, and teacher.

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Creators:
Howe, Thomas Carr, 1904-1994
Dates:
1932-1984
Size:
4.4 Linear feet
Collection ID:
AAA.howethom
Repository:
Archives of American Art

The Thomas Carr Howe papers measure 4.4 linear feet and date from 1932 to 1984. Howe was director of the California Palace of the Legion of Honor in San Francisco for nearly 40 years, and he served as one of the Monuments Men in the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The collection documents Howe's MFAA work in Germany and Austria locating and recovering cultural artifacts and artwork stolen by the Nazis. There is significant correspondence with friends and colleagues, as well as fellow Monuments Men such as Samson Lane Faison, Edith Standen, and George Stout. The papers also includes reports, inventories of stolen artwork, maps, annotated photographs, a scrapbook, and photographs. The papers also document Howe's later work at the California Palace of the Legion of Honor.

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Creators:
Lippard, Lucy R.
Dates:
1930s-2007
bulk 1960-1990
Size:
56.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

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Creators:
Brooks, James, 1906-1992
Dates:
1909-2010
bulk 1930-2010
Size:
20.1 Linear feet
Collection ID:
AAA.broojame
Repository:
Archives of American Art

The papers of Abstract Expressionist painters James Brooks and Charlotte Park measure 18.7 linear feet and are dated 1909-2010, bulk 1930-2010. Correspondence, subject files, personal business records, printed material, and a sound recording document his painting career, interests, professional and personal activities. Also found are biographical materials, interviews, writings, and art work. The collection also includes papers of his wife, Abstract Expressionist painter Charlotte Park, regarding her painting career, personal life, activities as executor of James Brooks' estate, and some material concerning the James Brooks and Charlotte Park Brooks Foundation. There is a 1.4 linear foot addition to this collection donated in 2017 that includes 58 "week-at-a-glance" appointment books, three journals and one address/ telephone book of Charlotte Park; a hand written chronology with significant dates and notes; postcards and exhibition announcements sent to Charlotte and James; doodles; and a sketch, possibly by Don Kingman.

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Creators:
Carpenter, Edmund, 1922-2011
Dates:
circa 1938-2011
Size:
26.25 Linear feet
Collection ID:
NAA.2017-27
Repository:
National Anthropological Archives

Edmund Snow Carpenter (1922-2011) was an archaeologist and visual anthropologist who worked extensively with the indigenous peoples of the Canadian Arctic as well as Papua New Guinea. With his colleague and close collaborator Marshall McLuhan (1911-1980), he laid the groundwork for modern media theory. Carpenter is also known for his work as an ethnographic filmmaker and as a collector of Paleo-Eskimo art. The Papers of Edmund Carpenter, circa 1938-2011, document the research interests and projects undertaken by Carpenter in the fields of cultural anthropology, ethnographic filmmaking, media theory, archaeology, and indigenous art.

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Creators:
Garrison, Vivian, 1933-2013
Dates:
circa 1930-2009
bulk 1960-1993
Size:
108.29 Linear feet
Collection ID:
NAA.2017-19
Repository:
National Anthropological Archives

Vivian E. Garrison was an applied medical anthropologist who researched the cultural understandings and community treatment structures surrounding mental illness and mental health care among low-income, minority, and migrant communities of the New York metropolitan area. The Vivian E. Garrison papers document this research and consist of clinical and case files; research policies and protocols; presentations and workshops notes; manuscripts and drafts; publications and working papers; correspondence; grant applications; administrative files; sound recordings and films; annotated scholarly literature; and personal biographical material.

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Creators:
Dehner, Dorothy, 1901-1994
Dates:
1920-1987
bulk 1951-1987
Size:
4.5 Linear feet
Collection ID:
AAA.dehndoro
Repository:
Archives of American Art

The papers of Dorothy Dehner measure approximately 4.5 linear feet and date from 1920 to 1987, with the bulk of the material dating from 1951 to 1987. The collection documents the life and work of the sculptor. Papers include extensive correspondence, business and financial papers, writings, interviews, printed material, photographs, student papers, one item of art work, and scattered personal papers and material relating to David Smith.

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Creators:
Cox, Allyn, 1896-1982
Dates:
1856-1982
Size:
11 Linear feet
Collection ID:
AAA.coxally
Repository:
Archives of American Art

The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.

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