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Creators:
D'Harnoncourt, Rene, 1901-1968
Dates:
1921-1983
Size:
2.4 Linear feet
Collection ID:
AAA.dharrene
Repository:
Archives of American Art

The papers of art curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, Mexican Art (1930-1932), and Indian Art of the United States (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.

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Creators:
MacGaffey, Wyatt
Dates:
1980
Size:
103 negatives (photographic) (black & white, 35 mm.)
93 prints (visual works) (black & white, 8 x 10 in. or smaller)
75 slides (photographs) (color)
Collection ID:
EEPA.2003-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs by Wyatt MacGaffey, a prominent anthropologist with a lifelong scholarly interest in the Congo, taken during a survey on Belgian colonial architecture for a research project in Kisangani (formerly Stanleyville) in 1980. His images of the often dilapidated buildings range from colonial mansions to views of African housing. Other photographs show small private homes and businesses as well as a mosque under construction by the Saudis and several churches. There are also many street scenes, images of the university and the Congo River. A series of five slides shows popular paintings (such as La Colonie Belge). The value of his images is enhanced by his notes, which record subjects and locations.

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Creators:
Hollister, Paul M., 1918-2004
Dates:
bulk 1947-2004
circa 1883-2004
Size:
9.4 Linear Feet
Collection ID:
AAA.hollpaul
Repository:
Archives of American Art

The Paul Hollister papers measure 9.4 linear feet and date from circa 1883 to 2004, with the bulk of the papers from 1947-1996. Biographical material and correspondence both personal and professional are included, in addition to project files documenting various writing, teaching and curatorial projects, as well as ongoing working relationships with various institutions. Also included are topical projects that overlapped with specific research interests, containing a considerable amount of research material. Writings by Paul Hollister include manuscript material spanning the breadth of his professional writing career, from his work as a columnist, to his articles on glass, as well as some works of fiction. Also included is a full manuscript of one of Hollister's books on glass paperweights. The published portion of this content is mirrored in the printed material series. The business records of Paul Hollister contain financial information about his household and collections, as well as his family's estate. Also included are records relating to Paul Hollister's art studio and an inventory of his paintings and other works of art in the form of index cards. Select photographs of Hollister's collection of art objects are included, along with images of Paul and Irene Hollister.

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Creators:
Focus Gallery
Dates:
1963-1987
Size:
11.8 Linear Feet
Collection ID:
AAA.focugall
Repository:
Archives of American Art

The records of San Francisco Focus Gallery measure 11.8 linear feet and date from 1963-1987. The bulk of the collection consists of exhibition files. There are also artists files, sales information, correspondence, and scattered records of the gallery's companion bookshop.

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Creators:
Landor Associates
Landor, Walter
Dates:
circa 1930-1994
Size:
146 Cubic Feet
Collection ID:
NMAH.AC.0500
Repository:
Archives Center, National Museum of American History

Collection documents the career of designer Walter Landor and the significant body of commercial imagery and packaging produced by Landor Associates design firm. Contains corporate and business records of Landor Associates, personal papers of Landor, oral history interviews, films, videotapes, and other audiovisual resources.

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Creators:
Livingstone, Ivan
Dates:
1972-1973
Size:
527 slides (photographs) (color , 35mm.)
Collection ID:
EEPA.1996-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection contains 527 color 35mm slides taken by Ivan Livingstone in West Africa (primarily the Republic of Benin but also in Ghana, Nigeria and Togo) circa 1972-1973. Images depict market scenes, Egúngún and Ifa ceremonies, religious ceremonies of the Celestial Church of Christ, funeral processions, decoration and ornament, clothing and dress, and musicians. There are also several images of the palace of the Oni of Ife. Culture groups represented in the collection include the Yoruba, Ifè, Oyo, Somba, Fon,Dan and Fula peoples.

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Creators:
Southcott, W.
Dates:
between 1906-1908
Size:
1 box (+album)
128 postcards (1 volume, black & white, 9 x 14 cm.)
Collection ID:
EEPA.1992-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Postcards mailed mostly in Lagos between 1906 and 1908 by W. Southcott to Miss Eva Jones, and later, during 1907, to Mrs. W. Southcott (nee Jones) of New Brighton, Cheshire.

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Creators:
Faris, James C.
Dates:
1960-2014, undated
Size:
7.67 Linear Feet
Collection ID:
NAA.2016-36
Repository:
National Anthropological Archives

James Faris (1936 – present) is an American cultural anthropologist and epistemologist who received his PhD from Cambridge University in 1966. He conducted fieldwork in the fishing settlement of Cat Harbour, Newfoundland, among the Nuba of Southeastern Kordofan in the Sudan, and among the Navajo in the American Southwest. His research specializations include cognitive anthropology, art and aesthetics, ritual, social organization and reproduction, anthropological linguistics, and visual anthropology and critical theory and representation. The James Faris Papers, 1960-2014, primarily document his fieldwork with the Nuba peoples of Southeastern Sudan. His papers also include materials related to representation of the Nuba peoples and various controversies in visual anthropology and documentary film that related to Leni Riefenstahl and her filmmaking among the Nuba. During the 1960s Faris was drawn into activism against the Vietnam War while at the University of Connecticut and his papers contain ephemeral materials on radical anthropology and racism from that period. The collection consists of field notes, correspondence, photographs, sound recordings, films (including scripts and transcriptions), videos, book and papers drafts, and news and magazine clippings.

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Creators:
Smithsonian Institution, Office of the Secretary
Dates:
1990
Size:
44 cu. ft. (42 record storage boxes) (2 non-standard size boxes)
Collection ID:
Accession 93-066
Repository:
Smithsonian Institution Archives

This accession includes administrative records and index from the Office of the Secretary, Robert McCormick Adams, for fiscal year 1990. Listings in bold and capital letters indicate both the topic of folder contents and major subheadings from the Secretary's Office file plan.

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Creators:
Smithsonian Institution, Assistant Secretary for the Arts and Humanities
Dates:
1983-1994
Size:
25.89 cu. ft. (23 record storage boxes) (1 16x20 box) (5 blueprint storage boxes)
Collection ID:
Accession 94-082
Repository:
Smithsonian Institution Archives

These records consist of correspondence and memoranda pertaining to Experimental Gallery proposals, installation of exhibitions, gallery activities with the public, and research; administrative files concerning financial reports, funding (through the Cafritz and Rockefeller foundations, as well as the Pew Charitable Trusts), contracts, ex...

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