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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Office of the Director
Dates:
1971-1987
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 01-175
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Thomas Lawton, Director, 1977-1987, documenting participation in professional associations; events held for, or by, the Freer or the Sackler; development; fellowships and grants; the Freer Medal; acquisitions; exhibitions; various committees and boards on which the Director serv...

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Creators:
National Portrait Gallery, Office of Exhibitions
Dates:
1972-1994
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 95-158
Repository:
Smithsonian Institution Archives

These records document two exhibitions held at the National Portrait Gallery: "In the Minds and Hearts of the People: Prologue to the American Revolution, 1760-1774," on view from June 14 through November 17, 1974; and "To Color America: Portraits by Winold Reiss," which was on view from October 27, 1989 through April 1, 1990. In the past ...

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Creators:
Voss, Frederick S.
Dates:
1980-2007
bulk 1998-2003
Size:
5 Linear Feet
Collection ID:
NPG.CAP.00003
Repository:
National Portrait Gallery

Research material gathered by Frederick S. Voss regarding portrait painter G. P. A. (George Peter Alexander) Healy (1813-1894), including correspondence with museums, historical soceities, and librarys, articles about Healy and his sitters, as well as photocopied correspondence and manuscripts written by Healy.

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Creators:
Kern, George Robert, 1894-1962 (cabinet maker, machinist)
Kern, George Robert, Jr., 1919-1987
Medical History, Division of (NMAH, Smithsonian Institution).
Dates:
1936-1970
Size:
3 Cubic feet (9 boxes)
Collection ID:
NMAH.AC.0479
Repository:
Archives Center, National Museum of American History

Blueprints, drawings, patent applications, patents, product photographs, correspondence, bills and receipts, advertising, and published articles related to the Kerns' products. The bulk of the material, 1949-1958, is from George Kern's files. It primarily relates to the development and marketing of the Dentagraph and high speed dental drills before the formation of the Fairfax Manufacturing Company in 1957.

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Creators:
Serrano, Andres, 1950-
Dates:
1986-2013
Size:
2.8 Linear feet
Collection ID:
AAA.serrandr
Repository:
Archives of American Art

The papers of photographer Andres Serrano measure 2.8 linear feet and date from 1986 to 2013. The collection documents Serrano's work as a photographer through correspondence, writings, professional files, personal business records, and printed materials.

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Creators:
Hartford Electric Light Company.
Foster Wheeler Corporation
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.
Stone and Webster.
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Dates:
1920 - 1961
Size:
4 Cubic feet (11 boxes)
Collection ID:
NMAH.AC.0968
Repository:
Archives Center, National Museum of American History

The Emmet Mercury Boiler Records contains information about General Electric Company and Hartford Electric Light Company's development, installation, and use of William Le Roy Emmet's mercury boiler units. The mercury boiler units used mercury fluid along with steam power to improve cycle efficiency in converting coal or oil to electric power. The collection contains articles, news clippings, reports, instruction manuals, log books, data sheets, photographs, and drawings related to the experimental unit installed at Dutch Point, Connecticut, and the first commercial use of a mercury boiler at the South Meadow Station in Hartford, Connecticut.

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Creators:
Gablik, Suzi, 1934-
Dates:
1954-2014
Size:
12.8 Linear feet
4.48 Gigabytes
Collection ID:
AAA.gablsuzi
Repository:
Archives of American Art

The papers of art historian, critic, and painter Suzi Gablik measure 12.8 linear feet and 4.48 GB and date from 1954 to 2014. The collection documents her career through scattered biographical documents, professional correspondence, 83 journals and notebooks, writings for book projects, notes, lectures, professional files, printed material, photographs, some digital, and photograph albums. Also included are two digital videos.

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Dates:
1865–1872
Size:
133 Reels
Collection ID:
NMAAHC.FB.M1904
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 133 rolls of microfilm described in the NARA publication M1904. These digital surrogates reproduced the records of the Kentucky headquarters for the Assistant Commissioner and his staff officers and the subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters sent and received, monthly reports, registers of complaints, labor contracts, and other records relating to freedmen's claims and bounty payments.

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Dates:
1865–1870
Size:
28 Reels
Collection ID:
NMAAHC.FB.M1912
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 28 rolls of microfilm described in the NARA publication M1912. These digital surrogates reproduced the records of the Texas Field Offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870, including previous unfilmed records of the Office of the Assistant Commissioner, and records of the office of staff officers and subordinate field offices. These records consist of bound volumes and unbound records, including letters received and endorsements, monthly school reports, and other records relating to freedmen's complaints and contracts.

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Creators:
Blesh, Rudi, 1899-1985
Dates:
circa 1900-1983
Size:
2.1 Linear feet
Collection ID:
AAA.blesrudi
Repository:
Archives of American Art

The papers of writer, critic, and architectural designer Rudi Blesh measure 2.1 linear feet and date from circa 1900 to 1983. The collection includes correspondence, documentation on writing projects and notes, printed materials, and photograpic materials. Much of the material concerns his collaboration with Harriet Janis on the book Collage: Personalities, Concepts, Techniques.

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