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Creators:
National Museum of American Art. Office of the Deputy Director
Dates:
circa 1978-1987
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Record Unit 446
Repository:
Smithsonian Institution Archives

These records consist of subject files created by Charles Robertson as Assistant Director, Resources, and Assistant Director, Museum Resources, mostly 1983-1984. Also included are exhibition records of Robertson as Associate Administrator and as Assistant Director.

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture
Dates:
1963-1991
Size:
35 cu. ft. (35 record storage boxes) (1 oversize folder)
Collection ID:
Record Unit 469
Repository:
Smithsonian Institution Archives

These records consist of professional correspondence and administrative and research files of a number of curators from the Department of Painting and Sculpture. Included are correspondence and memoranda with HMSG staff, artists, galleries, and other museums; loan agreements, checklists, scripts, and installation plans for HMSG exhibitions; ...

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Creators:
National Collection of Fine Arts
Dates:
1908-1974
Size:
59 cu. ft. (1 record storage box) (116 document boxes)
Collection ID:
Record Unit 313
Repository:
Smithsonian Institution Archives

The records pertain to the administration of David W. Scott, director, 1965-1968, Robert Tyler Davis, interim director, 1969, and Joshua C. Taylor, director, 1970- . Some records, most noticeably correspondence with Smithsonian Art Commission members, have been pulled up into the files from previous administrations. Also included are Smithson...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
1967-2013
Size:
23 cu. ft. (23 record storage boxes)
Collection ID:
Accession 15-341
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the administration of the Center for Folklife and Cultural Heritage (CFCH), previously known as the Office of Folklife Programs, 1978-1991, and the Center for Folklife Programs and Cultural Studies, 1992-1999, during the tenure of Richard Kurin. Kurin served as the Deputy Director, 1985-1987; ...

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1893-1969
Size:
2.96 Cubic feet (consisting of 5.5 boxes, 1 folder, 7 oversize folders, 8 map case folders, 1 flat box (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Motion
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Motion Pictures forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Portrait Gallery. Office of the Registrar
Dates:
1981-2001
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 07-090
Repository:
Smithsonian Institution Archives

This accession consists of records which document outgoing loans. Materials include correspondence, memoranda, condition reports, facility reports, loan agreements, black-and-white photographs, and color photographs and transparencies.

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Creators:
Powers, Hiram, 1805-1873
Dates:
1819-1953
bulk 1835-1883
Size:
12.4 Linear feet
Collection ID:
AAA.powehira
Repository:
Archives of American Art

The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

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Creators:
Smithsonian Institution, Office of Museum Programs
Dates:
1979-1988
Size:
11.9 linear meters.
Collection ID:
Record Unit 630
Repository:
Smithsonian Institution Archives

These records document the operations of the Office of Museum Programs (OMP) and its work in the museum community. Of special interest are records of the Kellogg Project, funded by the Kellogg Foundation in an effort to expand the educational influence of museums.

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Creators:
Pope, John Alexander, 1906-1982
Aga-Olgu, Kamer, 1903-
Warner, Langdon (1881-1955)
Mayuyama, Junkichi, 1913-1999
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Dates:
circa 1925-1982
Size:
45 Linear feet
Collection ID:
FSA.A1988.01
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The John Alexander Pope papers contain limited biographical, personal and professional information. The bulk of the collection consists of published and unpublished writings, research materials and correspondence.

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Creators:
Segalove, Ilene, 1950-
Dates:
1964-2017
Size:
4.4 Linear feet
6.06 Gigabytes
Collection ID:
AAA.segailen
Repository:
Archives of American Art

The papers of feminist, conceptual, video, and performance artist Ilene Segalove measure 4.4 linear feet and 6.06 gigabytes and date from 1964 to 2017. The collection contains a small amount of biographical material including resumes, certificates, and address lists; correspondence with family and friends; writings; and teaching files from the University of California, Santa Barbara. The bulk of the collection consists of project and exhibition files for both solo works and works in collaboration with Lowell Darling, and printed material. Also included are photographic materials such as snapshots of exhibition openings and slides of artwork; and artwork, primarily artist notebooks and video art.

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