582 records — Page 16 of 59
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Creators:
Kahn, Albert, 1869-1942
Dates:
1875-1970
Size:
7.02 Linear feet
Collection ID:
AAA.kahnalbp
Repository:
Archives of American Art

The papers of architect Albert Kahn date from 1875-1970, bulk 1875-1945, and measure 7.02 linear feet. Found within the papers is biographical material, correspondence, personal business records, nine sketchbooks, art work, notes and writings, two scrapbooks, printed material, photographs and photograph albums, artifacts, and motion picture film.

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Creators:
Unknown
Dates:
between 1912-1915
Size:
227 Photographic Prints (1 album (61 pages), black and white, 17 x 12 cm. or smaller)
Collection ID:
EEPA.1993-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of copy prints of album pages depicting scenes in and around Ngaoundere, Cameroon, circa 1912-1915. The photographs were taken by an unidentified German soldier. Images depict portraits, village scenes, European soldiers, landscapes, and vernacular architecture.

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Creators:
Yasko, Karel, 1911-1985
Dates:
circa 1933
Size:
1 Item
Collection ID:
AAA.yaskkare
Repository:
Archives of American Art

One 120 page typescript draft of essay entitled "History of Federal Construction Work Since the World War" describing in detail all federal construction under the Public Buildings Act of 1926. The essay is divided into sections by fiscal year from 1926 through 1931, with descriptions of appropriations and federal acts for each year. Other sections ...

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Creators:
Smithsonian Institution. Assistant Secretary for History and Art
Dates:
1962-1982
Size:
44.54 cu. ft. (41 record storage boxes) (1 document box) (1 12x17 box) (2 16x20 boxes) (2 oversize folders)
Collection ID:
Record Unit 337
Repository:
Smithsonian Institution Archives

These records document the work of Susan A. Hamilton as Bicentennial Coordinator, acting under the direction of the Assistant Secretary for History and Art. They also cover preliminary planning for Bicentennial programs carried out between 1968 and the creation of the Office in 1971. For a fuller record of such activities, researchers should ...

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Creators:
American Academy in Rome
Dates:
1855-2012
Size:
65.9 Linear feet
Collection ID:
AAA.ameracar
Repository:
Archives of American Art

The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.

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Creators:
Saarinen, Aline B. (Aline Bernstein), 1914-1972
Dates:
1906-1977
Size:
14.2 Linear feet
Collection ID:
AAA.saaralin
Repository:
Archives of American Art

The Aline and Eero Saarinen papers measure approximately 14.2 linear feet and date from 1906 to 1977. The bulk of the collection consists of Aline Saarinen's papers which document her relationship with her husband Eero Saarinen and other aspects of their personal lives, as well as Aline's work as an art and architectural critic, author, and television correspondent. Papers include research files for published and planned books (in which can be found scattered original letters of Stanford White, John Quinn and Edward Root) and other projects, NBC correspondent files, writings, committee files, correspondence, photographs, printed material, and miscellaneous personal papers.

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Creators:
Barney, Alice Pike, 1857-1931
Dates:
circa 1889-1995
Size:
15.63 cu. ft. (26 document boxes) (4 12x17 boxes) (1 21x25 box) (1 oversize folder)
Collection ID:
Record Unit 7473
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
McLaren, Lynn, 1922-
Dates:
circa 1950-1969
Size:
648 Slides (photographs) (color , 35mm.)
10 Photographic prints (black and white , 8 x 10 inches.)
38 Transparencies (color , 120mm.)
Collection ID:
EEPA.2007-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 38 color transparencies, 648 color slides and 10 black-and-white photographic prints taken by Lynn McLaren Demarest while on assignment for various news outlets in the 1950s and 1960s. A majority of the slides and transparencies were taken in East Africa and document indigenous peoples, agriculture (cotton in particular), health and nutrition education, UNICEF activities, architecture, natural landscapes, animals, fishers, coffee plantations and the sisal industry. Locations include Mobassa, Lamu Island, Zanzibar, Dar es Saalam, Lake Victoria, Mount Kilimajaro, Ngorongoro Crater, Lake Manyara and Mikumi National Park (Tanzania). The black-and-white photographs depict East African leaders, such as Julius Nyerere, and prominent international visitors to the region, including Robert Kennedy. A small number of slides and transparencies were taken in India.

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Creators:
Brusseaux, Eugene
Dates:
between 1900-1905
Size:
35 negatives (photographic) (black & white, 6 x 7 cm.)
354 photographic prints (silver gelatin (1 box), black & white, 7 x 8 cm. or smaller.)
Collection ID:
EEPA.1999-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The album was compiled by Eugene Brusseaux, a French colonial, very likely a merchant, who lived, worked and traveled in the Republic of Congo and the Central African Republic (then Afrique Equatoriale Francaise), and in northern Cameroon (then German colony of Kamerun). The images may well have been taken by Brusseaux himself. Mr. de Strycker acquired the album, which previously belonged to Professor Verneau of the Musee de L'Homme, Paris, in a sale from Professor Verneau of the Musee de l'Homme, Paris. The album shows the classic arrangement of many similar colonial albums, depicting Brusseaux's voyage from France to Libreville in Gabon, and Matadi on the mouth of the Congo River. From there Brusseaux took the railroad to Leopoldville (Kinshasa) and traveled on the Brazzaville. He continued on the Congo River to Balobo and Kounda, then over land towards the Sangha River, through Bonga and Loboko to M'Bako on the Sangha River and to Ouesso, now on the border of the Republic of the Congo and the Central African Republic. From Ouesso, he continued on to Nola, Carnot and Baboua. He then visited Kounde, and crossed into German territory, moving on the Ngaoundere. This is where the album ends. The photographs depict some of the Belgian and French colonial cities. There are excellent images of transportation in Matadi. Brazzaville is the topic of many good architectural photographs. A very interesting set shows the Catholic Mission of Brazzaville in 1901 and 1904 with a unique interior shot of the cathedral. Further inland, the photographs of colonial settlements focus on trading posts, such as Bonga, Kadei, Carnot and Baboma. Many photographs show Africans, indigenous architecture, and celebrations. They focus on the Pomo, the Pande, the Baya (Baja in German writing), and Hausa and Fulbe. Images from Baboma, Kounde and Ngaoundere show indigenous Fulbe architecture, including a series of the Lamido's palace at Ngaoundere, and Fulbe kings, retainers and women. One set depicts women with Fulbe style coiffures of extraordinary complexity (wigs).

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Creators:
Fransioli, Thomas Adrian, 1906-1997
Brown, Robert F.
Dates:
1981 April 21
Size:
2 Items (Sound recording: 2 sound files, digital, wav file)
37 Pages (Transcript)
Collection ID:
AAA.fransi81
Repository:
Archives of American Art

Interview of Thomas Adrian Fransioli, conducted April 21, 1981, by Robert F. Brown for the Archives of American Art, Smithsonian Institution, in Wenham, Massachusetts.

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582 records — Page 16 of 59