244 records — Page 16 of 25
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Creators:
Davis, Gene, 1920-1985
Dates:
1920-2000
bulk 1942-1990
Size:
17.7 Linear feet
Collection ID:
AAA.davigene
Repository:
Archives of American Art

The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, as well as his career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.

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Creators:
Hofmann, Hans, 1880-1966
Dates:
circa 1904-2011
Size:
29.92 Linear feet
5 Gigabytes
Collection ID:
AAA.hofmhans
Repository:
Archives of American Art

The papers of painter, teacher, and writer Hans Hofmann measure 29.92 linear feet and 5.00 GB and date from circa 1904 to 2011, with the bulk of the materials dating from 1945 to 2000. The majority of the papers were created after 1932 and document Hofmann's life and professional career after settling in the United States. Among his papers are personal and professional correspondence; records of his schools in Munich, New York City, and Provincetown, Mass.; writings and notes; financial records; photographs; printed matter; estate records; and a small number of personal papers of his second wife, Renate Schmitz Hofmann. Hofmann's personal papers are augmented by a large selection of printed matter, including exhibition catalogs, articles, news clippings, and monographs about Hofmann and modern art, as well as documentary projects including Tina Dickey's compilation of oral histories and records of Hofmann's students, and research materials, sound and video recordings, digital material, and motion picture film created and gathered by Madeline Amgott during the production of two video documentaries about Hans Hofmann released in 1999 and 2002. Hofmann's Library was acquired with his papers; inscribed/annotated volumes have been retained with the collection.

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Creators:
Kuhn, Walt, 1877-1949
Dates:
1859-1984
bulk 1900-1949
Size:
31 Linear feet
Collection ID:
AAA.kuhnwalt
Repository:
Archives of American Art

The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.

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Creators:
Fendrick Gallery
Dates:
1952-2001
Size:
106.4 Linear feet
0.008 Gigabytes
Collection ID:
AAA.fendgall
Repository:
Archives of American Art

The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

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Creators:
Robbins, Warren M.
Dates:
circa 1927-2009
Size:
83.1 cu. ft. (80 record storage boxes) (4 12x17 boxes) (2 16x20 boxes)
Collection ID:
Accession 11-001
Repository:
Smithsonian Institution Archives

These papers document the life and work of Warren M. Robbins, covering a wide swath of his life, from his early career in the Foreign Service to his work in cross cultural communications and African art. A prolific writer, Robbins correspondence with such people as Maya Angelou, Ernie Barnes, Saul Bellow, Eliot Elisofon, Otto Fried, Buckminste...

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Creators:
National Collection of Fine Arts. Department of Twentieth Century Painting and Sculpture
Dates:
1965-1975
Size:
23.02 cu. ft. (23 record storage boxes) (1 microfilm reel)
Collection ID:
Record Unit 315
Repository:
Smithsonian Institution Archives

These records contain exhibition material, including staff research notes on artists and artwork; administrative records concerning the shipment of exhibited artwork, loan correspondence, security and display of the exhibited material, photographs of display items, and installation photographs; staff correspondence including correspondence ...

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Creators:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-
Dates:
1831-1979
Size:
73 Items (Letters, written in ink, ball point, graphite, typewriter)
26 Items (Stamps)
3 Items (Photographs)
Collection ID:
FSA.A2009.06
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

This collection is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American Art. Included in the collection is a significant portion of letters from Abbott Thayer to correspondents from his circle of family, friends and art world figures such as Maria Oakey Dewing and Samuel Coleman.

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Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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Creators:
Gross, Chaim, 1904-1991
Dates:
1920-2004
Size:
21.1 Linear feet
Collection ID:
AAA.groschai
Repository:
Archives of American Art

The papers of New York City sculptor and teacher Chaim Gross measure 21.1 linear feet and date from 1920-2004. The collection provides comprehensive documentation of Gross's career through biographical material, personal and professional correspondence with family, artists, writers, galleries, museums, educational institutions, and religious and philanthropic organizations, writings, personal business records, extensive printed and published material including motion picture film and video recordings of four documentaries, one hundred and fifteen sketchbooks spanning the bulk of Gross's career, and photographs of Gross, his family, many friends and colleagues from the art world, his studio, personal art collection, and works of art. An unprocessed addition of three sketchbooks was donated in 2020.

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Creators:
Gray, Cleve
Dates:
1933-2005
Size:
9.2 Linear feet
Collection ID:
AAA.grayclev
Repository:
Archives of American Art

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

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244 records — Page 16 of 25