318 records — Page 16 of 32
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Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1920-1994
Size:
34 cu. ft. (34 record storage boxes)
Collection ID:
Accession 97-001
Repository:
Smithsonian Institution Archives

This accession consists of the administrative records of the National Museum of American Art, Office of the Registrar, 1920-1994, with the majority dated 1985-1994. The records include Exhibition Files, 1920-1960 and 1986-1991; Photo Requests, 1987-1992; Read Files, 1985-1993; Loan Forms/Photos Ordered, 1989-1993; Permission Forms, numbered ...

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Creators:
Madsen, Loren, 1943-
Dates:
1969-2019
Size:
5.2 Linear feet
45.82 Gigabytes
Collection ID:
AAA.madslore
Repository:
Archives of American Art

The papers of artist Loren Madsen measure 5.2 linear feet and 45.82 GB and date from 1969 to 2019. The collection primarily consists of project and exhibition files, and also includes personal business records, correspondence, writings, photographic material, and artwork. There are materials in physical and digital format.

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Creators:
National Academy of Design (U.S.)
Dates:
1817-2012
Size:
92.7 Linear feet
Collection ID:
AAA.natiacad
Repository:
Archives of American Art

The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.

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Creators:
Cunningham, Imogen, 1883-1976
Dates:
1903-1991
Size:
5.9 Linear feet
Collection ID:
AAA.cunnimog
Repository:
Archives of American Art

The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career.

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Creators:
Rubin, David S., 1949-
Dates:
1960-2017
Size:
23 Linear feet
57.68 Gigabytes
Collection ID:
AAA.rubidavi
Repository:
Archives of American Art

The papers of curator and art critic David S. Rubin measure 23 linear feet and 57.68 gigabytes and date from 1960 to 2017. The papers are comprised of biographical materials, interviews, correspondence, writing projects and notes, artists' files, exhibition files, professional files, subject and research files, printed materials, and photographic materials documenting Rubin's work in California, Arizona, and other locations throughout the United States.

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Creators:
Miller, Dorothy Canning, 1904-2003
Dates:
1853-2013
bulk 1920-1996
Size:
34.6 Linear feet
Collection ID:
AAA.milldoro
Repository:
Archives of American Art

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

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Creators:
National Museum of American Art. Office of the Registrar
Dates:
1963-1987
Size:
54.58 cu. ft. (54 record storage boxes) (1 tall document box)
Collection ID:
Record Unit 453
Repository:
Smithsonian Institution Archives

This record unit documents the activities of the Office of the Registrar staff and consists of temporary loan files; temporary exhibition files, including shipping, insurance information, and loan agreements; general correspondence files; administrative files; and the files of the Smithsonian Art Commission, 1963-1975.

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Creators:
Los Angeles Institute of Contemporary Art
Dates:
1973-1988
Size:
18.9 Linear feet
Collection ID:
AAA.losangin
Repository:
Archives of American Art

The records of the Los Angeles Institute of Contemporary Art measure 18.9 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides. There is a 0.9 linear foot unprocessed addition to this collection donated in 2021 that includes slides; performance and exhibition notes and supplements; newsletters and other printed material; a chronology of exhibitions, projects, publications and activities. Materials date from 1974- 1987.

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Creators:
National Collection of Fine Arts. Department of Twentieth Century Painting and Sculpture
Dates:
1965-1975
Size:
23.02 cu. ft. (23 record storage boxes) (1 microfilm reel)
Collection ID:
Record Unit 315
Repository:
Smithsonian Institution Archives

These records contain exhibition material, including staff research notes on artists and artwork; administrative records concerning the shipment of exhibited artwork, loan correspondence, security and display of the exhibited material, photographs of display items, and installation photographs; staff correspondence including correspondence ...

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Creators:
Taylor, Prentiss, 1907-1991
Dates:
1885-1991
Size:
20.8 Linear feet
Collection ID:
AAA.taylpren
Repository:
Archives of American Art

The collection measures 20.8 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

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318 records — Page 16 of 32