This accession consists of miscellaneous correspondence, fiscal records, annual reports, incoming and outgoing curatorial correspondence, personnel files, and records pertaining to the Computer History Project. Staff documented include Susan Faye Cannon.
Acquisition Records (Declined)
This accession consists of records documenting declined artwork offered by artists, private collectors, dealers, art galleries, foundations, corporations, and through estates and loans to the Smithsonian American Art Museum. Earlier records date back to when the museum was known as the National Museum of American Art and the National Collection …
Warshaw Collection of Business Americana Subject Categories: Lighting
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Lighting forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
This accession consists of records created and maintained by Ben Read, Director, 1969-1973; James Billington, Director, 1973-1987; and Charles Blitzer, Director, 1988-1997. Materials include correspondence, program files, Board of Trustees member files, budget information, records documenting the legislative establishment of the center and the choosing of a location (see the Woodrow Wilson International …
Andrew Dasburg and Grace Mott Johnson papers
The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.
This record unit documents the growth and management of the Smithsonian from 1890 to 1929. Of special interest is the Institution's entry into the field of the fine arts through the creation of the National Gallery of Art and the Freer Gallery of Art. The Smithsonian continued to pursue a wide variety …
Perls Galleries records
The records of the Perls Galleries measure 79.6 linear feet and date from 1937 to 1997. Founded by Klaus Perls in 1937 and operating until 1997, the gallery dealt primarily in modern French art and the artwork of Alexander Calder. Found within the records are extensive correspondence (circa 44 linear feet) with artists, dealers, galleries, museums, and collectors; photographs and negatives of inventory and other artwork; exhibition files, scattered financial records; and exhibition catalogs and clippings.
The Carolyn and Donald Grepke Paper Doll Collection
Grepke, Carolyn, 1937-1995
Abstract: Collection consists of over a century of paper dolls documenting their use as advertisements, and depictions of popular culture, fashion trends, family lifestyles, gender roles, ideal communities,and cultural heroes.
Leah Lipton research material on Chester Harding
Research material gathered by Leah Lipton regarding portrait painter Chester Harding (1792-1866), including correspondence with reference librarians, archivists, scholars, private collectors, Harding's descendants, and others; printed material, notes, and photographs.
Artists Talk on Art records
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.