Query: Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Henry John Drewal and Margaret Thompson Drewal Collection
Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 Copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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in EEPA.1992-028 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Industry on Parade Film Collection
Creators:
Lodge, Arthur
National Association of Manufacturers
Arthur Lodge Productions.
Dates:
1950 - 1959
Size:
42.5 Cubic feet
Collection ID:
NMAH.AC.0507
Repository:
Archives Center, National Museum of American History

Industry on Parade was a television series created by the National Association of Manufacturers (NAM) from 1950-1960. The series consisted of weekly episodes that highlighted American manufacturing and business. Hundreds of companies and products were documented during the programs decade-long run.

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in NMAH.AC.0507 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Victor A. Blenkle Postcard Collection
Creators:
National Philatelic Collection, Smithsonian Institution.
Blenkle, Victor A., Dr., 1900-1978 (physician)
Dates:
circa 1880-circa 1970
Size:
10 Cubic feet (29 boxes)
Collection ID:
NMAH.AC.0200
Repository:
Archives Center, National Museum of American History

This collection consists of postcards gathered by Dr. Victor A. Blenkle, a twentieth century physician. The postcards primarily concern geographical locations and landmarks in the United States and Western Europe, but also include materials from six other continents.

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in NMAH.AC.0200 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 1998
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1998
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.1998 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Creators:
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
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Dates:
undated
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S04.01 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Walter and Reimar Horten Interviews [Myhra]
Creators:
Myhra, David
Dates:
1913 -1998
bulk 1982-1988
Size:
7.91 Linear feet (20 boxes)
Collection ID:
NASM.1999.0065
Repository:
National Air and Space Museum Archives

This collection contains interviews with Reimar and Walter Horten that were recorded by David Myhra.

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in NASM.1999.0065 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Leo H. Baekeland Papers
Creators:
Baekeland, L. H. (Leo Hendrik), 1863-1944
Dates:
1976
1863 - 1968
Size:
15 Cubic feet (49 boxes)
Collection ID:
NMAH.AC.0005
Repository:
Archives Center, National Museum of American History

The papers document Leo H. Baekeland, a Belgian born chemist who invented Velox photographic paper (1893) and Bakelite (1907), an inexpensive, nonflammable, versatile plastic. The papers include student notebooks; private laboratory notebooks and journals; commercial laboratory notes; diaries; patents; technical papers; biographies; newspaper clippings; maps; graphs; blueprints; account books; batch books; formula books; order books; photographs; and correspondence regarding Baekeland, 1887-1943.

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in NMAH.AC.0005 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Mergenthaler Linotype Company Records
Creators:
Mergenthaler Linotype Co.
Dates:
1886-1997
Size:
108 Cubic feet (257 boxes, 1 map-folder)
Collection ID:
NMAH.AC.0666
Repository:
Archives Center, National Museum of American History

These records document primarily the history of typeface development at the Mergenthaler Linotype Company of Baltimore, Maryland. The company supplied most of the typesetting machines used in the printing industry, both in America and worldwide. As changing technology ended the usefulness of the linotype machine the company pioneered new computer-driven, photo typesetting machines.

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in NMAH.AC.0666 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
J. Horace McFarland Company collection
Creators:
McFarland, J. Horace (John Horace), 1859-1948
American Rose Society
Dates:
1899-1974
Size:
30 Cubic feet (2718 photographs: black and white; 450 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )
Collection ID:
AAG.MCF
Repository:
Archives of American Gardens

The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.

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in AAG.MCF for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Ivory Soap Advertising Collection
Creators:
Procter & Gamble Company
Leyendecker, J. C., 1874-1951
Smith, Jessie Willcox, 1863-1935
Elliott, Elizabeth Shippen Green
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Dates:
1883-1998
Size:
10 Cubic feet (30 boxes)
Collection ID:
NMAH.AC.0791
Repository:
Archives Center, National Museum of American History

Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.

Digital Content Available

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in NMAH.AC.0791 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
176 records — Page 16 of 18