460 records — Page 16 of 46
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Creators:
d'Arazien, Arthur
Dates:
circa 1930-2002
Size:
11 Cubic feet (28 boxes)
Collection ID:
NMAH.AC.0314
Repository:
Archives Center, National Museum of American History

The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and...

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Creators:
Fitzgerald, Ella, 1917-1996
Dates:
circa 1935-1996
Size:
50 Cubic feet (92 boxes)
Collection ID:
NMAH.AC.0584
Repository:
Archives Center, National Museum of American History

Ella Fitzgerald, often called the "First Lady of Song," was one of the 20th century's most important musical performers. The collection reflects her career and personal life through photographs, audio recordings, and manuscript materials.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1988
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1988
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Oakley, Violet, 1874-1961
Dates:
1841-1981
Size:
56.4 Linear feet
Collection ID:
AAA.oaklviol
Repository:
Archives of American Art

The papers of painter, stained glass artist, and muralist Violet Oakley measure 56.4 linear feet and date from 1841-1981. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, and project drafts; diaries and journals; financial material; artwork; printed material, including scrapbooks; and photographs, 3 albums, 322 glass plate negatives, and 1600 film negatives of Oakley, her family and friends, and her work.

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Creators:
McFarland, J. Horace (John Horace), 1859-1948
American Rose Society
Dates:
1899-1974
Size:
30 Cubic feet (2718 photographs: black and white; 448 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )
Collection ID:
AAG.MCF
Repository:
Archives of American Gardens

The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.

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Creators:
Archives Center, NMAH, SI.
Gay Officers Action League. GOAL
Becker, John M.
Gay Officers Action League. GOAL
More …
Dates:
1825-2021, undated
bulk 1960-2019
Size:
60 Cubic feet (182 boxes, 20 map-folders)
Collection ID:
NMAH.AC.1146
Repository:
Archives Center, National Museum of American History

This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.

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Creators:
National Museum of American History. Office of the Director
Dates:
1958-1997
Size:
28.5 cu. ft. (28 record storage boxes) (1 document box)
Collection ID:
Accession 99-152
Repository:
Smithsonian Institution Archives

These records document the administrative activities of the National Museum of American History (NMAH), Office of the Director, concerning NMAH departments, divisions, exhibitions, and special events, primarily during fiscal years 1993-1994, although some records date back to when the museum was named the National Museum of History and Technol...

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Creators:
Vidal, Teodoro
Dates:
1592-1992
Size:
4 Cubic feet (15 boxes, 10 oversized folders)
Collection ID:
NMAH.AC.0712
Repository:
Archives Center, National Museum of American History

Maps, prints, posters, religious articles, publications and photographs, relating to the history and culture of Puerto Rico. Mr. Vidal's family and personal papers are also included.

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Creators:
National Museum of American History. Office of the Director
Dates:
circa 1982-1988
Size:
33 cu. ft. (33 record storage boxes)
Collection ID:
Record Unit 583
Repository:
Smithsonian Institution Archives

These records document the tenure of Roger G. Kennedy, director, NMHT, 1979-1980, and director, NMAH, 1980-1992, as well as some of the work of Douglas E. Evelyn, deputy director. The records concern activities of the Office of the Director and the administration of NMAH. Of special note are records regarding the conclusion in 1982 of the ...

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Creators:
Metchewais [McLain], Kimowan
Dates:
1991-2011
Size:
871 Negatives (photographic)
1918 Slides (photographs)
989 Polaroid prints
15 Notebooks
0.8 Linear feet
1,496 Photographic prints
Collection ID:
NMAI.AC.084
Repository:
National Museum of the American Indian

The collection of Kimowan Metchewais [McLain], significant First Nations artist, contains materials related to his artistic practice and his personal life. The materials include not only photographs of his art, completed and in-progress, but also sketchbooks and journal entries that give important context to his major works and artistic practices. The materials range from his early career in the early 1990s as a magazine editor to his solo and group exhibitions to his time as an art professor at various universities and images of his final works in 2011. McLain balanced both Western and Native artistic methods and history in his work, his archive provides valuable insight into the swiftly evolving and often contested world of contemporary Native American art.

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460 records — Page 16 of 46