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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1932-1959
Size:
320 Boxes
The subseries includes black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.03
Repository:
Archives Center, National Museum of American History

The majority of materials are portrait sittings of individuals but there are also formal portraits of couples, families, groups, and organizations.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1859-1914
Size:
0.47 Cubic feet (consisting of 1 box, 1 oversize folder. )
Collection ID:
NMAH.AC.0060.S01.01.Fireworks
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Fireworks forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Smithsonian Institution. Research Group in Psychology and the Social Sciences
Dates:
1957-1963
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Record Unit 179
Repository:
Smithsonian Institution Archives

These records constitute the files of the Smithsonian Institution's Research Group in Psychology and the Social Sciences (1959-1963). Records consist of a joint name/subject file, arranged alphabetically. Included are Charles W. Bray's incoming and outgoing correspondence in his capacity as Special Research Director; drafts and final copies of...

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Creators:
Dunn, S. Watson (Samuel Watson), -1997 (Professor)
Dates:
1840-1980
Size:
1 Cubic foot (2 boxes)
Collection ID:
NMAH.AC.0366
Repository:
Archives Center, National Museum of American History

This collection is organized in four series. The first contains an assortment of advertising ephemera, including fans, advertising cards, business cards, receipts, circulars, pamphlets, printed advertisements, brochures, postcards and catalogues dating mostly from the late nineteenth century. Materials in the advertising ephemera file are organiz...

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Creators:
National Portrait Gallery. Department of Design and Production
Dates:
1981-2002
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 07-054
Repository:
Smithsonian Institution Archives

This accession consists of two series. Series 1 consists of graphics records and documents the work of the department on such aspects of exhibitions as gallery guides, posters, invitations, label text, banners, letterhead, case labels, brochures, murals, and advertisements. Series 2 consists of installation records and documents the work ...

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Creators:
Lincoln, Abraham, 1809-1865
Belknap, William W. (William Worth), 1829-1890
Hayes, Rutherford Birchard, 1822-1893
Greely, Adolphus Washington
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Dates:
1855-1909
Size:
4 Cubic feet (11 boxes)
Collection ID:
NMAH.AC.0427
Repository:
Archives Center, National Museum of American History

Papers document General William Babcock Hazen's military career, primarily through correspondence, photographs, and publications.

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Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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Creators:
Smithsonian Institution. Office of Exhibits Central. Exhibits Editor's Office
Dates:
1948-1978
Size:
31.5 cu. ft. (31 record storage boxes) (1 document box)
Collection ID:
Record Unit 90
Repository:
Smithsonian Institution Archives

Exhibit scripts are the textual component of exhibits. These records document the production of labels and other text that accompany Smithsonian Institution exhibits, and deal with matters of concept, design, scope, and style. The records occasionally contain photographs, brochures, memoranda and correspondence with curators, exhibits speciali...

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Creators:
McCausland, Elizabeth, 1899-1965
Dates:
1838-1995
bulk 1920-1960
Size:
45 Linear feet
Collection ID:
AAA.mccaeliz
Repository:
Archives of American Art

The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

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Creators:
Bransom, Paul, 1885-
Dates:
1862-1985
Size:
10.1 Linear feet
Collection ID:
AAA.branpaul
Repository:
Archives of American Art

The papers of wildlife illustrator, painter, and cartoonist Paul Bransom measure 10.1 linear feet and date from 1862 to 1985. Almost half of the collection is comprised of Bransom's correspondence, which is particularly rich in documenting his early career as an illustrator, and his relationships with authors, art editors, and publishers from the 1900s to the 1940s. Correspondence also contains a wealth of cards, many of which bear reproductions or original artwork by his many artist friends. Also found in the papers are biographical essays, certificates and awards, memorabilia, writings and notes, business files, bibliographies, an artwork inventory, exhibition catalogs, clippings, printed illustrations, pamphlets, photographs, scrapbooks, and original artwork.

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