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- Creators:
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Smithsonian Institution. Office of Telecommunications
- Dates:
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1981-1987
- Size:
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13.3 cu. ft. (15 document boxes) (10 tall document boxes)
- Collection ID:
- Record Unit 590
- Repository:
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Smithsonian Institution Archives
This record unit consists of master audiotapes for Smithsonian Galaxy editions 126-186, 1983-1987, and Radio Smithsonian programs 600-749, 1981-1984; and elements, or original, unedited tapes for Smithsonian Galaxy editions 104-186, 1982-1987, and Radio Smithsonian programs 689-836, 1983-1985.
Found In
Curatorial Records
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- Creators:
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National Museum of American History. Division of Cultural History
- Dates:
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circa 1994-1997
- Size:
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1 cu. ft. (2 document boxes)
- Collection ID:
- Accession 98-042
- Repository:
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Smithsonian Institution Archives
This accession consists of records that document the acquisition of a bell to be hung in the north tower of the Smithsonian Building in 1996 during the 1996 celebration of the Smithsonian Institution sesquicentennial. The bell was manufactured by the Whitechapel Bell Foundry in London, England. David Shayt, a Museum Specialist in the Division ...
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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1893-1969
- Size:
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2.96 Cubic feet (consisting of 5.5 boxes, 1 folder, 7 oversize folders, 8 map case folders, 1 flat box (partial), plus digital images of some collection material. )
- Collection ID:
- NMAH.AC.0060.S01.01.Motion
- Repository:
-
Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Motion Pictures forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
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- Creators:
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Smithsonian Institution. Office of Museum Programs
- Dates:
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1975-1989
- Size:
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6 cu. ft. (6 record storage boxes)
- Collection ID:
- Accession 90-094
- Repository:
-
Smithsonian Institution Archives
This accession consists of Office of Museum Programs (OMP) administrative files, mostly pertaining to the Native American Museums Program, Psychological Studies/Museum Evaluation Studies Program, and OMP Director; and include correspondence, monthly reports, budgets, intern files, workshop evaluations, OMP brochure drafts; and black-and-white ...
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- Creators:
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Underwood & Underwood
- Dates:
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1895-1921
- Size:
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160 Cubic feet
- Collection ID:
- NMAH.AC.0143
- Repository:
-
Archives Center, National Museum of American History
The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...
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- Creators:
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Del Mar, Bruce E., 1913-
Del Mar Avionics Corporation
- Dates:
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1951-2011
- Size:
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3 Cubic feet (8 boxes)
- Collection ID:
- NMAH.AC.1249
- Repository:
-
Archives Center, National Museum of American History
Collection documents the development of the Holter Monitor, a portable device for continuously monitoring heart activity for an extended period, through engineering logbooks, drawings, operator manuals, correspondence, photographs, sales brochures and catalogs, biographical information about the engineering staff who worked on the monitor, patents and trademarks, and marketing and sales materials.
Found In
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- Creators:
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Jacques Seligmann & Co
- Dates:
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1904-1978
bulk 1913-1974
- Size:
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203.1 Linear feet
- Collection ID:
- AAA.jacqself
- Repository:
-
Archives of American Art
The records of Jacques Seligmann & Co. measure approximately 203.1 linear feet and date from 1904 to 1978, with bulk dates from 1913 to 1974. The collection includes extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies. The collection is an invaluable resource in tracing the provenance of particular works of art and provides a comprehensive view of the activities of collectors and art dealers in the years leading up to and following World War II.
Found In
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- Creators:
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Smithsonian Associates. Office of Public Affairs
- Dates:
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1996-1999
- Size:
-
1.5 cu. ft. (1 record storage box) (1 document box)
- Collection ID:
- Accession 01-153
- Repository:
-
Smithsonian Institution Archives
This accession consists of records that document publicity generated by and for programs sponsored by the Smithsonian Associates. The programs consist of special events, including performances, lectures, and films; performance series; and courses. See the Smithsonian Associate magazine for a complete listing of all programs. Materials incl...
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- Creators:
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National Zoological Park, Dept. of Mammalogy
- Dates:
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circa 1967-1989
- Size:
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4 cu. ft. (4 record storage boxes)
- Collection ID:
- Accession 96-156
- Repository:
-
Smithsonian Institution Archives
Edwin Gould served as Curator, Department of Mammalogy, National Zoological Park (NZP), from 1980 to 1996. This accession provides partial documentation of Gould's tenure as Curator of Mammals, NZP, and consists of correspondence, memoranda, reports, research notes, and related materials concerning the exhibition of the zoo's collection o...
Found In
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- Creators:
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Ybarra-Frausto, Tomás, 1938-
Catano, Eduardo
Barr, A.
Helguera, Jesus de
More … - Dates:
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circa 1938-1998
- Size:
-
8 Items (1 box, 1 oversize folder)
- Collection ID:
- NMAH.AC.0660
- Repository:
-
Archives Center, National Museum of American History
Eight poster-sized pieces of calendar art, reproductions of paintings by artists Jesus de Helguera, Eduardo Catano, and A. Barr. Several show the signature of Helguera in the painting, and the signatures of Catano and Barr are seen in two other items; no signatures can be found in others. Several include the printer or publisher credit, Galas de ...