The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.

The papers of California and New York painter Ethel Fisher measure 12.5 linear feet and 0.558 GB and date from 1930 to 2017. Included are biographical materials, correspondence, writings, project files, exhibition files, artists' files, personal business records, printed and digital material, artwork and several sketchbooks, a few sound and video recordings, and photographic material.

The papers of painter and art critic Guy Pène Du Bois measure 2.0 linear feet and date from circa 1900 to 1963 with the bulk of the materials dating from 1920 to 1963. Found within the papers are biographical material; personal and professional correspondence, including letters from Royal Cortissoz and Edward Hopper; writings, including essays, journals, short stories, and drafts of the autobiography Artists Say the Silliest Things; personal business records; printed material; and artwork.

The Boris Mirski Gallery records measure 6.2 linear feet and date from 1936-2000, bulk 1945-1972. They include gallery administrative files; artist files including correspondence, exhibition and loan paperwork as well as photographic documentation of artwork; gallery correspondence; financial materials including outgoing and incoming invoices and sales records; printed materials promoting the gallery and its artists; press materials; and a number of photographs of Boris Mirski at events and with others, as well as photographs of artwork. Artists particularly well represented in the collection include David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.

This accession consists of records created and maintained by Anne Ellegood, Curator of Contemporary Art, 2005-2009, documenting the planning, development, and installation of exhibitions at the Hirshhorn Museum and Sculpture Garden. Exhibitions documented in this accession include The Cinema Effect: Illusions, Reality, and the Moving Image; ...

This accession consists of records that document the activities of Martina Roudabush Norelli, associate curator of Graphic Arts, and include original inventory sheets of works of art purchased from or donated by individuals and societies, including the Chicago Society of Etchers; minutes of meetings of professional societies; brochures fr...

The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.

Correspondence, printed material, writings, and other personal papers collected by Carl Zigrosser and Leila Mechlin and later added to by others, all relating to American art.

The Forum Gallery records measure 9 linear feet and date from 1946 to 1992, with the bulk of the records dating from 1960 to 1992. The collection sheds light on the gallery's operations through administrative records and artist files.

The records document primarily the financial aspects of the Fellows Gear Shaper Company and consist of meticulously maintained journals and ledger books. Fellows Gear Shaper Company was a leader and dominant figure in the manufacturing of precision gear production, gear cutting tools, and optical inspection machines in the first half of the 20th century. The company's contribution to the industry enabled the manufacture of gears for textile, automobiles, factory machinery, and other industries.