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Creators:
Robbins, Warren M.
Dates:
circa 1927-2009
Size:
83.1 cu. ft. (80 record storage boxes) (4 12x17 boxes) (2 16x20 boxes)
Collection ID:
Accession 11-001
Repository:
Smithsonian Institution Archives

These papers document the life and work of Warren M. Robbins, covering a wide swath of his life, from his early career in the Foreign Service to his work in cross cultural communications and African art. A prolific writer, Robbins correspondence with such people as Maya Angelou, Ernie Barnes, Saul Bellow, Eliot Elisofon, Otto Fried, Buckminste...

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Creators:
W. Atlee Burpee Company
W. Atlee Burpee Co.
Burpee, W. Atlee (Washington Atlee), 1858-1915
Burpee, David, 1893-1980
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Dates:
circa 1873-1980
Size:
200 Cubic feet
Collection ID:
AAG.BUR2
Repository:
Archives of American Gardens

The W. Atlee Burpee & Company records, dated circa 1873-1986, document the firm's business activities developing plant varieties, working with contract seedsmen, and marketing and selling seeds. They include seed trial records, seed contracts, sales and acccounting records, inventories, office correspondence, seed catalogs, promotional and instructional materials, advertisements and advertising reports, contest letters, daybooks, photographs, reference materials, and other items relating to the company and some of its competitors. The collection also includes Burpee family papers.

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Creators:
Washington Gallery of Modern Art (Washington, D.C.)
Dates:
1959-1992
Size:
15.7 Linear feet
0.523 Gigabytes
Collection ID:
AAA.washgall
Repository:
Archives of American Art

The records of the Washington Gallery of Modern Art measure 15.7 linear feet and 0.523 GB and date from 1959 to 1992. The records document the history of the gallery through Board of Directors meeting minutes, various committee meetings minutes and agendas, bylaws, and other trustee records; correspondence and other materials associated with each of the four gallery directors over the course of the gallery's existence; general correspondence; exhibition files, proposed exhibitions, collection files, and other curatorial and registrar records; financial records; development and membership records; tour guide information, gift shop finances and orders, and other museum services; and clippings, catalogs, and other printed and digital material.

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Creators:
Cutipa Lima, Juan de Dios
California Academy of Sciences. Anthropology Department
Zorn, Elayne
Textile Museum (Washington, D.C.)
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Dates:
1971-2010
Size:
1,474 Photographic prints
11526 Negatives (photographic)
10 Videocassettes
11 Linear feet
57 Sound recordings (57 cassette tapes.)
11412 Slides (photographs)
Collection ID:
NMAI.AC.022
Repository:
National Museum of the American Indian

The Elayne Zorn Collection measures 11 linear feet and contains thousands of photographic objects including negatives, slides and prints. The collection material spans the years of Zorn's professional and student activity in the fields of anthropology and Latin American studies from around 1975 until 2010. The material in this collection reflects Zorn's long association with the community in Taquile, Peru which led up to the publication of her book, Weaving a Future, in 2004. Zorn also spent a significant amount of time conducting field research in Andean communities in Bolivia examining the relationships between tourism and textiles. Zorn's additional professional activities included serving as a textile collector and expert advisor for museum collections and exhibitions as well as performing academic duties at the University of Central Florida.

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Creators:
Kuhn, Walt, 1877-1949
Dates:
1859-1984
bulk 1900-1949
Size:
31 Linear feet
Collection ID:
AAA.kuhnwalt
Repository:
Archives of American Art

The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.

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Creators:
Schaeffer, Rudolph
Dates:
1880s-1997
Size:
13.3 Linear feet
Collection ID:
AAA.scharudo
Repository:
Archives of American Art

The collection measures 13.3 linear feet, dates from the 1880s-1997 and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.

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Creators:
Ride, Sally, 1951-2012
Dates:
1970-2012
Size:
24 Cubic feet (63 boxes)
Collection ID:
NASM.2014.0025
Repository:
National Air and Space Museum Archives

The Sally K. Ride Papers consists of over 23 cubic feet of papers, photographs, certificates, and film, created or collected by Sally Ride and chronicling her career from the 1970s through the 2010s. The papers document Ride's lifetime of achievements and include material relating to her astronaut training and duties; her contributions to space policy; her work as a physicist; and her work as an educator, including Sally Ride Science and related STEM projects.

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Creators:
Smithsonian Institution. Office of the Secretary
Dates:
1890-1929
Size:
57.93 cu. ft. (5 record storage boxes) (104 document boxes) (2 half document boxes) (1 12x17 box) (oversize materials)
Collection ID:
Record Unit 45
Repository:
Smithsonian Institution Archives

This record unit documents the growth and management of the Smithsonian from 1890 to 1929. Of special interest is the Institution's entry into the field of the fine arts through the creation of the National Gallery of Art and the Freer Gallery of Art. The Smithsonian continued to pursue a wide variety of other interests as well. Thus, the...

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Creators:
Borgatti, Jean
Dates:
1971-2003
Size:
3617 Slides (photographs) (color, 35 mm)
166 Contact sheets ((2 binders))
3555 Negatives (photographic) (black and white, 35 mm)
4 Notebooks ((1 box))
1 Cassette tape ((2 boxes))
25 Film reels (Super 8)
Collection ID:
EEPA.2016-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Jean Borgatti's collection dates from 1971 to 2003 and was created in Nigeria and Ghana. Much of the collection documents masquerades, shrines, festivals, market scenes, and ceremonies, and includes images of Urhobo, Uzairue, Ishan (Esan), Etsako, and Otuo peoples.

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Creators:
Fendrick Gallery
Dates:
1952-2001
Size:
106.4 Linear feet
0.008 Gigabytes
Collection ID:
AAA.fendgall
Repository:
Archives of American Art

The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

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