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Creators:
Catlin, Stanton L. , 1915-1997
Dates:
1911-1998
bulk 1930-1994
Size:
56.4 Linear feet
Collection ID:
AAA.catlstan
Repository:
Archives of American Art

The papers of curator, gallery director, educator, and Latin American art historian Stanton L. Catlin (1915-1997) measure 56.4 linear feet and date from 1911 to 1998 with the bulk of the material dating from 1930 to 1994. The papers are comprised of biographical material, correspondence, writings and notes, teaching and project files, professional files, research files, exhibition and subject files, printed material, and photographs.

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Creators:
National Congress of American Indians
Dates:
1933-1990
bulk 1944-1989
Size:
251 Linear feet (597 archival boxes)
Collection ID:
NMAI.AC.010
Repository:
National Museum of the American Indian

The National Congress of American Indian (NCAI), founded in 1944, is the oldest nation-wide American Indian advocacy organization in the United States. The NCAI records document the organization's work, particularly that of its office in Washington, DC, and the wide variety of issues faced by American Indians in the twentieth century. The collection is located in the Cultural Resource Center of the National Museum of the American Indian.

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Creators:
Woodruff, Hale, 1900-1980
Dates:
1920-1977
bulk 1960s-1970s
Size:
0.6 Linear feet
Collection ID:
AAA.woodhale
Repository:
Archives of American Art

The papers of Hale Woodruff measure 0.6 linear feet and date from 1920 to 1977 with the bulk of the collection dating from the 1960s to the 1970s. The papers contain biographical material, professional files, writings, printed material, photographs, and photocopies of a scrapbook, and of artwork.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1828-1957
Size:
0.94 Cubic feet (consisting of 2 boxes, 2 oversize folders, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Building
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Building and Construction forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1916-1977
Size:
0.23 Cubic feet (consisting of .5 box.)
Collection ID:
NMAH.AC.0060.S01.01.Social
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Social Services forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Rountree, Helen C., 1944-
Dates:
1969-1990
Size:
27 sound recordings (1/4" reels and cassettes)
2.4 Linear feet (4 boxes)
Collection ID:
NAA.2005-22
Repository:
National Anthropological Archives

Helen C. Rountree is emeritus professor of anthropology at Old Dominion University in Norfolk, Virginia. She studied the history of the Virginia Tribes from the 17th century to the 21st century and is considered a leading expert on Pocahontas. The Helen C. Rountree papers include field notes, correspondence, and sound recordings relating to her field work among the Pamunkey, Mattaponi, Nansemond, Rappahannock, Chickahominy, Monacan, as well as the area around Nottoway Reservation and Gingaskin Reservation.

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Dates:
1865–1872
Size:
90 Reels
Collection ID:
NMAAHC.FB.M1903
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 90 rolls of microfilm described in the NARA publication M1903. These digital surrogates reproduced the records of the Georgia staff offices and subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, monthly reports, registers of patients, orders and circulars issued and received, and other records relating to freedmen's complaints and contracts.

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Creators:
Silberglied, Robert E., 1946-1982
Dates:
1960-1982, with related materials to 1984
Size:
b 20 cu. ft. (20 record storage boxes)
Collection ID:
Record Unit 7316
Repository:
Smithsonian Institution Archives

The papers of Robert E. Silberglied provide comprehensive documentation of his professional career. They include materials relating to his initial interest in entomology; his academic training; his teaching career at Harvard University; his duties as a staff member of the Smithsonian Tropical Research Institute (STRI); his efforts as a conserv...

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Creators:
Tobias, Abraham Joel, 1913-1996
Dates:
1913-2000
Size:
2.8 Linear feet
Collection ID:
AAA.tobijoel
Repository:
Archives of American Art

The Abraham Joel Tobias papers date from 1913 to 2000 and measure 2.8 linear feet. Through project and exhibition files, printed material, correspondence, and photographs, the collection provides an overview of Tobias's career as a painter and muralist in New York City.

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Creators:
Greenwood, Marion, 1909-1970
Dates:
1883, circa 1933-circa 1960
Size:
0.5 Linear feet
Collection ID:
AAA.greemari
Repository:
Archives of American Art

The papers of painter and muralist Marion Greenwood (1909-1970) measure 0.5 linear feet and date from circa 1933 to circa 1960. The collection is comprised of biographical materials, printed materials, photographs and negatives.

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