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Dates:
1863–1872
Size:
111 Reels
Collection ID:
NMAAHC.FB.M1905
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 111 rolls of microfilm described in the NARA publication M1905. These digital surrogates reproduced the records of the staff officers of the Assistant Commissioner and the subordinate field offices of the Louisiana headquarters of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1863–1872. These records consist of bound volumes and unbound records containing materials that include letters sent and received, monthly reports, registers of complaints, labor contracts, and other records relating to freedmen's claims and bounty payments.

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Creators:
Safko, Lon S.
Dates:
1984 - 1996
Size:
12.6 Cubic feet (34 boxes)
Collection ID:
NMAH.AC.0911
Repository:
Archives Center, National Museum of American History

The records of Safko International, Inc., document an assistive computer technology company created by Lon S. Safko to produce and sell the environmental control systems he invented for the physically disabled, specifically quadriplegics. Through the use of a computer and alternative input devices, the physically disabled were able to overcome physical barriers which inhibited them from attaining an autonomous lifestyle.

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Creators:
Smith, Myron Bement, 1897-1970
Blake, Marion Elizabeth
Dates:
circa 1910-1970
Size:
192 Linear feet
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

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Creators:
Washburn, Wilcomb E
Dates:
1956-1997
Size:
23.19 cu. ft. (22 record storage boxes) (1 document box) (1 16x20 box)
Collection ID:
Accession 97-093
Repository:
Smithsonian Institution Archives

These papers document aspects of the personal life and career of Wilcomb E. Washburn (WEW) and were removed from his home after his death. The largest single group of papers deals with Washburn's membership in various organizations and societies. There is also substantial information on a projected biography of James Smithson. The papers ...

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Creators:
Taylor, Prentiss, 1907-1991
Dates:
1885-1991
Size:
20.4 Linear feet
Collection ID:
AAA.taylpren
Repository:
Archives of American Art

The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

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Creators:
National Arts Club
Dates:
1898-1960
Size:
32.1 Linear feet
Collection ID:
AAA.natiartc
Repository:
Archives of American Art

The records of the National Arts Club measure 32.1 linear feet and date from 1898 to 1960. The collection documents the founding of the club, and it's governance, administration, exhibitions, and social activities

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Creators:
Kepes, Gyorgy, 1906-2001
Dates:
1909-2003
bulk 1935-1985
Size:
21.2 Linear feet
Collection ID:
AAA.kepegyor
Repository:
Archives of American Art

The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.

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Creators:
Conklin, Harold C., 1926-2016
Greenberg, Joseph H. (Joseph Harold), 1915-2001
Harwood, Alan
Dates:
circa 1940s-2001
bulk 1953-2001
Size:
27 Linear feet (60 boxes, 2 manuscript folders), 8 sound recordings, 35 computer disks, 1 oversize box, 1 oversize folder, 1 map drawer)
Collection ID:
NAA.2006-25
Repository:
National Anthropological Archives

Alan Harwood is a Professor Emeritus at University of Massachusetts, Boston in the Anthropology Department. Trained in social anthropology he has studied illness and healing in Tanzania and communities in New York City and Boston. Harwood was the founding editor of Medical Anthropology Quarterly (new series, 1986-1991) and series editor of Cambridge Studies in Medical Anthropology (1999-2004) The bulk of this collection is composed of Alan Harwood's 1962-1964 ethnographic research among the Safwa in Tanzania (then known as Tanganyika); his research on health beliefs and medical practices of residents in a low-income area of the Bronx, New York (1967-1970); and his research in Boston, Massachusetts on different ethnic groups' conceptions of health (1994-1995). Also among his papers are materials from his involvement in the Centers for Disease Control and American Anthropological Association (AAA) Workgroup on "The Use of Race & Ethnicity as Scientific Categories" at the 1994 AAA meeting.

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Creators:
Nengudi, Senga, 1943-
Dates:
1947
circa 1962-2017
Size:
12.8 Linear feet
11.24 Gigabytes
Collection ID:
AAA.nengseng
Repository:
Archives of American Art

The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger; and audio and video recordings, including recordings of performances.

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Dates:
1973-ongoing
Size:
35mm slides, photographic prints, negatives + digital images.
Collection ID:
AAG.SGI
Repository:
Archives of American Gardens
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