The Russell, Xanthus, and Mary Smith family papers comprise 5.12 linear feet and are dated 1793-1977, bulk 1826-1977. Correspondence, writings, artwork, financial records, printed material, miscellaneous items and photographs provide documentation of the lives and works of painter, illustrator and poet, Russell Smith, and his son, painter Xanthus Smith, and scattered documentation of the lives of his wife, painter and educator Mary Priscilla Smith, and daughter and painter Mary Russell Smith.

This accession consists of correspondence with domestic and foreign universities concerning the SELGEM computer system. The Office of Computing Services (OCS) files were maintained by S. A. Kovy, Director of OCS, and consist of correspondence, printouts, reading files, and reports.

This accession consists of records documenting National Zoological Park (NZP) relations and cooperative efforts with Smithsonian offices and bureaus during the tenures of Directors Theodore H. Reed, 1958-1983; and Michael H. Robinson, 1984-2000. Materials include correspondence, memoranda, policies, reports, and information files. See also Ac...

This accession consists of the personal papers of Wilcomb E. Washburn, director of the Office of American Studies at the Smithsonian Institution, and document his scholarly interests in American political and cultural history, as well as his professional activities over the years in furtherance of those interests.

The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. TheA small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

This accession consists of records documenting the activities of the Division of Performing Arts (DPA). Materials document a variety of public performances, concerts, touring shows, and festivals. Particularly well documented are activities surrounding the annual Festival of American Folklife. Records include correspondence, memoranda, bu...

The records of Modern Multiples printmaking workshop measure 25.2 linear feet and date from the 1970s to 2017. The collection contains administrative files related to the daily operations of the print workshop, gallery, and other associated businesses owned and operated by Richard Duardo. Also included are correspondence with artists and arts institutions, as well as some personal correspondence; project and artist files; printed material; photographic material, including photograph albums; artwork; and a small amount of material related to Richard Duardo, including biographical statements, a recorded interview, and journals.

This accession consists of records documenting Smithsonian Institution events. Materials include photographs, guest lists, programs, memoranda, correspondence, and invitations.

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

This record unit consists of master audio tapes for Smithsonian Galaxy editions 77-125, 1981-1983, and Radio Smithsonian programs 534-574, 1980; and scripts of Radio Smithsonian programs 1-400.