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Creators:
W. Atlee Burpee & Co.
Burpee, W. Atlee (Washington Atlee), 1858-1915
Burpee, David
Wm. Henry Maule (Firm)
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Dates:
1882-1980
bulk 1890-1930
Size:
2.25 Cubic feet (2 boxes)
Collection ID:
AAG.BUR1
Repository:
Archives of American Gardens

The W. Atlee Burpee & Company records - Accretion 1, dated circa 1882-1980, document the firm's business activities developing plant varieties and marketing and selling seeds. They include seed trial records, administrative files, seed catalogs, promotional and instructional materials, awards, reference materials, and other items relating to the company and some of its competitors.

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Creators:
Transportation, Division of, NMAH, SI.
Philadelphia & Reading Railroad Co.
Engineering and Industry, Division of, NMAH, SI.
Dates:
1860-1936
Size:
18 Cubic feet (55 boxes)
Collection ID:
NMAH.AC.0208
Repository:
Archives Center, National Museum of American History

Collection of engineering reports and correspondence from the Engineering Department of the Philadelphia and Reading Railroad Company. The Philadelphia and Reading Railroad was most used for the transportation of anthracite coal within Pennsylvania from 1833 through the early 1970s.

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Creators:
Barnard, George Grey, 1863-1938
Dates:
circa 1860-1969
bulk 1880-1938
Size:
11.6 Linear feet
Collection ID:
AAA.barngeor
Repository:
Archives of American Art

The papers of New York sculptor, collector, and dealer George Grey Barnard measure 11.6 linear feet and date from 1860 to 1969, with the bulk of the materials dating from 1880-1938. These papers document his life and work as an artist, as well as his activities as a collector and dealer of medieval art, through correspondence, collecting notebooks, diaries and daily journals, ephemera, inventories, business and financial records, exhibition catalogs, newspaper clippings, reference materials, publications, photographs, and a small number of sketches.

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Creators:
Gellert, Hugo, 1892-1985
Dates:
1916-1986
Size:
6.9 Linear feet
Collection ID:
AAA.gellhugo
Repository:
Archives of American Art

The papers of graphic artist, muralist, and activist Hugo Gellert measure 6.9 linear feet and date from 1916 to 1986. They document his career as an artist and organizer for the radical political left through an interview, legal papers, financial records, family papers, artifacts, correspondence, writings, organizational records, extensive printed materials (many of them illustrated by Gellert), photographs, and artwork.

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Creators:
Simmons Company
Dates:
1892-2000
Size:
9 Film reels
88 Cubic feet (172 boxes, 16 oversize folders)
Collection ID:
NMAH.AC.0731
Repository:
Archives Center, National Museum of American History

Series 1 includes: news articles about the company and the Simmons family; photographs of the machinery, factories, factory workers, products and showrooms; annual reports; various corporate periodicals; audit reports; patents; and materials relating to sleep research conducted by Simmons. Series 2 includes product catalogues, scrapbooks of adverti...

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Creators:
Berryman family (Washington, D. C.)
Dates:
1829-1984
bulk 1882-1961
Size:
11.4 Linear feet
Collection ID:
AAA.berrfami
Repository:
Archives of American Art

The Berryman family papers measure 11.4 linear feet and date from 1829 to 1984, with the bulk of the material dating from 1882 to 1961. The collection presents a good overview of the careers of Washington Star cartoonist Clifford Berryman, his daughter, Star art critic, Florence, and to a lesser extent, son Jim Berryman.

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Creators:
McFarland, J. Horace (John Horace), 1859-1948
American Rose Society
Dates:
1899-1974
Size:
30 Cubic feet (2718 photographs: black and white; 448 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )
Collection ID:
AAG.MCF
Repository:
Archives of American Gardens

The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.

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Creators:
McKinley, Ray, 1910-1995 (musician, bandleader)
Dates:
1945-1994
Size:
19.5 Cubic feet (56 boxes)
Collection ID:
NMAH.AC.0635
Repository:
Archives Center, National Museum of American History

The Ray McKinley Music and Ephemera consists of music, scores, sideman books, photographs, correspondence, news clippings and magazine articles, business records, awards, audio and videotapes, 45 rpm commercial recordings, and miscellaneous biographical notes. The records date from the the late nineteenth century to 1996 and document the profession...

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Creators:
Tooker, George, 1920-2011
Dates:
circa 1851-2010
Size:
5.1 Linear feet
Collection ID:
AAA.tookgeor
Repository:
Archives of American Art

The papers of painter George Tooker measure 5.1 linear feet and date from circa 1851 to 2010. The papers document Tooker's personal and professional life through biographical material, correspondence, project files, gallery files, exhibition files, printed material, artwork and one sketchbook, and numerous photographs, including some taken by noted photographer George Platt Lynes.

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Creators:
Warner, Olin Levi, 1844-1896
Dates:
1857-1962
bulk 1857-1899
Size:
1.9 Linear feet
Collection ID:
AAA.warnolin
Repository:
Archives of American Art

The papers of sculptor Olin Levi Warner measure 1.9 linear feet and date from 1857 to 1962 with the bulk of the materials dating from 1857 to 1899. The collection documents Warner's art student days in Paris and his career as a sculptor, primarily in New York City. Found are scattered biographical materials and writings, including a speech by Warner about the Paris Commune of 1871; personal and professional correspondence; clippings, catalogs, and other printed material; sculpture project files; and photographs of Warner, his studio, his family, and notable figures who sat for him, including artist J. Alden Weir, and his artwork.

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