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Creators:
Schiffman, Jacquelyn
Palmer Paint Company
Dates:
ca. 1934-1957.
Size:
5 Cubic feet (16 boxes)
Collection ID:
NMAH.AC.0544
Repository:
Archives Center, National Museum of American History

Included are scrapbooks, newspaper and magazine articles, photographs, original artwork, advertising and promotional materials relating specifically to paint by numbers kits.

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Creators:
Brown and Williamson.
Johnson, Virgil
American Tobacco Company.
Benson and Hedges.
More …
Dates:
circa 1890-1997
Size:
25 Cubic feet (26 boxes)
Collection ID:
NMAH.AC.0645
Repository:
Archives Center, National Museum of American History

As a teenager, Virgil Johnson [b.1918] became interested in the designs and symbols on cigarette packs like "Black Cat" and "White Roll", and he began actively collecting in the 1930s. His interest intensified during the 1940s when he was stationed in North Africa and across the Mediterranean region as a photographer with the U.S. Navy. Mr. Johnson collected cigarette packs for over fifty years, and was a member of the Cigarette Pack Collector's Association. Approximately 6000 cigarette packages, foreign and American, arranged in 24 albums. Manufacturers include names such as those shown below.

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Creators:
Northlight of Colorado, Inc.
Jacobson, Jake
Dates:
1996-2000
Size:
8 framed print
3.42 Cubic feet (2 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0866
Repository:
Archives Center, National Museum of American History

Collection consists of photoprints and other materials created by Jacob Jacobson for the "Heart & Hands: Musical Instrument Makers of America" exhibition circulated by the Smithsonian Institution Traveling Exhibition Service (SITES), from April 2000 to early 2004.

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Creators:
Webster, E. Ambrose (Edwin Ambrose), 1869-1935
Dates:
1821-1968
Size:
2.2 Linear feet
Collection ID:
AAA.webse
Repository:
Archives of American Art

The papers of painter and educator Edwin Ambrose Webster measure 2.2 linear feet and date from 1821 to 1968. Found within the papers are biographical material; business and personal correspondence; writings; teaching and research files, including information on Webster's participation in the 1913 Armory show; printed material; artwork; and photographic materials of Webster, his family and friends, and his work.

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Creators:
American Bank Note Company
Dates:
1860-1987
Size:
4 Cubic feet
Collection ID:
NMAH.AC.1285
Repository:
Archives Center, National Museum of American History

The collection includes correspondence with various banks and foreign governments, especially those of Canadian provinces, regarding their banknotes or postal stamps; client files, mostly with various companies that contracted with American Bank Note Company to engrave their stock certificates, but also including files regarding two engravers, Herm...

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Creators:
Marcou, David Joseph, 1950-
Dates:
circa 1980-1981, 2002-2008
Size:
0.1 Cubic feet (1 box, 21 items)
Collection ID:
NMAH.AC.1187
Repository:
Archives Center, National Museum of American History

Twenty-one digital photographic prints of miscellaneous subjects from photographs taken by David J. Marcou. These images are "born-digital" photographs, 2002-2008, except for the earliest, made on black-and-white negative film in 1980 or 1981.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1800-1966
Size:
6.07 Cubic feet (consisting of 13 boxes, 1 folder, 4 oversize folders, 6 map case folders.)
Collection ID:
NMAH.AC.0060.S01.01.Publishing
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Publishing forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Nochlin, Linda
Dates:
circa 1876
1937-2017
Size:
31.2 Linear feet
3.9 Gigabytes
Collection ID:
AAA.nochlind
Repository:
Archives of American Art

The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and 3.9 gigabytes and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.

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Creators:
Medical Sciences, Division of, NMAH, SI.
Division of Medical Sciences, NMAH
Dates:
circa 1930s-1960s
Size:
36 Cubic feet (81 Films, 16mm)
Collection ID:
NMAH.AC.0222
Repository:
Archives Center, National Museum of American History

Films vary in subject, production source, and intended audience. Includes both silent and sound black-and-white, and color films with sound.

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Creators:
Miller, Dorothy Canning, 1904-2003
Dates:
1853-2013
bulk 1920-1996
Size:
34.6 Linear feet
Collection ID:
AAA.milldoro
Repository:
Archives of American Art

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

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