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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Registrar
Dates:
1974-1993
Size:
15.5 cu. ft. (15 record storage boxes) (1 document box)
Collection ID:
Accession 96-166
Repository:
Smithsonian Institution Archives

This accession consists of the administrative records of Douglas Robinson, Registrar, at the Hirshhorn Museum and Sculpture Garden (HMSG). The records date from 1974-1993, with the major portion being from 1985-1993. The records include Outgoing loans, 1985-1993; Exhibition Files, which include a list of the exhibition, loan records/agreements...

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Creators:
Kingsolver, John Mark
Dates:
1962-1992
Size:
2.5 cu. ft. (2 record storage boxes) (1 document box)
Collection ID:
Accession 93-047
Repository:
Smithsonian Institution Archives

John M. Kingsolver (1925-2013), a coleopterist, served as a Research Entomologist with the Systematic Entomology Laboratory (SEL), USDA from 1962 to 1992. These papers document his career with SEL and his research on seed-beetles. They consist of incoming and outgoing correspondence.

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Creators:
Cooper-Hewitt Museum. Public Information Office
Dates:
1971-1985
Size:
4.5 cu. ft. (4 record storage boxes) (1 document box)
Collection ID:
Accession 87-049
Repository:
Smithsonian Institution Archives

This accession consists of general correspondence and memoranda with advertising agencies, corporations, Smithsonian staff, and television and radio stations concerning announcements and public service notices of museum events and activities; memoranda with staff concerning museum contributions to Smithsonian publications; press releases; ...

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Creators:
Levine, Ken, 1950- (scriptwriter)
Alda, Alan (actor, scriptwriter)
Bull, Sheldon (scriptwriter)
Bloodworth, Linda (scriptwriter)
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Dates:
undated
1950 - 1982
Size:
8.4 Cubic feet (25 boxes, 1 map-folder)
Collection ID:
NMAH.AC.0117
Repository:
Archives Center, National Museum of American History

The television show M*A*S*H was initially broadcast from September 17, 1972 to February 28, 1983. It told the story of doctors and nurses assigned to a fictitious medical unit, the 4077th Mobile Army Surgical Hospital, based in Uijeongbu, Korea during the 1950-1953 war.

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Creators:
Wagstaff, Samuel J.
Dates:
circa 1932-1985
Size:
6.4 Linear feet
Collection ID:
AAA.wagssamu
Repository:
Archives of American Art

The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.

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Creators:
Howland, Richard Hubbard
Dates:
1910-2003
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 05-027
Repository:
Smithsonian Institution Archives

This accession consists of correspondence, lecture files, tour records, and other miscellaneous materials related to Richard Hubbard Howland's professional activities and membership in several international societies and organizations. Also included are photographs depicting Howland, his family and friends, as well as Smithsonian Institution ...

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Creators:
Scurlock, Addison N., 1883-1964
Rice, Moses P.
Scurlock Studio (Washington, D.C.)
Custom Craft
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Dates:
1964-1994
Size:
72 Boxes
Collection ID:
NMAH.AC.0618.S05
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 5 consists primarily of color negatives but it also includes order envelopes and materials. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Walkinshaw, Lawrence H
Dates:
1960-1983
Size:
2.25 cu. ft. (3 3x5 boxes) (5 5x8 boxes)
Collection ID:
Record Unit 7410
Repository:
Smithsonian Institution Archives

Lawrence H. Walkinshaw (1904-1993) graduated from the University of Michigan School of Dentistry in 1929. Though a dentist by training, he was a leading authority on cranes on which he published 61 articles and two books: The Sandhill Cranes (1949) and Cranes of the World (1973). He described the Canadian sandhill crane (Grus canadensis r...

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Creators:
Barnet, Will, 1911-2012
Dates:
1897
1929-2016
Size:
30.7 Linear feet
7.24 Gigabytes
Collection ID:
AAA.barnwill
Repository:
Archives of American Art

The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.

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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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