610 records — Page 17 of 61
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Dates:
circa 1889-1995
Size:
15.63 cu. ft. (26 document boxes) (4 12x17 boxes) (1 21x25 box) (1 oversize folder)
Collection ID:
Record Unit 7473
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Shamir, Marli
Dates:
1966-1976
Size:
33 Negatives (photographic) (color, 35mm)
1790 Negatives (photographic) (black and white, 120mm)
1,519 Color slides (35mm)
Collection ID:
EEPA.2013-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Collection dates from 1966 to 1976 and includes 1,817 black and white negatives, 1,519 35mm color slides, several hundred prints, and manuscript materials. Locations include Burkina Faso, Cote d'Ivoire, Gabon, Israel, Mali, and Niger and depict agriculture, architecture, especially mosques, landscapes, marketplaces, masquerade and musical performances, sculptures, and textiles. Peoples depicted include the Bambara, Bella, Bozo, Dogon, Fulani, Gao, Mandingo, San, Songhai, and Tuarag peoples.

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Creators:
McLaren, Lynn, 1922-
Dates:
circa 1950-1969
Size:
648 Slides (photographs) (color , 35mm.)
10 Photographic prints (black and white , 8 x 10 inches.)
38 Transparencies (color , 120mm.)
Collection ID:
EEPA.2007-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 38 color transparencies, 648 color slides and 10 black-and-white photographic prints taken by Lynn McLaren Demarest while on assignment for various news outlets in the 1950s and 1960s. A majority of the slides and transparencies were taken in East Africa and document indigenous peoples, agriculture (cotton in particular), health and nutrition education, UNICEF activities, architecture, natural landscapes, animals, fishers, coffee plantations and the sisal industry. Locations include Mobassa, Lamu Island, Zanzibar, Dar es Saalam, Lake Victoria, Mount Kilimajaro, Ngorongoro Crater, Lake Manyara and Mikumi National Park (Tanzania). The black-and-white photographs depict East African leaders, such as Julius Nyerere, and prominent international visitors to the region, including Robert Kennedy. A small number of slides and transparencies were taken in India.

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Creators:
Pringle, Robert, 1936-
Dates:
circa 1980-1989
Size:
2136 Slides (photographs) (color , 35mm.)
829 Negatives (photographic) (color , 35mm.)
Collection ID:
EEPA.2006-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection contains 2136 color 35mm slides and 829 color 35mm negatives taken by Robert Pringle, former Ambassador to Mali, between 1980-1989. The images were taken in Mali, Burkina Faso and Kenya, and depict masquerades, vernacular architecture (including Dogon doors and granaries), mosques, marketplace scenes, pottery, masks (including plank and leaf masks), weaving, art in situ, animals and landscapes. Culture groups represented in the collection include the Tuareg, Lobi, Maasai, Mossi, Dogon, Fula and Bobo (Bwa) peoples. Ambassador Pringle traveled with photographer Christopher Roy and some of Pringle's images depict Roy at work with his own camera.

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Creators:
Fransioli, Thomas Adrian, 1906-1997
Brown, Robert F.
Dates:
1981 April 21
Size:
2 Items (Sound recording: 2 sound files, digital, wav file)
37 Pages (Transcript)
Collection ID:
AAA.fransi81
Repository:
Archives of American Art

Interview of Thomas Adrian Fransioli, conducted April 21, 1981, by Robert F. Brown for the Archives of American Art, Smithsonian Institution, in Wenham, Massachusetts.

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Dates:
between 1900-1905
Size:
35 Negatives (photographic) (black & white, 6 x 7 cm.)
354 Photographic prints (silver gelatin (1 box), black & white, 7 x 8 cm. or smaller.)
Collection ID:
EEPA.1999-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The album was compiled by Eugene Brusseaux, a French colonial, very likely a merchant, who lived, worked and traveled in the Republic of Congo and the Central African Republic (then Afrique Equatoriale Francaise), and in northern Cameroon (then German colony of Kamerun). The images may well have been taken by Brusseaux himself. Mr. de Strycker acquired the album, which previously belonged to Professor Verneau of the Musee de L'Homme, Paris, in a sale from Professor Verneau of the Musee de l'Homme, Paris. The album shows the classic arrangement of many similar colonial albums, depicting Brusseaux's voyage from France to Libreville in Gabon, and Matadi on the mouth of the Congo River. From there Brusseaux took the railroad to Leopoldville (Kinshasa) and traveled on the Brazzaville. He continued on the Congo River to Balobo and Kounda, then over land towards the Sangha River, through Bonga and Loboko to M'Bako on the Sangha River and to Ouesso, now on the border of the Republic of the Congo and the Central African Republic. From Ouesso, he continued on to Nola, Carnot and Baboua. He then visited Kounde, and crossed into German territory, moving on the Ngaoundere. This is where the album ends. The photographs depict some of the Belgian and French colonial cities. There are excellent images of transportation in Matadi. Brazzaville is the topic of many good architectural photographs. A very interesting set shows the Catholic Mission of Brazzaville in 1901 and 1904 with a unique interior shot of the cathedral. Further inland, the photographs of colonial settlements focus on trading posts, such as Bonga, Kadei, Carnot and Baboma. Many photographs show Africans, indigenous architecture, and celebrations. They focus on the Pomo, the Pande, the Baya (Baja in German writing), and Hausa and Fulbe. Images from Baboma, Kounde and Ngaoundere show indigenous Fulbe architecture, including a series of the Lamido's palace at Ngaoundere, and Fulbe kings, retainers and women. One set depicts women with Fulbe style coiffures of extraordinary complexity (wigs).

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Creators:
Bluemner, Oscar, 1867-1938
Dates:
1886-1939, 1960
Size:
6.9 Linear feet
Collection ID:
AAA.blueosca
Repository:
Archives of American Art

The papers of painter Oscar Bluemner date from 1886 to 1939, with one item from 1960, and measure 6.9 linear feet. The collection documents Bluemner's career through scattered biographical material and personal and professional correspondence. Almost one-half of the collection consists of Bluemner's extensive writings and notes about his artwork, painting techniques, and art theory in the form of diaries, notebooks, lists, essays, and notes - many of which are also illustrated. Also found are annotated books, exhibition catalogs, newsclippings, artwork and sketches by Bluemner, and photographs of Bluemner's artwork and of architecture. Bluemner's work in architecture is documented to a lesser degree through scattered licenses, photographs, and design drawings.

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Dates:
between 1920-1935
Size:
43 Gelatin silver prints (1 album, black & white, 12 x 16.5 cm. or smaller)
Collection ID:
EEPA.1999-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Album is comprised of photographs taken in and around Patiko, a settlement of the Acholi peoples (also known as Gan) in Uganda, and among the Teso peoples of Uganda. The images depict architectural features, general appearance of both Acholi and Teso, and in some instances activities and rituals. Photographer unknown.

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Creators:
Lamb, Charles R. (Charles Rollinson), 1860-1942
Dates:
1899-1901
Size:
1 Volume ((on partial microfilm reel))
Collection ID:
AAA.lambchar
Repository:
Archives of American Art

Scrapbook contains clippings concerning the construction and history of "Dewey Arch" in New York City, a monument designed by Lamb built to honor and welcome Admiral George Dewey upon his return from Manila Bay where Dewey destroyed the Spanish fleet, helping to end the Spanish-American War in 1898.

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Creators:
Takeuchi, Beatrice, 1921-
Dates:
undated
1998
Size:
54 Pages
Collection ID:
AAA.takebeat
Repository:
Archives of American Art

Beatrice Takeuchi memoir, 1998. Takeuchi begins with her recollections of the bombing of Pearl Harbor and her stay in a War Relocation camp and describes in detail her impressions of the faculty, staff, and students at School of Design in Chicago. Most notable recollections involve instructors Lazlo Moholy-Nagy, Jack Waldheim, George Fred Keck, Hub...

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610 records — Page 17 of 61