8601 records — Page 17 of 861
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Creators:
Anacostia Community Museum
Dates:
1995
Size:
0.29 Linear feet (1 box)
Collection ID:
ACMA.03-041
Repository:
Anacostia Community Museum Archives

Held at the Anacostia Museum from June 17, 1995 to August 28, 1995, this exhibition was the result of a partnership between the museum and Lucy Ellen Moton Elementary School. During the 1994-95 school years, the students researched the community of Anacostia and produced photographs, poems, stories, drawings, interviews, documents, and personal artifacts. The student efforts were included under the themes: Moten Elementary School, From Our Homes, Institutions and Organizations, and Community Life.

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Director
Dates:
1992-2001
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 04-154
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by James Demetrion, Director, 1984-2001, documenting exhibitions created at the Hirshhorn Museum and Sculpture Garden by various curators, including Stanley Spencer: An English Vision and Clyfford Still: Paintings, 1944-1960, curated by Demetrion. Materials include correspondence a...

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Deputy Director
Dates:
circa 2001-2004
Size:
6.5 cu. ft. (6 record storage boxes) (1 document box)
Collection ID:
Accession 08-096
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the exhibition Ana Mendieta: Earth Body Sculpture and Performance, 1972-1985. The exhibition was organized by Olga M. Viso, Curator of Contemporary Art, 2000-2003, and Deputy Director, 2003-2005, and traveled to several venues between 2004 and 2006. This accession also documents Viso's extens...

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Creators:
White Fathers
White Fathers Mission
Dates:
circa 1903-1925
Size:
217 Photographic prints (black and white)
217 copy prints (black and white)
217 copy negatives (black and white, 4 x 5 in.)
Collection ID:
EEPA.1987-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The Pères Blancs (White Fathers) Society Photographic Album documents the group's missions and the Africans living near them in the East African kingdoms of Rwanda and Burundi (now the state of Rwanda-Burundi). Subjects include individual and group portraits of Africans, including members of the Tutsi royal family and the Tutsi elite, Christian families of Hutu origin, missionaries and Western visitors, and Twa people on an elephant hunt. There are also photos of landscapes, African villages and mission buildings, activities, including dancing and farming.

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Creators:
Swift, Mary
Dates:
1973-2004
Size:
8.2 Linear feet
Collection ID:
AAA.swiftmar
Repository:
Archives of American Art

The papers of photographer and curator Mary Swift measure 8.2 linear feet and date from 1973-2004. The bulk of the collection contains photographs that Swift took while working for the Washington Review. The images consist of photographs, contact sheets, and negatives of artists and art events in Washington, D.C. Also included are some personal papers; two video recordings of art events in Washington, D.C.; research material and a manuscript from Swift's M.A. thesis "Howard William Mehring, 1931-1978: Washington Color Painter" from George Washington University; and approximately 130 sound recordings of interviews conducted by Swift and panel discussions.

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Creators:
Hartigan, Lynda Roscoe
Dates:
1979-1984
Size:
200 Items ((on 2 microfilm reels))
Collection ID:
AAA.hartlynd
Repository:
Archives of American Art

In his correspondence with Hartigan (1979-1984), Harnly discusses Cornell, the Levy Gallery, the Index of American Design, his own career, and other artists such as Howard Taft Lorenz. Hartigan's correspondence concerning the exhibition includes letters from Harnly's friend Henry Warshaw. Hartigan's research materials on Harnly include her typed in...

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Creators:
Dwight, Edward H., 1919-1981
Dates:
1821-2001
bulk 1950-1979
Size:
18.6 Linear feet
Collection ID:
AAA.dwigedwa
Repository:
Archives of American Art

The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still-life painting.

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Creators:
Moulthrop, Ed, 1916-2003
Douglas, Mary F., 1956-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2001 April 2-3
Size:
39 Pages (Transcript)
Collection ID:
AAA.moulth01
Repository:
Archives of American Art

An interview of Ed Moulthrop conducted 2001 April 2-3, by Mary Douglas, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Moulthrop's home and studio, Atlanta, Georgia.

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Creators:
National Museum of African Art. Office of the Director
Dates:
circa 1964-1984
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Record Unit 634
Repository:
Smithsonian Institution Archives

These records consist mostly of the correspondence of Warren H. Robbins, which documents activities of the National Museum of African Art (NMAfA) since its inception. Also included are some correspondence and memoranda of Jean M. Salan, John E. Reinhardt, and David L. Stratmon, a previous Associate Director of MAA (Museum of African Art). ...

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Creators:
National Museum of African Art (U.S.)
Dates:
1990
Size:
24 Photographic prints (black and white)
10 Photographic prints (color, 8 x 10 in.)
Collection ID:
EEPA.1995-015
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs displayed in the exhibition entitled, "Regards croises," held at the National Museum of Mali in Bamako, Mali, from July 27 through August 26, 1990. The exhibit was a joint effort between the National Museum of Mali and The National Museum of African Art (U.S.), which included images from both museums. The prints are complementary copies from the National Museum of Mali. The National Museum of African Art provided images from the photographer, Eliot Elisofon.

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8601 records — Page 17 of 861