507 records — Page 17 of 51
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Creators:
Hrdlička, Aleš, 1869-1943
Pepper, George H. (George Hubbard), 1873-1924
Lumholtz, Carl, 1851-1922
Dates:
1898-1902
Size:
588 Photographic prints
190 Copy negatives
Collection ID:
NMAI.AC.103
Repository:
National Museum of the American Indian

This collection contains photographic prints and copy negatives taken by Ales Hrdlicka in Arizona and Mexico between 1898 and 1902. The majority of the photographs were donated by George Pepper to the Museum of the American Indian, Heye Foundation in 1923. Native communities that Hrdlicka photographed during his research include--Purepecha (Tarasco), Yoeme (Yaqui), Hualapai (Walapai), Havasupai (Coconino), Piipaash (Maricopa), Mojave (Mahave), Tohono O'odham (Papapgo), Quechan (Yuma/Cuchan), Tepecano, Akimel O'odham (Pima), Opata, Cora, Seri, Wixarika (Huichol), Nahua, Otomi and Yoreme (Mayo). Ales Hrdlicka (1869-1943) was born in the Czech Republic moved to the United States in 1881. Hrdlicka became known as the "Father" of Physical Anthropology and worked at the U.S. National Museum (now the National Museum of Natural History).

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Creators:
Geary, Christraud M.
Dates:
1995
Size:
511 slides (photographs) (color, 35 mm)
511 copy slides (color corrected, 35 mm)
Collection ID:
EEPA.1995-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Christraud M. Geary during a research trip to South Africa, Zambia, and Zimbabwe in 1995.

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Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
circa 1960-1980
Size:
107.16 cu. ft. (105 record storage boxes) (2 document boxes) (2 tall document boxes)
Collection ID:
Record Unit 638
Repository:
Smithsonian Institution Archives

This record unit consists of project files documenting the repairs, improvement, and renovation of existing Smithsonian buildings. The records include memoranda with Smithsonian offices, correspondence with contractors, blueprints, cost analyses, specifications, and photographs. Buildings and museums documented in this collection include: the...

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Creators:
Cahill, James, 1926-2014
Dates:
1945-1996
Size:
12 Linear feet
Collection ID:
FSA.A2001.11
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Papers created by Asian art historian, curator, and collector Dr. James Francis Cahill. Includes personal and professional correspondence and project files documenting his many publications, lectures and activities in the Asian art field. Documents span his early career at the Freer Gallery of Art, where he served as curator of Chinese art from 1957-1965, and his tenure 1965-1994 as Professor of the History of Art at the University of California, Berkeley.

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Creators:
Ulrich, E. O. (Edward Oscar), 1857-1944
Dates:
1908-1944
Size:
0.58 cu. ft. (1 tall document box)
Collection ID:
Accession 10-188
Repository:
Smithsonian Institution Archives

This accession includes correspondence, notes, maps, photographs and negatives documenting Ulrich's research.

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Creators:
Smithsonian Institution. Office of Physical Plant
Dates:
1982-2000
Size:
111 cu. ft. (111 record storage boxes)
Collection ID:
Accession 04-013
Repository:
Smithsonian Institution Archives

This accession includes project files documenting Office of Physical Plant (OPP) renovation and reconstruction activities of Smithsonian museums and facilities. Materials include correspondence, memoranda, and notes; blueprints and drawings; budget summaries; proposals; reports; and photographs. Each folder includes the OPP project number, ...

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Creators:
Smithsonian Institution. Office of Architectural History and Historic Preservation
Dates:
circa 1850-2006
Size:
59 cu. ft. (59 record storage boxes) (10 oversize folders)
Collection ID:
Accession 06-225
Repository:
Smithsonian Institution Archives

This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. These records were compiled by the Office of Architectural History and Historic Preservation (OAHP), research associates, and volunteers. Items in brackets describe cross-references ...

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Creators:
Leonard, Eugene O.
Dates:
circa 1880-1920
Size:
4 Glass positives
6 Prints and postcards (photogravure)
1 Tintype
100 Negatives (circa, glass)
220 Copy prints (circa)
9 Prints and postcards (cyanotype)
99 Items (99 photomechanical prints and postcards, halftone, color halftone, collotype, photgravure)
1,000 Negatives (circa, nitrate)
734 Photographic prints (circa, silver gelatin, albumen, and platinum (including photographic postcards and cabinet cards))
Collection ID:
NAA.PhotoLot.92-3
Repository:
National Anthropological Archives

Unbound album pages (labeled A through Q) with photographs documenting the people and culture of the Pocatello-Fort Hall area, including Native Americanss (particularly Shoshone-Bannock tribes), agency employees, and missionaries. Included are images of encampments, Sun Dance ceremonies, the Fort Hall Agency, Indian schools and churches, the Run f...

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Creators:
Tacla, Jorge, 1958-
Dates:
1966-2019
bulk 1980-2009
Size:
5.05 Linear feet
Collection ID:
AAA.tacljorg
Repository:
Archives of American Art

The papers of painter Jorge Tacla measure 5.05 linear feet and date from 1966-2019. Included are biographical material; letters from friends and other artists; project and exhibition files; photographs consisting of snaphots of Tacla, friends, and paintings; eleven illustrated journals; and printed material. The papers document Tacla's creative process and his relationships with other artists.

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Creators:
Clutz, William
Dates:
1930-2016
Size:
3.1 Linear feet
11 Gigabytes
Collection ID:
AAA.clutwill
Repository:
Archives of American Art

The papers of New York painter William Clutz measure 3.1 linear feet and date from 1930-2016. The collection consists of biographical material, correspondence, personal business records, printed material, photographic material, artworks, and twelve sketchbooks which illuminate the career and artistic development of Clutz, a painter known for depictions of figures in urban settings. The photographic material is particularly robust and includes hundreds of photographs, slides, transparencies, and digital images of Clutz, family, friends, his painting, as well as documentation of exhibition installations. Artwork and sketchbooks in pencil, pastel, and charcoal provide a glimpse into the preliminary stages of his work process.

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507 records — Page 17 of 51