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Creators:
Blackmun, Barbara Winston
Dates:
circa 1969-1994
Size:
1,469 color slides
Collection ID:
EEPA.2016-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.

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Creators:
Grepke, Donald, 1932-
Grepke, Carolyn, 1937-1995
Dates:
circa 1880-1998
Size:
70 Cubic feet
Collection ID:
NMAH.AC.0752
Repository:
Archives Center, National Museum of American History

The collection consists of paper dolls dating from circa 1880 to 1998.

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Creators:
Wilbur H. Burnham Studios
Dates:
circa 1904-1991
Size:
35.9 Linear feet
Collection ID:
AAA.wilbhbur
Repository:
Archives of American Art

The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 35.9 linear feet and date from circa 1904-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material.

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Creators:
Smithsonian Institution, International Exchange Service
Dates:
circa 1908-1971
Size:
10.3 linear meters.
Collection ID:
Record Unit 502
Repository:
Smithsonian Institution Archives

These records consist of the correspondence of the director of the International Exchange Service along with invoices and shipping instructions. The bulk of the correspondence relates to the exchange of printed matter between parties in the United States and abroad.

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Creators:
Baird, Spencer Fullerton, 1823-1887
Dates:
1833-1889
Size:
39.3 cu. ft. (74 document boxes) (3 half document boxes) (5 3x5 boxes) (oversize material)
Collection ID:
Record Unit 7002
Repository:
Smithsonian Institution Archives

The Spencer F. Baird Papers are the combination of several different deposits. One group was originally labeled "Private" by the Smithsonian Institution Archives at the time they were received. Another group came to the Smithsonian from Lucy Hunter Baird (Baird's daughter), or from her estate after her death.

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Creators:
National Museum of the American Indian, Office of Community Services
Dates:
1999-2004
Size:
33 cu. ft. (33 record storage boxes)
Collection ID:
Accession 11-065
Repository:
Smithsonian Institution Archives

This accession consists of exhibition fieldwork records and production recordings produced by the Office of Community Services for the National Museum of the American Indian (NMAI) inaugural exhibitions "Our Lives: Contemporary Life and Identities" and "Our Peoples: Giving Voice to Our Histories." Native American communities represented i...

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Creators:
Karp, Ivan C., 1926-2012
OK Harris Gallery
Dates:
1960-2014
Size:
80.3 Linear feet
Collection ID:
AAA.okharr
Repository:
Archives of American Art

The Ivan C. Karp papers and OK Harris Works of Art gallery records measure 80.3 linear feet and are dated 1960-2014. The collection documents the operation and activities of the contemporary art gallery founded by Ivan C. Karp in the SoHo area of Manhattan. Exhibition files, artist files, printed material and photographic materials reveal the wide range of artists represented by OK Harris and the gallery's role in introducing Photo-realism to the public. Aso included are administrative files, prints by OK Harris artists, business and personal correspondence, 39 journals by Karp spanning a period of 62 years, and other personal papers. Material pre-dating the 1969 establishment of OK Harris Works of Art consists of printed items and a few letters.

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Creators:
O'Grady, G. N. (Geoffrey N.)
Dates:
1949-2007
bulk 1957-1998
Size:
Plus 3 oversize boxes, 4 record storage boxes, and 3 map folders
11.8 Linear feet (24 document boxes and 3 card file boxes)
Collection ID:
NAA.2010-30
Repository:
National Anthropological Archives

This collection is comprised of the professional papers of linguistic anthropologist Geoffrey O'Grady. Included are research materials consisting of field notes and notebooks, correspondence, published and unpublished writings, annotated copies of other scholars' work, photographs, and sound recordings. The materials in this collection document ...

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Creators:
Jackler, Robert K.
Dates:
circa 1898-2017
undated
Size:
20 Cubic feet (40 boxes, 1 map-folder)
Collection ID:
NMAH.AC.1224
Repository:
Archives Center, National Museum of American History

The collection documents the history of tobacco advertising in America through print advertisements (magazine and newspaper), emphasizing the deceptive advertising practices employed by the tobacco industry to lure and keep smokers. Many of the advertisements contain images of celebrities, athletes, and other notable persons who endorsed tobacco products as well as ethinic imagery.

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Creators:
Sousberghe, Léon de
Dates:
1955-1957
Size:
212 slides (photographs) (color)
1 map (black & white, 50 x 70 cm.)
1 map (color, 40 x 53 cm.)
Collection ID:
EEPA.1999-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken among the Pende peoples in the Democratic Republic of the Congo in the years 1955-1957. Publications used for identifying and describing the collection photographs include L'Art Pende (Bruxelles: Académie royale de Belgique, 1958) and Les danses rituelles Mungonge et Kelas des Bapende (Academie royale des sciences coloniales, 1956), both by Léon de Sousberghe; Inventing Masks: Agency and History in the Art of the Central Pende by Z.S. Strother (The University of Chicago Press, 1998); and, from Secrecy: African Art that Conceals and Reveals Mary H. Nooter, ed. (New York: Museum for African Art, 1993), Z.S. Strother's article, The Physical and Social Boundaries of Secrecy: Eastern Pende Constuctions of Secrecy, pp. 157-178.

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