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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1969-1985
Size:
18 albumen prints (b&w)
Collection ID:
FSA.A.15
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Antoin Sevruguin managed and operated one of the most successful commercial photography studios in Tehran in the late 19th century. Born in the 1840s in Iran, Sevruguin's mother returned with her children to her hometown of Tbilisi after his father Vassil, a Russian diplomat in Iran, died in a horse riding accident. Trained as a painter, Sevruguin ...

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Creators:
National Air and Space Museum. Department of Aeronautics
Dates:
1965-1986
Size:
36.5 cu. ft. (73 document boxes)
Collection ID:
Record Unit 330
Repository:
Smithsonian Institution Archives

These records document the history of the Department of Aeronautics from 1966-1986, a period marked by intensive planning for the new museum, its construction and opening in July 1976, and the emergence of the National Air and Space Museum as a large and important bureau of the Smithsonian and the most visited museum in the world. At the begi...

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Creators:
Karshan, Donald H.
Dates:
1920-1973
Size:
1.8 Linear feet
Collection ID:
AAA.karsdona
Repository:
Archives of American Art

The Donald H. Karshan papers relating to Alexander Achipenko measure 1.8 linear feet and date from 1920 to 1973, (bulk dates 1966-1970). Karshan, a print expert and collector, served as Curator of the Archipenko Collection and Director of the Archipenko Archive from circa 1966 until circa 1973. Exhibition files include records concerning University of California, Los Angeles's Alexander Archipenko Memorial Exhibition, 1967-1969, that traveled throughout the United States; an expanded version of the show was circulated in Europe by the Smithsonian Institution. The collection also contains general correspondence relating to the administration of the Archipenko Collection and Archipenko Archive, Leopold Survage, and writings on Archipenko's work and life by Karshan with related correspondence.

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Creators:
Daniell, Thomas, 1749-1840
Dates:
1803
Size:
1 Item (1 vol., ill., 77 x 59 cm.)
1 Item (pencil and ink wash on paper (73 x 46 cm.))
Collection ID:
FSA.A2001.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Collection consists of two items: 1. "Oriental Scenery, Vol. 5. Hindoo Excavations in the Mountain of Ellora, near Aurungabad, in the Decan." Atlas folio, 77 x 59 cm., bound in contemporary quarter roan over marbled boards, with 24 hand-colored aquatints by James Wales under the direction of Thomas Daniell and an engraved aquatint title page. Self-...

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Creators:
National Museum of American Art. Office of the Director
Dates:
1970-1983, with records dating from 1934
Size:
48.5 cu. ft. (97 document boxes)
Collection ID:
Record Unit 322
Repository:
Smithsonian Institution Archives

These records document the tenure of Joshua C. Taylor as Director, 1970-1981, with small amounts of materials from 1960s. Additionally some records date back to 1934. In addition there is a folder of correspondence with David E. Finley dated 1938-1977. Included are files on museum offices, Smithsonian offices, various art commissions, other ...

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Creators:
Laurent, Robert, 1890-1970
Dates:
1869-1973
Size:
3.7 Linear feet ((on 8 microfilmed reels + 1 photograph not microfilmed))
Collection ID:
AAA.laurrobe
Repository:
Archives of American Art

Correspondence; manuscripts and writings; lists of works of art; photographs; biographical material; gallery and foundry files; notes and speeches; financial material; scrapbook; guest book; magazines; exhibition catalogs; clippings; and printed material.

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Creators:
Martyl, 1917-2013
Dates:
1918-1977
Size:
2.6 Linear feet
Collection ID:
AAA.martyl
Repository:
Archives of American Art

The papers of Martyl Langsdorf, professionally known by just her first name, Martyl, date from 1918 to 1977 and measure 2.6 linear feet. Included within the collection is correspondence; subject files; biographical data; writings and notes; sketches; photographs; exhibition catalogs and announcements; guest books; price lists; receipts; reproductio...

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Creators:
Constable, W. G. (William George), 1887-1976
Dates:
1905-1983
bulk 1920-1976
Size:
25.7 Linear feet
Collection ID:
AAA.conswmgp
Repository:
Archives of American Art

The papers of art historian and museum curator W.G. (William George) Constable measure 25.7 linear feet and date from 1905 to 1981, with the bulk of the material from 1920 to 1976. The papers include biographical material; professional and personal correspondence; extensive lectures, writings, and notes; exhibition and book research files; printed materials; and photographs, glass plate negatives, and slides. There is substantive correspondence related to Constable's participation in the American Defense Harvard Group and about the formation of the Roberts Commission, including correspondence with Ralph Perry, Hugh Hencken, Paul Sachs and George L. Stout. There are numerous official reports prepared by Constable after World War II for the U. S. Office of Military Government for Germany.

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Creators:
Print Council of America
Dates:
1951-2020
Size:
24.5 Linear feet
3.02 Gigabytes
Collection ID:
AAA.princoun
Repository:
Archives of American Art

The records of the Print Council of America measure 24.5 linear feet and 3.02 GB, and date from 1951 to 2020. The collection includes administrative files, correspondence and subject files, interviews, some in digital format, exhibition and project files, financial records, and printed materials that document the council's founding and activities as a non-profit, professional organization of print specialists.

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
undated
Size:
1 Item (album (99 photoprints), b&w, 31.2 cm. x 41.6 cm. (sheet))
62 Albumen prints (b&w, 25 cm. x 20 cm. or smaller)
Collection ID:
FSA.A2011.03
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

A large album of prints by photographer Antoin Sevruguin, likely dating from his early career in Iran in the 1870s and 1880s. The collection also includes a number of loose, unbacked prints, many duplicating the photographs in the album. Roughly half of the mounted prints have English handwritten captions.

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