8601 records — Page 164 of 861
[ ]
Collapse
[ ]
Expand
Creators:
M'Clees, Jas. E. (James E.) (studio owner and photographer)
Dates:
circa 1850 to 1863
bulk 1857-1858
Size:
32 Mounted prints (albumen)
Collection ID:
NAA.PhotoLot.4286
Repository:
National Anthropological Archives

Studio portraits made by the James E. McClees Studio and published by the Blackmore Museum, depicting Native American visitors to Washington, D.C. The series is identified by an 1863 broadside in the collection as "Photographs of some of the principal Chiefs of the North American Indians, made when they have visited Washington as deputations from ...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of American Art. Curatorial Department
Dates:
1989-1995
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 95-123
Repository:
Smithsonian Institution Archives

This accession consists of the records of the National Museum of American Art (NMAA) curatorial office for the exhibitions The West as America: Reinterpreting Images of the Frontier, 1820-1920 (March 15-July 7, 1991) and Thomas Cole: Landscape into History (March 18-August 7, 1994, at NMAA venue). William Truettner, Senior Curator at NMAA...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Gordin, Sidney, 1918-1996
Dates:
[ca. 1925]-1995
Size:
1 Linear foot
Collection ID:
AAA.gordsidn
Repository:
Archives of American Art

Correspondence, 1960-1995; photographs, ca. 1925-1960, files on artists, containing photographs of work, clippings, and exhibition announcements; and original art work by Cooper Union Classmates Jean Wong, Marty Bloom, Rosamund Tirana, Bill King, and Stanley Fisher. Among the correspondents are Edward Albee, Elmer Bischoff, Joan Brown, Herman Cherr...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Sousberghe, Léon de
Dates:
1955-1957
Size:
212 slides (photographs) (color)
1 map (black & white, 50 x 70 cm.)
1 map (color, 40 x 53 cm.)
Collection ID:
EEPA.1999-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken among the Pende peoples in the Democratic Republic of the Congo in the years 1955-1957. Publications used for identifying and describing the collection photographs include L'Art Pende (Bruxelles: Académie royale de Belgique, 1958) and Les danses rituelles Mungonge et Kelas des Bapende (Academie royale des sciences coloniales, 1956), both by Léon de Sousberghe; Inventing Masks: Agency and History in the Art of the Central Pende by Z.S. Strother (The University of Chicago Press, 1998); and, from Secrecy: African Art that Conceals and Reveals Mary H. Nooter, ed. (New York: Museum for African Art, 1993), Z.S. Strother's article, The Physical and Social Boundaries of Secrecy: Eastern Pende Constuctions of Secrecy, pp. 157-178.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Fraad, Rita
Dates:
1926-1997
Size:
3.3 Linear feet
Collection ID:
AAA.fraarita
Repository:
Archives of American Art

The papers of art collectors Rita and Daniel Fraad measure 3.3 linear feet and date from 1926 to 1997. The collection consists of art documentation files that reflect their American art collecting activities. Found in the files are any combination of the following materials: correspondence, sales receipts, treatment reports and photographs, loan agreements, facilities reports, exhibition and auction catalogs, clippings, photographs, transparencies, and slides.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Morse, Samuel Finley Breese, 1791-1872
Dates:
1826-2009
bulk 1826-1871
Size:
0.4 Linear feet
Collection ID:
AAA.morsesam
Repository:
Archives of American Art

The papers of painter and inventor Samuel F. B. Morse date from 1826-2009 (bulk 1826-1871), and measure 0.4 linear feet. This small collection documents Morse's role in the early years of the National Academy of Design through his correspondence as the academy's first president, and also includes scattered biographical material, Morse's writings and notes on art from that period, printed material including clippings about Morse and an exhibition catalog, eight photographs, including one of Morse, and a microfilm reel of one of Morse's sketchbooks.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Gussow, Alan, 1931-
Dates:
1956-1994
Size:
2.8 Linear feet
Collection ID:
AAA.gussalan
Repository:
Archives of American Art

Research material for Alan Gussow's book, A Sense of Place: the Artist and the American Land, and the related Nebraska Public Television production, symposium, and exhibition at Sheldon Memorial Art Gallery, measures 2.8 linear feet and dates from 1956 to 1994. Research files include correspondence, photographs and color transparencies, sound recordings of 17 interviews with artists, a draft manuscript, publicity, reviews, and fan mail. Exhibition and symposium related material includes the proposal, correspondence, and printed matter. Public television production material includes correspondence, publicity, transcripts, soundtrack tapes, and film footage.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Thomas, Jeff, 1956-
Dates:
1982-1994
Size:
5 Photographic prints (silver gelatin)
Collection ID:
NMAI.AC.055
Repository:
National Museum of the American Indian

The photographs include an image of Jack Moore, a Pima dancer, with the American flag painted on his face; a portrait of the dancer Kevin Haywahe (Assiniboine) wearing a wolf-hide and feather headdress with beaded sun wheel medallion and beaded appendage, elaborate face painting, pipe bead necklace and elaborately beaded breast ornament; an outdoor view of a young boy posed beside grafitti that reads "Cultural Revolution"; a young man standing in front of a grain elevator and wearing a t-shirt with an image of Christopher Columbus and the caption "Founder of the New World"; and a triptych documenting the urban Onondaga Iroquois experience in Ottawa, Ontario.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Sievan, Maurice
Dates:
1934-1983
Size:
0.2 Linear feet ((partially microfilmed on 1 reel))
Collection ID:
AAA.sievmaur
Repository:
Archives of American Art

Correspondence, biographical information, exhibition catalogs, photographs, and printed material.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Abbott, William Louis, 1860-1936
Hough, Walter, 1859-1935
Raven, Henry Cushier, 1889-1944
Kloss, Charles Boden
More …
Dates:
1888-1919
Size:
13 Linear feet
Collection ID:
NAA.XXXX.0228
Repository:
National Anthropological Archives

The papers in the Abbott collection appear to have been brought together in the Smithsonian's Department of Anthropology in order to process ethnological specimens from Malaya and Indonesia and to prepare an exhibit and publications. Included are some of Abbott's original letters, notes, maps, and a considerable number of photographs. Most of these materials concern the Enggano, Jakun, and Dyak. Many other documents in the collection consist of copies of or extracts from Abbott's letters, the originals of which are now in the Smithsonian Institution Archives. There are also letters and other materials of Otis Tufton Mason and Walter Hough accumulated as they worked on the collection, many simple lists of accessions compiled in the Department of Anthropology, and a few manuscripts. In addition, there are printed materials that were apparently used by the department's staff for reference purposes. Some of the photographs made in Borneo in 1914 are by Henry Cushier Raven, a field assistant of Abbott and, later, a collector financed by Abbott. Additional materials of Abbott and Raven are in the Smithsonian Institution Archives, and their material (often duplicate photographs) are included in several collections in the National Anthropological Archives.

Found In
8601 records — Page 164 of 861