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Creators:
National Museum of American History. National Numismatic Collection
Dates:
circa 1921-1989
Size:
26.91 cu. ft. (26 record storage boxes) (1 tall document box) (3 oversize folders)
Collection ID:
Record Unit 359
Repository:
Smithsonian Institution Archives

This record unit consists of correspondence and memoranda pertaining to publications, exhibitions, acquisitions, numismatic conferences in foreign countries, and materials on loan; annual reports of the Division of Numismatics; budgetary files; American Numismatic Association convention information; exhibition scripts for the Hall of Monetary ...

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Creators:
Parish Gallery
Dates:
1940-2013
bulk 1991-2013
Size:
6.4 Linear feet
11.73 Gigabytes
Collection ID:
AAA.parigall
Repository:
Archives of American Art

The records of Parish Gallery, located in Washington, D.C., measure 6.4 linear feet and 11.73 gigabytes and date from 1940 to 2013, with the bulk of the collection dating from 1991 to 2013. This collection consists primarily of exhibition files, but also includes administrative files, as well as some biographical material related to Norman Parish's career before opening the gallery.

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Creators:
Bruce, Edward, 1879-1943
Dates:
1902-1960
bulk 1932-1942
Size:
8.9 Linear feet
Collection ID:
AAA.brucedwa
Repository:
Archives of American Art

The Edward Bruce papers measure 8.9 linear feet and date from 1902 to 1960, with the bulk of the material dating from 1932 to 1942. The collection documents Bruce's work as an artist, art collector, exhibition juror, and federal government art administrator, particularly his tenure as Director of the U. S. Treasury Department's Section of Fine Arts. Well over one-half of the collection consists of extensive correspondence with artists, art collectors and dealers, arts associations, galleries, and government officials, including President and Mrs. Franklin D. Roosevelt.

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Creators:
Cramer, Konrad, 1888-1963
Dates:
1897-1968
Size:
8.5 Linear feet
Collection ID:
AAA.cramkonr
Repository:
Archives of American Art

The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, where Florence Ballin first attended art classes in 1906, and where the couple settled in 1911. Records include biographical materials, correspondence, a Christmas card album, diaries, writings, business records, personal financial records, printed materials, photographs, and artwork.

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Creators:
Smithsonian Institution. Division of Performing Arts
Dates:
1966-1979
Size:
35 cu. ft. (35 record storage boxes)
Collection ID:
Accession T90055
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Division of Performing Arts (DPA). Materials document a variety of public performances, concerts, touring shows, and festivals. Particularly well documented are activities surrounding the annual Festival of American Folklife. Records include correspondence, memoranda, bu...

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Creators:
National Portrait Gallery, Office of the Director
Dates:
1937-1990
Size:
15.58 linear meters.
Collection ID:
Record Unit 426
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
National Museum of Natural History, Division of Echinoderms and Lower Invertebrates
Dates:
1907-1982
Size:
4.2 linear meters.
Collection ID:
Record Unit 325
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Schopf, Thomas J. M.
Dates:
circa 1963-1984
Size:
22 cu. ft. (22 record storage boxes)
Collection ID:
Record Unit 7429
Repository:
Smithsonian Institution Archives

These papers consists primarily of Schopf's personal correspondence with professional colleagues and friends, and his extensive research, laboratory, and field notes. Also included in these papers are documents regarding grant proposals, classes at Lehigh and Chicago, Schopf's involvement in professional societies, and administrative records ...

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Creators:
National Museum of the American Indian. Film and Video Center
Dates:
1977-2016
Size:
21.5 cu. ft. (21 record storage boxes) (1 document box)
Collection ID:
Accession 17-252
Repository:
Smithsonian Institution Archives

This accession consists of records that document the breadth and history of the programs and work of the FVC, including the NAFVF, film screenings, the Native Americans on Film and Video publications, and the Native Networks / Redes Indigenas website. Some materials date to when the before the National Museum of the American Indian as was...

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Creators:
Louis, Morris, 1912-1962
Dates:
circa 1910s-2007
bulk 1965-2000
Size:
17.8 Linear feet
Collection ID:
AAA.louimorr
Repository:
Archives of American Art

The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.

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