Carolyn Kinder Carr was appointed to the newly-created position of National Portrait Gallery (NPG) Assistant Director for Collections in November 1983. These records document Carr's activity in that capacity, and contain reports and memoranda created by her office, other NPG offices, and other Smithsonian bureaus; as well as official correspon...

These records document the Friends of the Museum's annual appeals and annual meetings. Included is correspondence requesting donations; invitations to the meetings and exhibit openings; correspondence with guest speakers; receipt and expense reports; copies of speeches given at the annual meetings; and membership lists.

This accession consists of incoming and outgoing correspondence documenting the professional career of Curtis W. Sabrosky at Michigan State University and the United States Department of Agriculture. The correspondence also documents his research on the taxonomy of flies.

This accession consists of records documenting the professional activities and correspondence of Judith K. Zilczer, art historian and curator. Zilczer was employed by the Hirshhorn Museum and Sculpture Garden (HMSG) in various capacities from 1974-2003, ultimately serving as Curator of Paintings from 1992-2003. Many of the records document ...

These papers document Morton's professional career and include correspondence regarding curatorial duties at the USNM, research on ferns, and editorial work for the American Fern Journal; records concerning field trips to Cuba, the West Indies, Honduras, and Europe; photographs of and biographical information on Morton; and manuscripts an...

These records document the activities of Lois Marie Fink as head of the Office of Research and Professional Training from 1970 to 1978. Included are incoming and outgoing correspondence regarding internships and visiting scholar programs, and reference inquiries; memoranda sent within the Office and to Museum Director Joshua C. Taylor; a large...

The papers of painter, muralist, and designer William E. L. Bunn measure 13.4 linear feet and date from 1863-2009. The collection documents Bunn's career as a painter, industrial designer, and his work on Treasury Department post office mural commissions through biographical material, scattered correspondence, project files, industrial design records, diaries and journals, writings and notes, printed material, photographs, and artwork. Also found are Bunn's papers regarding Grant Wood.

The papers of Woodstock area painter, muralist, and designer, Anton Refregier (1905-1979) date from circa 1900 to circa 1990 and measure 35.9 linear feet. The collection records Refregier's early commercial work and murals for the Works Progress Adminstration (WPA) and documents his career through to the 1970s with records of commissions for many public and private buildings, exhibitions in the United States and abroad, teaching positions, essays and publications, and extensive travel, particularly to the Soviet Union and Mexico. The collection contains scattered biographical material, personal and business correspondence, notes and writings, 15 diaries and journals, mural and tapestry files, exhibition files, personal business records, printed material, 10 scrapbooks, artwork including sketches and cartoons for murals, and photographs of Refregier, his friends, family and travels.

The Russell, Xanthus, and Mary Smith family papers comprise 5.12 linear feet and are dated 1793-1977, bulk 1826-1977. Correspondence, writings, artwork, financial records, printed material, miscellaneous items and photographs provide documentation of the lives and works of painter, illustrator and poet, Russell Smith, and his son, painter Xanthus Smith, and scattered documentation of the lives of his wife, painter and educator Mary Priscilla Smith, and daughter and painter Mary Russell Smith.

The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, where Florence Ballin first attended art classes in 1906, and where the couple settled in 1911. Records include biographical materials, correspondence, a Christmas card album, diaries, writings, business records, personal financial records, printed materials, photographs, and artwork.