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Creators:
Hitchcock, Romyn, 1851-1923
Dates:
circa 1885-1895
Size:
200 Prints (circa 200 prints: albumen, cyanotype, silver gelatin, halftone)
Collection ID:
NAA.PhotoLot.77-38
Repository:
National Anthropological Archives

Photographs documenting Ainu people and villages and Japanese boats, paintings, artifacts, structures, burial mound, tombs, and scenery. They also include some images of people and a village in Korea. Many of the mounted prints have been annotated for publication, some for the 1890 Annual Report of the National Museum.

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Creators:
McLaren, Lynn, 1922-
Dates:
circa 1950-1969
Size:
648 slides (photographs) (color , 35mm.)
10 Photographic prints (black and white , 8 x 10 inches.)
38 Transparencies (color , 120mm.)
Collection ID:
EEPA.2007-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 38 color transparencies, 648 color slides and 10 black-and-white photographic prints taken by Lynn McLaren Demarest while on assignment for various news outlets in the 1950s and 1960s. A majority of the slides and transparencies were taken in East Africa and document indigenous peoples, agriculture (cotton in particular), health and nutrition education, UNICEF activities, architecture, natural landscapes, animals, fishers, coffee plantations and the sisal industry. Locations include Mobassa, Lamu Island, Zanzibar, Dar es Saalam, Lake Victoria, Mount Kilimajaro, Ngorongoro Crater, Lake Manyara and Mikumi National Park (Tanzania). The black-and-white photographs depict East African leaders, such as Julius Nyerere, and prominent international visitors to the region, including Robert Kennedy. A small number of slides and transparencies were taken in India.

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Dates:
1875-1878
Size:
20 Drawings (18 leaves, graphite and colored pencil, 17 x 20 cm.)
Collection ID:
NAA.MS1998-54
Repository:
National Anthropological Archives

Twenty drawings in a commercial exercise book that has been rebound. The book had been sewn into a second cover prior to its acquisition by the Smithsonian. This second cover was removed when the book was rebound. It is still with the manuscript. The drawings depict hunting, courtship, dance, social gatherings, Indian scouts, mounted and dismounted...

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Creators:
McKenney, Thomas L. (Thomas Loraine), 1785-1859
Hall, James, 1793-1868
Dates:
circa 1836-1844 and 1965
Size:
11 Lithographs (most approximately 20 x 14 inches)
Collection ID:
NAA.MS1984-26
Repository:
National Anthropological Archives

Lithographs from History of the Indian Tribes of North America by Thomas L. McKenney and James Hall. The lithographs in this set are of Chon-Mon-I-Case, an Otto Half Chief; Ma-Has-Kah or White Cloud, an Ioway Chief; Micanopy, a Seminole Chief; Naw-Kaw, a Winnebago Chief; Nea-Math-La, a Seminole Chief; Ne Sou A Quot, a Fox Chief; Qu-Ta-Wa-Pea, a Sha...

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Creators:
Parsons, S. H. (Simeon Henry), 1844-1908
Dates:
circa 1871-1884
Size:
10 mounted prints (albumen)
Collection ID:
NAA.PhotoLot.82-3
Repository:
National Anthropological Archives

Photographs made by S. H. Parsons in St. Johns, Newfoundland, which were possibly exhibited at the World's Industrial and Cotton Centennial Exposition in New Orleans, 1884-1885. They include views of boats passing through the Narrows (the entrance to St. Johns's harbor), Carbonear Island, Water Street after its first snow, the "Sisters" natural roc...

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Creators:
Segre, Rosa, Estate of
Segre, Emilio
Dates:
1942-1997
Size:
0.25 Cubic feet (1 box, 1 map-folder)
Collection ID:
NMAH.AC.0691
Repository:
Archives Center, National Museum of American History

Papers relating to the career of the nuclear physicist Emilio Segre, including a set of previously classified, now unclassified government documents including correspondence, laboratory reports and memoranda, relating to Segre's research; several diplomas and honorary awards and the programs from the ceremonies at which they were conferred.

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Creators:
Archives Center, NMAH, SI.
Dates:
1910-2016
Size:
120 Posters (14 map- folders)
Collection ID:
NMAH.AC.0751
Repository:
Archives Center, National Museum of American History

An artificial collection of posters on various subjects, at present organized according to donor. Examples of contents include movie posters and propaganda posters.

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Creators:
Putnam, Anne Eisner
Dates:
1936-1968
Size:
40 Items
Collection ID:
AAA.putnanne
Repository:
Archives of American Art

The scattered papers of painter Anne Eisner Putnam consist of 40 items and date from 1936 to 1968. Found is an application for Who's Who of American Women, and two letters concerning her book and artwork. Printed material includes clippings (1936-1965) about exhibitions of her artwork in New York, her experiences in Africa, press releases, and her obituary. Photographs are of Putnam's paintings; of Putnam at "Camp Putnam" in the Ituri Rainforest in the Belgian Congo (now Democratic Republic of the Congo) with members of one of the Congo Pygmy tribes; a snapshot of Putnam; and a portrait of Patrick Tracy Lowell Putnam.

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Creators:
Transportation, Division of, NMAH, SI.
Finney, Bill
White, Roger
Dates:
1925-1930.
Size:
0.2 Cubic feet (1 box)
Collection ID:
NMAH.AC.0790
Repository:
Archives Center, National Museum of American History

Nitrate negatives depicting street views with automobiles and railroad cars, in several areas of the country. Many are numbered and dated in ink on the negative. The groups are: views of Newark, Ohio, by Bill Finney, March 19, 1926; Huntington, West Virginia, 1927; Cumberland, Md., by Bill Finney, Oct. 28, 1925; and "Baltimore, Md.--Sharp St. Looking South from Camden St. / for Police Dept. / Oct. 21, 1930.

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Creators:
Homer, Winslow, 1836-1910
Dates:
1900-1904
Size:
0.2 Linear feet
Collection ID:
AAA.mknoeco
Repository:
Archives of American Art

This small collection of twenty-two letters written by painter and illustrator Winslow Homer to his art dealer, M. Knoedler and Company, date from 1900 to 1904. These letters to the New York gallerist concern the logistics of selling his paintings and also reference agents, collectors, and art institutions where his work was being exhibited.

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