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Creators:
Hawthorne, Charles Webster, 1872-1930
Hawthorne, Marion Campbell
Dates:
1870-1983
Size:
2.2 Linear feet ((partially microfilmed on 6 reels))
Collection ID:
AAA.hawtchar
Repository:
Archives of American Art

Correspondence of Charles and Marion Hawthorne, their son Joseph and his wife Hazel Hawthorne; photographs of Hawthorne family and Cape Cod School of Art; printed material; exhibition records; diary pages; and a drawing reflect activities of influential painting instructor Charles Hawthorne, his school, the Cape Cod School of Art, and publications ...

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Creators:
Herskovits, Melville J. (Melville Jean), 1895-1963
Dates:
1928-1934
Size:
736 Negatives (photographic) (+contact prints (5 v.), black & white, 3 x 4 in.)
736 Photographic prints ((6 v.), black & white, 3 x 4 in.)
Collection ID:
EEPA.1986-029
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Melville J. Herskovits during his trips with his wife, Frances Shapiro Herskovits, to Surinam (1928-29); Dahomey, now Republic of Benin (1931); Haiti (1934); and Brazil (1941-42). From 1928 to 1943 Melville Herskovits and his wife, Frances Herskovits (nee Shapiro) traveled together throughout West Africa and the Americas to collect evidence of the legacy of African culture. The contributions of Frances Herskovits to her husband's research were fully recognized in an exhibition held by the Mary and Leigh Block Museum of Art at Northwestern University, from April 2-August 9, 1998. Entitled, "Living Tradition in Africa & the America: The Legacy of Melville J. and Frances S. Herskovits," the brochure noted, "On each trip, Frances was a full partner in the research...Until Melville's death in 1963, they worked together on the analysis of their data and the writing of books and articles; and after he died, she edited a collection of his papers."

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Creators:
Friedmann, Herbert, 1900-1987, interviewee
Dates:
1975
Size:
3 audiotapes (Reference copies). 5 digital .mp3 files (Reference copies).
Collection ID:
Record Unit 9506
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Public Programs/Curatorial Division
Dates:
1988-1999
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 00-024
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, curation, and execution of temporary exhibitions at the Hirshhorn Museum and Sculpture Garden, including EXPRESSIV, and the WORKS and DIRECTIONS series sponsored by the Museum. The records were created and maintained by Neal David Benezra, Assistant Director for Art and Public...

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Creators:
Marcou, David Joseph, 1950-
Dates:
2008
Size:
32 Photographs ((digital photographs))
Collection ID:
NMAI.AC.107
Repository:
National Museum of the American Indian

This collection consists of 32 digital photographs shot by David J. Marcou and depict The Last Stand symphony dress rehearsal on April 24, 2008 in La Crosse, Wisconsin. The photographs depict the La Crosse Symphony Orchestra; co-composers Bill Miller (Mohican/Stockbridge-Munsee), Joshua Yudkin, and Kristin Wilkinson; conductor Amy Mills; La Crosse...

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Creators:
Kanovitz, Howard
Dates:
circa 1950-2009
Size:
9 Linear feet
1 Gigabyte
Collection ID:
AAA.kanohowa
Repository:
Archives of American Art

The papers of painter Howard Kanovitz measure 9.0 linear feet and 1 GB and date from the mid-1950s through Kanovitz's death in 2009, with the bulk from 1966 to 1990. The collection documents Kanovitz's work as a professional artist through biographical material, personal and professional correspondence, writings, interviews, personal business recor...

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Creators:
Kiesler, Lillian, 1910?-2001
Dates:
circa 1910s-2003
bulk 1958-2000
Size:
49.1 Linear feet
0.001 Gigabytes
Collection ID:
AAA.kieslill
Repository:
Archives of American Art

The papers of New York artist Lillian Kiesler and architect and sculptor Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

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Creators:
Eckhart, Percy B. (Percy Bernard), 1877-1969
Dates:
1925-1954
1925-1954
Size:
23 Film reels (14,300 feet, 16mm)
23 Film reels (14,300 feet, 16mm)
Collection ID:
HSFA.2017.05
Repository:
Human Studies Film Archives

Percy B. Eckhart was a lawyer, a prolific oil painter, and a supporter of the arts. Most of the film footage in this collection is of travel, but there is also film footage of his family, and of a fiction film.

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Creators:
Harris, Lyle Ashton, 1965-
Fialho, Alex, 1989-
Dates:
2017 March 27-29
Size:
6 Items (Sound recording: 6 sound files (8 hr., 6 min.), digital, wav)
95 Pages (Transcript)
Collection ID:
AAA.harris17
Repository:
Archives of American Art

An interview with Lyle Ashton Harris, conducted 2017 March 27 and 29, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Harris's studio and home in New York, New York.

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Creators:
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery
Dates:
1961-2006
Size:
50 Linear feet
0.001 Gigabytes
Collection ID:
AAA.parkplag
Repository:
Archives of American Art

The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.

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