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Creators:
Mesches, Arnold, 1923-
Dates:
1939-2015
Size:
13.6 Linear feet
Collection ID:
AAA.mescarno
Repository:
Archives of American Art

The papers of New York City and Gainesville, Florida based painter Arnold Mesches (1923-2016) measure 13.6 linear feet and date from 1939-2015. The collection documents Mesches' politically-engaged career and work process through biographical material, correspondence, writings, gallery and exhibition files, project files, subject files, teaching files, personal business records, printed material, and photographic material. Project files comprise a bulk of the collection and include grant files, activism files, project notebooks, and over 100 art project files containing drawings, source material, and photographic material for individual artworks.

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Creators:
Kleiman, Devra G.
Dates:
1967-2010
Size:
14.5 cu. ft. (14 record storage boxes) (1 document box)
Collection ID:
Accession 11-124
Repository:
Smithsonian Institution Archives

This accession consists of materials documenting the research and professional activities of conservation biologist Devra G. Kleiman, 1952-2010. Kleiman began her professional career in 1972 as the first female scientist at the National Zoological Park (NZP) where she was hired to manage the zoo's captive breeding program. In 1982, Kleiman bec...

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Creators:
Robert, C. Truax, 1917-2010
Dates:
1929-2005
bulk 1980-2000
Size:
11.99 Cubic Feet
12.95 Linear Feet (21 Legal Size Boxes, 1 Slim Legal Size, 3 Shoe Boxes, 1 Flat Box)
Collection ID:
NASM.2016.0008
Repository:
National Air and Space Museum Archives

Robert Truax was one of the great originals of American rocketry and a major proponent and inventor of ultra-low-cost rocket engine and vehicle concepts.

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Creators:
Ojeda, Naúl, 1939-2002
Dates:
circa 1960-2004
Size:
5.5 Linear feet
Collection ID:
AAA.ojednaul
Repository:
Archives of American Art

The papers of Washington, D.C. painter and printmaker Naul Ojeda measure 5.5 linear feet and date from circa 1960 to 2004. The papers document Ojeda's personal and professional life through biographical materials, correspondence, professional files, printed and broadcast materials, scrapbooks, and artwork.

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Creators:
Bridgewater, Herbert Ford, 1908-1970
Bridgewater, Leon Archibald, 1905-1968
Harrell, Charles Henry, 1878-1948
Harrell, Mary Bridgewater, 1893-1981
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Dates:
1880-2017
undated
Size:
21 Cubic feet (64 document boxes, one oversize folder)
Collection ID:
NMAH.AC.1385
Repository:
Archives Center, National Museum of American History

Papers and photographs documenting the lives and descendants of Samuel and Mamie Anderson Bridgewater of Helena, Montana.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Singer Manufacturing Company
Singer Company (The), (Fairfield, New Jersey)
Dates:
1927-1983
bulk 1960-1977
Size:
11 Cubic feet (3 oversize folders, 20 boxes)
Collection ID:
NMAH.AC.0169
Repository:
Archives Center, National Museum of American History

The bulk of the collection consists of renderings of sewing machines and related products by industrial designers such as Henry Dreyfuss, Robert P. Gersin, Eliot Noyes, and Malcolm S. Park; by designers of Singer's in-house design department; and by consultants to the firm. Materials include decals, photographs, negatives, patents, and renderings and sketches. This collection documents the influence of industrial design on Singer sewing machines as well as other household products such as vacuum cleaners.

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Creators:
Wood, Beatrice
Dates:
1894-1998
bulk 1930-1990
Size:
26.6 Linear feet
Collection ID:
AAA.woodbeat
Repository:
Archives of American Art

The papers of California ceramicist Beatrice Wood measure 26.6 linear feet and date from 1906 to 1998, with the bulk dating from 1930-1990. There is extensive correspondence with gallery owners, fellow artists, clients, friends, and family. The collection also contains biograpical materials, personal business records, writings, printed materials, photographs, and works of art. Of particular interest are the 28 diaries that Wood maintained from 1916 until her death in 1998 and 42 glazing formula notebooks dating from 1934-1997. Also found are documents of Steven Hoag and Esther Rosencranz, her husband and aunt respectively, that consist of correspondence, business records, and photographs given to the Archives of American Art as part of the Beatrice Wood papers.

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Creators:
White, Robert, 1921-2002
Dates:
1889-2003
bulk 1915-2003
Size:
8.4 Linear feet
0.846 Gigabytes
Collection ID:
AAA.whiterobe
Repository:
Archives of American Art

The papers of New York sculptor Robert White measure 8.4 linear feet and 0.846 GB and date from 1889-2003, with the bulk of the material from 1915-2003. The collection documents White's varied career as a sculptor, educator, painter, and illustrator through biographical material; extensive correspondence; project files; personal business records; notes and writings; sketchbooks and sketches by Robert White and others; printed and digital material; audiovisual material; artifacts; and photographs.

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Creators:
Porterfield, Jeanne
Chickering, Lisa
Dates:
1954-2015, undated
Size:
38 film reels
7 sound tape reels
5 electronic discs (dvd)
1 videocassettes (u-matic)
5 videocassettes (digital betacam)
67.86 Linear Feet
18 sound discs (vinyl)
4 cassette tapes
Collection ID:
HSFA.2015.16
Repository:
Human Studies Film Archives

The Lisa Chickering and Jeanne Porterfield collection documents their work as travel filmmakers, photographers, and writers from 1954-2015. Their films are an example of the travel lecture film, a genre which combined silent travelogue films with live narration. Chickering and Porterfield presented their films throughout the United States and Canada in the 1960s and 1970s before turning to freelance still photography and travel writing in the early 1980s. The audiovisual and photography collection begins with their first joint travels in the 1950s and covers a range of their professional activities through the early 2000s, mainly encompassing original travel footage, edited travelogues, and travel still photography. Supporting documentation includes film scripts, lecture recordings, personal and professional manuscripts, financial and professional records, and a substantial amount of newspaper and magazine articles which serve as a record of the press generated by and about Chickering and Porterfield.

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