11900 records — Page 169 of 1190
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Creators:
Lytton Center of the Visual Arts
Dates:
1961-1969
Size:
2 Linear feet
Collection ID:
AAA.lyttcent
Repository:
Archives of American Art

Correspondence, 1963-1980, exhibition records, 1966-1968, and photographs.

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Creators:
Newport Harbor Art Museum
Dates:
1965
Size:
0.8 Linear feet
Collection ID:
AAA.newpharb
Repository:
Archives of American Art

Shipping, tour, and installation information, correspondence, sound recordings (8-track, sound tape reels), and 2 motion picture film reels related to the exhibition "An Art Experience," conceived and selected by curator Sterling Holloway for children.

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Creators:
Danysh, Joseph A., 1906-1982
Dates:
circa 1980
Size:
0.2 Linear feet ((ca. 250 p.))
Collection ID:
AAA.danyjose
Repository:
Archives of American Art

Typescript of Danysh's unpublished reminiscences regarding his experiences in the 1930s as Western Regional Director of the WPA Federal Art Project. Notes and drafts are also included. Danysh provides candid portraits of many WPA artists and administrators.

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Creators:
Carlen, Robert, 1906-1990
Stover, Catherine
Dates:
1985 June 28-July 16
Size:
67 Pages (Transcript)
Collection ID:
AAA.carlen85
Repository:
Archives of American Art

An interview of Robert Carlen conducted 1985 June 28-July 16, by Catherine Stover, for the Archives of American Art.

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Creators:
Duveen, Albert
Dates:
1807-1946
Size:
1.1 Linear feet
Collection ID:
AAA.duvealbe
Repository:
Archives of American Art

The Albert Duveen collection of artists' letters and ephemera measures 1.1 linear feet and dates from 1807 to 1946. Unrelated letters written by over 170 mostly 19th and early 20th century American artists are found in this compiled collection of art critic, dealer, and collector Albert Duveen. Additional ephemera includes printed material and photographs of artwork.

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Creators:
Davis, Stuart, 1892-1964
Dates:
1934-1940
Size:
0.8 Linear feet
Collection ID:
AAA.davistua
Repository:
Archives of American Art

The papers of painter Stuart Davis measure 0.8 linear feet and date from 1934 to 1940. The collection is comprised of correspondence that includes letters from Yasuo Kuniyoshi, Arnold Blanch, Rockwell Kent, and others regarding Pablo Picasso's statement against the fascist dictatorship in Spain, as well as a letter from Davis to Picasso inviting him to speak at the 2nd Annual American Artists' Congress meeting. Also found are files from Davis's position as editor of Art Front magazine; membership files documenting Davis's activities with the American Artists' Congress, Fine Arts Federation of New York, the New York World's Fair Artists Committee, and other organizations; printed materials; a project file for the Federal Art Project; and editorials. Additional items include an article manuscript and a draft of a letter to Ben Shahn suggesting that Downtown Gallery artists provide funding to Edith Halpert in order to open another gallery.

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Creators:
Chagoya, Enrique
Karlstrom, Paul J.
Dates:
2001 July 25-August 6
Size:
95 Pages (Transcript)
Collection ID:
AAA.chagoy01
Repository:
Archives of American Art

An interview of Enrique Chagoya conducted July 25-August 6, by Paul Karlstrom, for the Archives of American Art.

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Creators:
Zagorin, Perez
MacCarthy, Laura
Dates:
2007 January 17-18
Size:
61 Pages (Transcript)
Collection ID:
AAA.zagori07
Repository:
Archives of American Art

An interview of Perez Zagorin conducted 2007 January 17-18, by Laura Orgon MacCarthy, for the Archives of American Art, at Zagorin's home, in Charlottesville, Virginia.

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Creators:
Wessels, Glenn A. (Glenn Anthony), 1895-
Ferbraché, Lewis
New Deal and the Arts Oral History Project
Dates:
1964 February 14
Size:
54 Pages (Transcript)
Collection ID:
AAA.wessel64
Repository:
Archives of American Art

An interview of Glenn Anthony Wessels conducted 1964 February 14, by Lewis Ferbraché, for the Archives of American Art.

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Creators:
Philbrick, Allen, 1879-1964
Dates:
1902-1990
Size:
0.4 Linear feet ((on a partial microfilm reel))
Collection ID:
AAA.philalle
Repository:
Archives of American Art

Correspondence consists primarily of letters, 1902-1987, from Philbrick to his future wife, concert pianist Edith Kellogg, in which he describes his travels to Naples, Capri, Spain, and his studies in Paris. Two receipts are from the Academie Colarossi, 1905, and the Adams Davidson Galleries, 1990. Printed material consists of clippings, 1918-1980,...

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11900 records — Page 169 of 1190