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Creators:
Manly, Charles Matthews, 1876-1927
Dates:
1895-1925
bulk 1903-1915
Size:
0.9 Cubic feet (2 legal document boxes)
Collection ID:
NASM.1999.0004
Repository:
National Air and Space Museum Archives

This collection consists of material relating to Manly's aeronautical career, specifically his work with Samuel Langley's Aerodrome. The material consists of programs, publications, newspaper clippings, work notebooks, waste books, (mostly letterpress) and correspondence between Manly and the aviation and Smithsonian communities, circa 1885-1925. Correspondents include the following personalities: Glenn Curtiss, Carl Myers, Charles Walcott, Frank Lahm, Cyrus Adler, Augustus Post, and Samuel Langley.

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Creators:
Currier, Thomas, 1906-1986
Currier, Terrence P.
Granville, Bonita
Warner, H.B.
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Dates:
1928-1986.
Size:
0.5 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.1120
Repository:
Archives Center, National Museum of American History

Thomas Currier (1906-1986) and his partner Max Zides (1904-1975) formed the radio, vaudeville, night club and television song and patter duo known as Hum (Zides) and Strum (Currier). The collection documents the career of Currier and Zides as Hum and Strum.

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Creators:
Bellcomm, Inc.
Dates:
1959-1972
Size:
81.71 Cubic feet (222 letter document boxes, 1 slim letter document box, 4 flatboxes)
Collection ID:
NASM.XXXX.0093
Repository:
National Air and Space Museum Archives

This collection contains the non-book portion of Bellcomm's Technical Library. The material in the collection consists of technical reports prepared by NASA subcontractors and/or NASA facilities during the first decade of space exploration (1960-1970). The collections also includes some reports issued by the California Institute of Technology's Jet Propulsion Lab (JPL) at Pasadena, CA, including Space Program and Research Summaries, as well as technical and engineering documents.

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Creators:
Koppelman, Chaim, 1920-2009
Dates:
circa 1930s-2006
bulk 1942-2005
Size:
4 Linear feet
Collection ID:
AAA.koppchai
Repository:
Archives of American Art

The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.

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Creators:
Patterson, M. Marvin Breckinridge
Dates:
1932, circa 1960s-1970s
bulk 1932
Size:
113 Photographic prints ((0.4 cubic feet), black and white, 8 x 10 in. or smaller )
3 Photographs ((1 folder), color)
7 manuscripts (document genre) ((4 folders), publications)
47 contact sheets ((0.2 cubic feet), black and white)
Collection ID:
EEPA.1985-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection measures 0.65 cubic feet, dates from 1932 - circa 1970s, and is primarily comprised of photographs taken by M. Marvin Breckinridge Patterson during her trip with Olivia Stokes Hatch from Capetown, South Africa, to Cairo, Egypt in 1932. The photographs document the peoples of Africa in Egypt, Kenya, South Africa, Sudan, Tanganyika (now Tanzania), Uganda, Congo (Democratic Republic) and Zanzibar, including the Baila, San, Shona, Xhosa and Zulu peoples. There are also some publications and contact sheets in the collection.

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Dates:
1958-1992
Size:
5.9 linear meters.
Collection ID:
Record Unit 106
Repository:
Smithsonian Institution Archives

These records include tape recordings made or received by the Office of Public Affairs, usually of Smithsonian events or by Smithsonian staff. They also include tapes made of animal sounds for the National Museum of Natural History Audioguide and other tapes received by the Archives, regardless of origin. Some of these recordings come from co...

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Creators:
Musical History, Division of (NMAH, SI)
Cadwell, Paul, 1889-1985 ((banjoist))
Reed, Frances
Dates:
1883-1980
Size:
12 Cubic feet (28 boxes)
Collection ID:
NMAH.AC.0387
Repository:
Archives Center, National Museum of American History

The bulk of the collection is music for the five-string banjo, often with piano and/or second banjo accompaniments. Almost no sheets have cover illustrations. Many editions are British and rarely have copyright dates.

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Creators:
Swanton, John Reed, 1873-1958
Dates:
1908-1931
Size:
63 Pages
Collection ID:
NAA.MS4199
Repository:
National Anthropological Archives

Contents: "The Magic Dogs." Chitimacha text with interlinear literal English translation and interlinear running English translation. Autograph document. 46 pages. Text with interlinear English translation . Typescript document with A. notations. 7 pages. "Story of u-st' upu." Chitimacha text. Autograph document. 1 page. Chitimacha text with interl...

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Creators:
Child, Edwin Burrage, 1868-1937
Dates:
1902-1936
Size:
2.2 Linear feet
Collection ID:
AAA.chiledwi
Repository:
Archives of American Art

The photographs of painter Edwin Burrage Child measure 2.2 linear feet and date from 1902-1936. Included in this collection are original photographic prints and copy prints; 101 negatives; 59 glass plate negatives; and one folder of miscellaneous papers including a sketch by Edwin Burrage Child. Photographs depict artwork, interiors, furniture, and people.

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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