352 records — Page 18 of 36
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Creators:
National Museum of American History. Department of Public Programs
Dates:
circa 1977-1994
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 96-001
Repository:
Smithsonian Institution Archives

This accession consists of the records of Shirley E. Cherkasky, who served as Coordinator of Performance Programs at the National Museum of American History (NMAH), Department of Public Programs, from 1983 to 1995. Also includes records that date back to when Cherkasky was Director of Museum Programs in the Division of Performing Arts, 19...

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Creators:
National Museum of American History. National Numismatic Collection
Dates:
circa 1921-1989
Size:
26.91 cu. ft. (26 record storage boxes) (1 tall document box) (3 oversize folders)
Collection ID:
Record Unit 359
Repository:
Smithsonian Institution Archives

This record unit consists of correspondence and memoranda pertaining to publications, exhibitions, acquisitions, numismatic conferences in foreign countries, and materials on loan; annual reports of the Division of Numismatics; budgetary files; American Numismatic Association convention information; exhibition scripts for the Hall of Monetary ...

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Creators:
National Museum of American Art. Office of Program Support
Dates:
1947-1981
Size:
146.04 cu. ft. (5 record storage boxes) (280 document boxes) (1 5x8 box) (1 film box) (2 oversize folders)
Collection ID:
Record Unit 321
Repository:
Smithsonian Institution Archives

The records of the Office of Program Support, National Museum of American Art, 1965-1981, with related records from 1947, were received in the Archives from 1981 through 1994.

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Creators:
Wilbur H. Burnham Studios
Dates:
circa 1904-1991
Size:
35.9 Linear feet
Collection ID:
AAA.wilbhbur
Repository:
Archives of American Art

The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 35.9 linear feet and date from circa 1904-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material.

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Creators:
Nengudi, Senga, 1943-
Dates:
1947
circa 1962-2017
Size:
12.8 Linear feet
11.24 Gigabytes
Collection ID:
AAA.nengseng
Repository:
Archives of American Art

The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger; and audio and video recordings, including recordings of performances.

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
circa 1984-1991
Size:
99.46 cu. ft. (97 record storage boxes) (1 document box) (2 16x20 boxes) (1 tall document box)
Collection ID:
Accession 91-164
Repository:
Smithsonian Institution Archives

This accession consists of production elements and records, maintained by Sandra Wentworth Bradley, created for "Smithsonian World," an educational television series that explored people, ideas, and events that shape world culture, blending art, science, history, and the humanities to create an exciting harmony among disciplines. The productio...

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Creators:
Ofcansky, Thomas P., 1947-
Dates:
1678-circa 2005
Size:
1 Booklet (sheet music)
30 Engravings
6 Photographic prints
6 Posters
1 Drawing
2 Documents
12 Maps
Collection ID:
EEPA.2015-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from 1678 to circa 2005 and consists of 58 maps, engravings, posters, original documents and photographs related to East, Central and South Africa. There is a special focus on Ethiopia (Abyssinia), Tanzania and the Sudan, and the collection's subjects include East African geography, history, political affairs and African leaders, as well as European (German, Italian, British) and American colonization, exploration and warfare in Africa.

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Creators:
Cornell, Joseph
Dates:
1750-1980, bulk 1930-1972
Size:
196.8 Linear feet
186 nitrate negatives
Collection ID:
SAAM.JCSC.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

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Creators:
Kyriazis, Dimitrios, 1933-2001
Dates:
between 1950-1974
Size:
3,797 negatives (photographic) (black & white, 35 mm.)
12 negatives (photographic) (color, 35 mm.)
1,590 slides (photographs) (color)
5,407 items (contact images (2 v.), black & white)
20 items (transparencies (framed), color, 4 x 4 cm.)
794 negatives (photographic) (black & white, 6 x 6 cm.)
399 negatives (photographic) (color, 6 x 6 cm.)
764 items (transparencies, color, 6 x 6 cm.)
1 manuscript (document genre) (1 v., 8 x 10 in.)
Collection ID:
EEPA.1999-005
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Dimitri Kyriazis while at the Institute for Ethiopian Studies, Addis Ababa, from ca. 1950 through the end of the reign of Emperor Halie Selassie I in 1974.

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Creators:
American Academy in Rome
Dates:
1855-2012
Size:
65.9 Linear feet
Collection ID:
AAA.ameracar
Repository:
Archives of American Art

The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.

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352 records — Page 18 of 36