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Creators:
Porter, John C.
National Museum of American History (U.S.). Division of Armed Forces
Navarre, Jack B., 1925- (merchant seaman)
Dates:
1943-2001
Size:
0.5 Cubic feet (3 boxes)
Collection ID:
NMAH.AC.0405
Repository:
Archives Center, National Museum of American History

The collection documents individuals who served in the Merchant Marine's and Navy between 1943 and 1946.

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Creators:
Waddell Gallery
Dates:
1961-1978
Size:
6.5 Linear feet
Collection ID:
AAA.waddgall
Repository:
Archives of American Art

The records of the Waddell Gallery, a contemporary art gallery that was located in New York City, date from 1961 to 1978 and measure 6.5 linear feet. The records include administrative files, correspondence, artists' files, and sales and stock records.

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Creators:
Adelman, Lucy
Dates:
1971-1992
Size:
13 Linear feet
Collection ID:
AAA.artspac
Repository:
Archives of American Art

The records of Los Angeles Art Space gallery measure 13 linear feet and date from 1971 to 1992. The majority of the collection consists of the gallery's exhibition files which contain correspondence, clippings, exhibition catalogs and announcements, slides, photos, invoices, price lists, loan records, and other materials. There is also correspondence with artists and organizations, financial and administrative records, and slides of artwork and exhibitions.

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Creators:
Metropolitan Museum of Art (New York, N.Y.)
Dates:
circa 1910-1940, 1950s
Size:
21.3 Linear feet ((51 document boxes))
Collection ID:
SAAM.Photo.MET
Repository:
Smithsonian American Art Museum, Research and Scholars Center

Originally assembled by the Metropolitan Museum of Art for study purposes, this collection is comprised of 2,790 black-and-white photographs documenting the work of 250 sculptors.

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Creators:
National Museum of American History (U.S.). Division of History of Technology
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering
Garrett, John W. (John Work), 1820-1884
Baltimore and Ohio Railroad Company
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Dates:
1827-1987
Size:
33 Cubic feet (76 boxes, 46 map-folders)
Collection ID:
NMAH.AC.1086
Repository:
Archives Center, National Museum of American History

The collection consists of correspondence, invoices, drawings, photographs, and negatives and other printed literature documenting the Baltimore and Ohio Railroad from its inception in 1827 to its merger with the Chesapeake and Ohio Railroad in the 1960s.

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Creators:
Ellis, Estelle
Dates:
1942 - 2004
Size:
29 Cubic feet (42 boxes)
Collection ID:
NMAH.AC.0423
Repository:
Archives Center, National Museum of American History

Estelle Ellis is a pioneer in publishing, advertising, and marketing. She was among the first to focus on the American female demographic, especially teens and working-class women. Condé Nast Publications, Incorporated, Carter Hawley Hale-owned department stores, Phillips-Van Heusen, Dow Chemical, and the Kimberly-Clark Corporation were among her clients. The Papers include business correspondence and proposals, marketing materials, advertisements, and oral history interviews with Ellis.

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Creators:
Gordon, Elizabeth, 1906-2000
Dates:
1958-1987
Size:
3 Linear feet
Collection ID:
FSA.A1988.03
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1790-1965
bulk 1840-1945
Size:
4.58 Cubic feet (consisting of 10 boxes, 1 folder, 3 oversize folders.)
Collection ID:
NMAH.AC.0060.S01.01.Lumber
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Museum of American History (U.S.). Division of Electricity and Modern Physics
National Museum of American History (U.S.). Division of Mechanisms
Tainter, Charles Sumner, 1854-1940
Hartsook Studio (San Diego, Calif.)
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Dates:
1878-1937
Size:
2 Cubic feet (6 boxes)
Collection ID:
NMAH.AC.0124
Repository:
Archives Center, National Museum of American History

Charles Sumner Tainter has been recognized as the father of the talking machine, and much of the material in this collection represents his experimental work on the graphophone. Alexander Graham Bell, Chichester Bell, and Tainter established the Volta Laboratory Association in 1881. This collection presents a comprehensive picture of the early development of the phonograph and Tainter's substantial contributions to the project.

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Creators:
American Federation of Arts
Dates:
1895-1993
bulk 1909-1969
Size:
79.8 Linear feet
Collection ID:
AAA.amerfeda
Repository:
Archives of American Art

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

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