Milne Ramsey papers
A biography of Ramsey written by his daughter, Beatrice Dubois; an 1882 exhibition catalog from the Pennsylvania Academy of Fine Arts; an invitation; a postcard from the Chapellier Gallery, New York City; and a clipping.
King W. Vidor papers
The papers of King Vidor measure 2.1 linear feet and include correspondence, printed material, and a variety of materials related to the documentary Metaphor: King Vidor Meets Andrew Wyeth (1980) written and directed by Vidor, including production notes, photographs, and motion picture film.
Benjamin West collection
This collection measures 0.3 linear feet and consists of 19 items dated 1771-circa 1879, relating to expatriate painter Benjamin West. West, who settled in London and was renowned for his portraits and his paintings of historical events, was the first internationally known American painter. The collection provides scattered documentation of West's activities including during the time of his appointment as historical painter to King George III, and contains letters from West, artwork including 2 engravings of the artist, 2 pages of West's accounts, and a ticket to a lecture at the Royal Academy of Art.
Milton Morriss James papers
This microfilm collection consists of papers compiled by Milton Morriss James on African American artists Laura Wheeler Waring and Henry Ossawa Tanner, as well as on artist Julius Bloch. The compiled papers related to Laura Wheeler Waring include correspondence (1923-1946) regarding commissions, exhibitions, honorary positions, and activities related to State Teachers …
Thomas Anshutz papers
The papers of Thomas Anshutz measure 2.76 linear feet and date from around 1870 to 1942, with the bulk of materials dating from 1880 to 1911. The papers document his education and career as a painter, photographer, and art instructor. The collection is particularly rich in photographs made between approximately 1880 and 1900, when Anshutz and others at the Pennsylvania Academy of the Fine Arts, under the direction of Thomas Eakins (1844-1916), began using photography as an aid in the study of the figure and as studies for paintings. Also found are correspondence, a notebook with scattered sketches, a handful of clippings regarding Anshutz's career, and scattered notes and printed materials.
Joseph Floch papers
0.2 Linear feet (Addition)
Correspondence, printed material, sketchbooks, photographs, diaries, address books, business records, and exhibition materials.
Leroy Ireland research material on George Inness
Art dealer Leroy Ireland's research material on George Inness measures 2.0 linear feet and dates from 1916 to 2007, with the bulk of the material dating from 1960 to 1971. The collection documents Ireland's research for his book The Works of George Inness: An Illustrated Catalogue Raisonne through correspondence, research files, and photographs of artwork.
Eunice Leopold papers relating to Benton Spruance
Included are letters to Eunice Leopold (1958-1986) concerning loans and gifts of prints by Benton Spruance; a letter from Henri Marceau to Spruance (1963), a letter from Ludwig Bemelmans (1958); letters to Leopold from Spruance (1961- 1967); sound recordings containing a Spruance lecture on prints and printmaking; printed matter relating to Spruance's career including exhibition …
Paul Riba papers
Autobiographical essays; an obituary; awards; letters from the Carnegie Institute, the Society of Illustrators, the Pennsylvania Academy of the Fine Arts, The Cleveland Museum of Art, Milch Galleries, Grand Central Art Galleries, and others; correspondence with Marvin J. Gross, Don Kingman, Karal Ann Marling, Ernest W. Watson, and others; writings …
Dorothea Gilder papers regarding Cecilia Beaux
The Dorothea Gilder papers regarding Cecilia Beaux date from 1897 to 1920 and include correspondence between Beaux and Gilder, scattered printed materials, and two photographs of Beaux with Gilder and other friends. The papers are comprised primarily of correspondence between Cecilia Beaux and her close, life-long friend and intimate companion Dorothea Gilder between 1897 and 1920. The letters recount daily activities, travels, work, social life, attitudes, and aspects of their intimate relationship.