Interview of Robert Motherwell, conducted by Paul Cummings for the Archives of American Art, Smithsonian Institution, at the artist's home in Greenwich, Connecticut November 24, 1971 - May 1, 1974.

An interview of Carol Eckert conducted June 18-19, 2007 by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's home and studio in Tempe, Arizona.

The papers of Chicano painter, printmaker, and educator Eduardo Carrillo measure 3.8 linear feet and date from circa 1953-1999, with the bulk from 1975-1997. The collection is comprised primarily of artwork and teaching materials, along with some biographical material. Biographical material includes birth and marriage certificates, writings by Carrillo and others, a portrait photograph, documentation of properties and building projects in Mexico, and some miscellaneous correspondence. Also included are obituary and memorial materials including a digital video recording documentary about Carrillo. Professional files include documentation of courses taught by Carrillo on Mexican art history, as well as educational exhibitions and films he produced, and studio documentation. Subject files on various topics in Mesoamerican Art support Carrillo's teaching of Mexican Art History. Printed materials include invitations catalogs and posters for exhibitions of Carrillo's work as well as his extended community of artist friends. The Artwork series includes early career and student artwork by Carrillo, along with original posters and a printing plate by Carlos Cortez, and artwork by friends and students.

An interview of Frank Okada conducted 1990 Aug. 16-17, in Seattle, Wash., by Barbara Johns, for the Archives of American Art Northwest Asian American Project. Okada discusses his parents' background; his family including his brothers, John, author of "No-No Boy," and Charlie, a graphic designer; traveling to Japan for the Pacific Northwest Artists ...

The papers of artists and educators Stefan Hirsch and Elsa Rogo measure 19.6 linear feet and date from 1851 to 1986, with the bulk of the material dating from 1920s to the 1960s. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. Hirsch and Rogo's artistic, teaching, and journalism careers are documented through biographical materials, correspondence, writings and notes, professional files, printed materials, photographs and motion picture films, and sketchbooks and other artwork.

The papers of printmaker, etcher, and painter Blanche Lazzell (1878-1956) measure 4.6 linear feet and date from 1893 to 1986, with the bulk of the material dating from 1901 to 1940. Found within the papers are biographical materials; correspondence with family, friends, and colleagues; writings; five diaries; scattered personal business records; printed material; artwork; photographs; and artifacts.

The papers of Massachusetts lithographer and etcher Elizabeth Campbell Fisher Clay measure 1.9 linear feet and 0.057 GB and date from circa 1873 to circa 2015, with the bulk of materials from 1890 to 1930. This collection includes biographical materials, correspondence, writings, fifteen diaries, six travel diaries, teaching files, artwork, printed materials, and photographs.

The papers of artist Ellen Lanyon measure 62.6 linear feet and 84.47 GB and date from circa 1880-2015, bulk 1926-2013. Biographical material; correspondence; interviews; writings; journals; project files; teaching files; exhibition files; personal business records; printed and broadcast material; scrapbooks; photographic material; artwork; sketchbooks; as well as sound and video recordings and digital material, provide a comprehensive view of Lanyon's career and of art circles in Chicago and New York. Correspondence with artists and friends make up a significant portion of the collection. Project and exhibition files reflect her professional and artistic career. Thousands of slides and photographs document her life and artwork over seven decades, and over seventy sketchbooks are filled with student sketches, portraits of friends and family, and preliminary drawings.

The papers of African American abstract expressionist painter, arts administrator and educator Arthur Monroe measure 22.6 linear feet and 6.3 gigabytes and date from circa 1940 to 2019. Monroe was the registrar at the Oakland Museum and American Studies professor at University of California, Berkeley and San Jose State University. This collection documents his career through biographical material, correspondence, writings, FESTAC records, professional files, research files, teaching files, printed material, and photographic material.

The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.